Private style portrait photography skills?

This article will teach you some related shooting skills of private portrait photography. Don't miss it if you want to make a pure and sexy work. Next,

Private style portrait photography skills?

This article will teach you some related shooting skills of private portrait photography. Don't miss it if you want to make a pure and sexy work. Next, please enjoy the information I collected for you.

: lighting control

Let's give a simple example, such as shooting in a room with windows. Should the position arrangement of characters be biased towards lighting or framing? Personally, I think that if the light is beautiful, it must be polarized. You can simply change the scene, such as moving the bed to the right position and then shooting. But most of the time, the scene can't move, so we should use flash to create the effect of natural light. For example, I will use a flash lamp and a soft umbrella to illuminate from behind the characters, and try to simulate the backlight or side backlight effect of natural light. I should pay special attention to the position, direction, height and other details of the light to match the gesture of the character. At this time, it is necessary to give the characters proper positive light and pay attention to controlling the light ratio.

In addition, there are some places to pay attention to.

1. Don't use the standard mask directly, and don't let the light shine directly on the model, because the photos taken in this way are light, which will cause the loss of dark details.

2. When shooting in the form of backlight, be sure to avoid the lens suffering.

3. Don't blindly use reflected light to get soft light. Many people like to hit the wall with a flash and then shoot with reflected light. I seldom do this myself, because there are many factors to consider, such as the texture of the wall and the color of the tablecloth, which will affect the final picture texture and color performance.

When I took this photo, a thunderstorm suddenly started, and it was dark outside. So put a flashlight with a soft umbrella behind the model to simulate the effect of sunlight coming in from the window, slightly open the distance and expand the sense of space in the picture.

Grasp the feeling

To be different, change is essential, and it is also important to grasp the details. The most fundamental point is that the photographer must integrate his feelings into the photos and give the picture an idea. The more appropriate the idea, the better the feeling of the photo. Every time you take a photo, you should have a different starting point in your mind and plan it, and then take this "point" to shoot. Of course, don't confine yourself to yourself, don't say that you can only see one point of interest in your eyes, and then shoot it completely bluntly. For example, when I used to shoot, if I found the model's eyes particularly attractive, I would first take a close-up and then keep pressing the shutter around my face or upper body. But now I won't do it. I will realize the overall collocation through modeling, atmosphere contrast and picture structure, including the relationship between lighting and foreground and background. Although her eyes are still bright, she "turned a corner" on the screen, so the photos taken will give people a better feeling.

You can emphasize the exaggerated character posture and highlight the dramatic shooting effect. We should pay attention to the inherent rationality of the characters' limbs and emotions, and pay attention to the combination and echo of points, lines and planes.

: the key "50%"

As for "beauty", my understanding is that she is first of all an intuitive visual feeling, which simply means that it can make people feel very comfortable and beautiful. This kind of "beauty" can be the facial or body language of the characters themselves, the feeling of light and color, or an atmosphere created by the whole picture.

Even in photos that emphasize "beauty", the characters are only a part of the whole, so don't understand them in isolation. From this perspective, we must not take the model itself too seriously. Because once you pay too much attention, you will often ignore many other things. I have always believed that beauty, no matter how powerful, should only account for half of the weight in the picture, and the other half lies in the overall collocation, such as theme, emotional placement, makeup modeling, the coordination of scenes and props, shooting techniques, picture structure and so on. These factors determine the feeling that the final picture can convey.

This is why the same model can be photographed by different photographers, and the same model can also show different styles. With what? This is the other 50% in the picture. If you want to take a beautiful and personalized beauty photo, you need to work hard on this half, not just on people's performance. If you have ever complained that you can't take good photos because the model is not good. Then ask yourself, what else have we noticed besides models?

Sexiness has countless forms of expression, or trigger points. Just like the "private beauty" of the old secret, there is always a strong pure beauty temperament, which is quite tortuous and obscure on the level of sexy expression. As he said, beauty, no matter how powerful, only accounts for half of the weight in the picture, and it is not limited to paying attention to people themselves, so that we can really find the focus of expression.

: the edge of vulgarity

This is a subject that is easy to be vulgarized, either beautiful or sexy. In fact, the more simple and easy to operate the subject matter, the less you should pick it up and shoot it. You should have internal control and make it refined through different themes and different forms of expression.

