Traditional Culture Encyclopedia - Hotel reservation - Ask for detailed information about the costume design, performance and funds of Guilin Color Tone Drama?
Ask for detailed information about the costume design, performance and funds of Guilin Color Tone Drama?
20 10 065438+25 10 Guilin "colorful carving garden" colorful carving art heritage exhibition base was recently unveiled. On the one hand, "Caidiao Garden" should undertake the work of protecting, inheriting and carrying forward the intangible cultural heritage of local operas such as Caidiao, on the other hand, it should devote itself to creating more local fine repertoires such as Caidiao, which are loved by the masses and dedicated to the people, so that local operas such as Caidiao can truly "benefit the people through culture".
Colored carvings originated in Guilin and were selected into the first batch of national intangible cultural heritage list published by the State Council. Commonly known as "tune", "where is hehe" and "tea picking" among the people, it has a history of more than 300 years.
Tone, originally called "tone". It is a local opera loved by people of all ethnic groups in Guangxi and one of the local operas in Guangxi Zhuang Autonomous Region. It belongs to the lantern opera system, originated from the rural songs and dances and rap in Guilin, and is widely distributed. There are about 500 kinds of color-coded dramas, namely, one-man show, rival show, big flirt, three minor shows, leading show and rival show. Colored dramas are popular in Guilin, Liuzhou, Hechi and Baise. Due to dialect differences, there are different names in different places: Guilin is called "Lantern", "Colored Tone" and "Singing Lantern"; Pingle, Lipu, Liuzhou and Hechi are called "tea picking dramas" and "flirting"; Baise and Nanning are called "big tea-picking operas", "harmony operas" and "harmony operas" ... but "flirting" and "tea-picking operas" are the most common. 1955 was named "color flirting" when he participated in the Beijing mass music and dance performance.
At the end of the Qing Dynasty and the beginning of the Republic of China, after the color tone developed into a drama, there were thirty-six plays, such as Hunting Birds, Seeing the Heart Three, Mother Songnv, Doubles Shop and Wang.
Tone-Present Situation and Dilemma
According to the personage in the theater circle, it is hard to see the artistic scenery of Guangxi color tone that once swept the whole country again. Under the impact of the market economy, hundreds of color-coded art groups have been dissolved, with only a few professional troupes such as Guangxi Color-coded Troupe, Liuzhou Color-coded Troupe and Guilin Color-coded Troupe. Although these troupes are still struggling to carry on the family line, they are all facing the embarrassing situation of tight funds, brain drain and rapid decline in script quality.
Mo Ruiyang, former director of Yizhou Archives Bureau, said with great anxiety: "Now, it is difficult to save this cultural heritage by organizing colorful cultural performances. The income of each performance is not enough to maintain the livelihood of the actors, let alone cultivate new stage talents and deeply process the scripts. At this rate, within a few years, the art of color modulation will wither or even disappear. " How to take the road of hue? Without a market, it is a common phenomenon that it is difficult to sustain. Chang Jianjun, chairman of Guangxi Dramatists Association and director of Guangxi Art Creation Center, believes that Guangxi color tone art is an indispensable part of China traditional culture gene pool, and should be "ecologically protected" and developed on the basis of protection. The repertoires launched during the performance of Yizhou Caidiao Opera have been carefully carved, which are fine products and brands, so they have attracted so many audiences and won so many applause. From this, it can be seen that the key to the survival and development of color flirting is to have good plays and more fine works, with "whether the masses are satisfied or not, whether they like it or not" as the fundamental standard. Efforts should be made to implement the boutique strategy and create artistic masterpieces with national characteristics, the spirit of the times and strong artistic shock.
Some experts from the Drama Writers Association of the China Federation of Literary and Art Circles believe that there are no psychological and technical difficulties and problems in Guangxi's timbre art. By taking the development road of combining national artistic creation with artistic innovation, drawing lessons from China and even western musicals and operas, strengthening planning and taking the market-oriented road, Guangxi's timbre art can completely go out of Guangxi and go to the world.
Experts believe that Guangxi color tone art has the characteristics of national comedy, stage, expression close to life, strong folk accent, unique artistic value and commercial value, and has a "selling point". We can take the road of government guidance, social sponsorship and market operation, and launch the brand of Guangxi tonal art through various forms of tonal art and cultural activities.
Experts also suggest that the existing art groups can be rationally reorganized, resources can be integrated, and at the same time, the self-supporting ability of art colleges can be strengthened and gradually introduced to the market.
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