This "vulgar" has two meanings. In addition to blindly "vulgarity", lack of expression is also a kind of "vulgarity". If the photographer does not have a deep understanding, does not form his own ideas and effective plans, but only shoots with a very common and single understanding, it will inevitably lead to a series of problems, including conception, exhaustion, beauty and so on. Such photos are ugly.

The focus of processing is to shoot the theme, that is, to find a suitable point and expand imagination on this basis. For example, you can find an "image" from the shooting content; You can find the characteristics of personality, appearance and occupation from the model; Or enlarge a small bright spot on elements such as scenes and props. It doesn't need to be complicated and profound. Even if this is not very suitable, you can try it first, and then look for inspiration collision or correction in the shooting process to make the photo more attractive.

Personally, I like the faint, quiet and pure beauty makeup style, which makes the characters show introverted temperament and put them on the sexy performance level. This kind of beautiful photo should not be a direct visual impact, but should have some winding and secluded flavor.

: Use the environment to create an atmosphere

When shooting in a room, it is really not easy to highlight the characters and give consideration to the environment, and at the same time, let the two organically integrate and echo in an emotional atmosphere. Before shooting, I will get to know the scene first. The starting point of observation is: how to give full play to the characteristics and atmosphere of this scene under the existing conditions.

The site is limited by depth, lighting and various interference factors. But we must realize that these points are inherent in the scene itself and it is difficult to fundamentally improve, so we must be flexible when shooting.

1. Improving the picture by changing the position and perspective is the most fundamental solution. Pay attention to the composition of points, lines and surfaces, and pay attention to the balance of the picture. Even if the space is limited, don't blindly emphasize broadening your horizons and avoid excessive exaggeration and deformation. We can find something with a sense of structure, seek hierarchy from it, and thus obtain the extension of space.

2. The combination of props, scenes and characters is very important, so you should learn to use local materials. For example, when a model makes up, she looks for something suitable for the foreground or background of the room, with emphasis on structure and color.

Let's go back to the characters themselves. When the scene space is compact, the distance between the photographer and the characters is closer and the emotional communication is more subtle, so the atmosphere of the scene must be handled well. In particular, let the model relax, such as playing some music when shooting, and don't have too many assistants or irrelevant people present. In addition, we should pay more attention to the preparatory work in the early stage, and shoot step by step and rhythmically according to the plan and communication in advance. Being anxious will make everyone nervous, and the emotional atmosphere will become empty talk.

High-angle overhead shooting, but the picture maintains a positive and peaceful visual experience, and props are not exaggerated to form a more complete structural form to match the pure and sweet temperament of the characters.

: thinking

Indoor lighting must follow the idea of from big to small. Don't set the lights at the beginning, observe first, focus on the overall situation, set the tone and then adjust the details. For example, first of all, we should look at the orientation of the house and consider the specific situation of natural light during shooting to determine the general position arrangement of the characters. That depends on the size of the room. The smaller the space, the stronger the reflected light from the wall, and the greater the influence on the picture. Combined with the wall material, color and other factors, combined with the needs of framing and composition, the light quality of the scene is comprehensively judged, so as to determine the lighting scheme.

When taking beautiful indoor photos, most environments are not complicated, such as studios, hotel rooms, or ordinary home environments. You should try to use some natural light, you can use artificial light, but don't show too many traces, and the overall feeling should be unified.

Many photographers have their own favorite ways of using light. For example, a considerable part of my beauty photos are in the form of backlight, or the picture feeling of backlight is stronger than positive light intensity. I like this effect very much. The whole photo feels very transparent and pure. This light tone will make the audience feel that the atmosphere of the scene is very strong. In addition, it can better grasp and control the details of the environment and abandon interference.

When shooting, you must try more, and you may find some distinctive things and tastes in the attempt. But for different themes, we must use different skills and methods to deal with them, which also needs attention.

It depicts the graceful silhouette and subtle expression of the characters, and the blank space behind it makes the contemplative eyes more expressive. In order to avoid high-profile blank feeling, a diagonal line imitating the glass frame was added in the later period, which echoed the gauze curtain pulled by the characters.

The above is all the contents collected online. Friends who like the internet should come often.