What do you mean?

"Wen" is well known.

architectural feature

A masterpiece through the ages

Yellow Crane Tower (Yellow Crane Tower)

The mighty Yangtze River meets its longest tributary, Hanshui, in the hinterland of Sanchu, creating a magnificent Wuhan with two rivers separated and three towns interacting. It is located at the eastern edge of Jianghan Plain, and the hills in southeastern Hubei fluctuate between lakes and swamps in Ye Ping. Tortoise and snake are sandwiched between two mountains, and the Yellow Crane Tower is a natural place on the river.

The Yellow Crane Tower is a masterpiece of classical and modern casting, poetic and artistic architecture. At the intersection of mountains and rivers, she embodies the folk customs of the Chinese nation, the spatial consciousness of being close to nature and the philosophical concept of advocating the universe. Climbing the Yellow Crane Tower will not only make you feel happy, but also make your mind and the image of the universe penetrate and blend with each other, thus purifying your mind. This is probably the reason why the beautiful charm of the Yellow Crane Tower has experienced wind and rain and the sun and the moon.

The development of history

The Yellow Crane Tower, which stands towering above the Snake Mountain in Wuchang, enjoys the reputation of "the best scenery in the world", and is also called "the three famous buildings in the south of the Yangtze River" with Yueyang Tower in Hunan and Tengwang Pavilion in Jiangxi (also known as the four famous buildings in the south of the Yangtze River with Xieshou Tower in Xuanzhou, Anhui). The Yellow Crane Tower was built in the Three Kingdoms Period in the second year of Wu (AD 223). Legend has it that it was built for military purposes. Sun Quan built a city to defend himself and looked forward to "ruling the country by force" (hence the name of Wuchang). By the Tang Dynasty, its military nature had gradually evolved into a famous scenic spot, which was visited by literati of all dynasties, leaving many well-known poems. Cui Hao, a poet in the Tang Dynasty, wrote: "In ancient times, yellow cranes carried saints to heaven, but today there is no yellow crane tower. The yellow crane never revisited earth, there have been no long white clouds for thousands of years. Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass. But I looked home, the twilight was getting thicker, and the river waves were filled with sad mist. " Becoming a swan song throughout the ages has also made the Yellow Crane Tower famous.

The original site of the Yellow Crane Tower is located in Huanghefan Head, Sheshan, Wuchang, Hubei Province. 1700 years has been repeatedly built and destroyed, and the last time it was destroyed by a fire in the tenth year of Guangxu in Qing Dynasty (1884). This famous building is full of legends, which makes it even more magical.

According to Lu, the Yellow Crane Tower was originally a hotel opened by the Xin family. Before leaving, a Taoist drew a crane on the wall to thank her for her thousand cups and told her that it could come down and dance for fun. From then on, the guests were full and the business was booming. 10 years later, the Taoist priest came back and played with a flute. The Taoist priest set foot on the yellow crane and went straight to the sky. In memory of the fairy who helped her get rich, Xin's family built a building in her place and named it "Yellow Crane Tower".

There are three different stories about this beautiful fairy tale over the years. The first thought the fairy was Huang Zi 'an, the second thought it was Fei Yi, and the third didn't have the fairy's name. Introduction is as follows:

At first, I thought it was the fairy Huang Zian:

According to the "Southern Zhou County Records", "According to legend, there are immortals driving yellow cranes here, hence the name. It is pointed out that the origin of the naming of Yellow Crane Tower is that there was once a fairy named Zi 'an who passed by this place by yellow crane, so it was named Yellow Crane Tower.

Second, thought it was fairy princess:

According to "Atlas", "Yesterday, Fei Yi went to the immortals, tested the Yellow Crane, and still rested here, so it became a famous building. It is believed that the origin of the naming of the Yellow Crane Tower means that Fei Yi, who was dismembered as a fairy queen, returned with a yellow crane and rested in this building, so it was named Yellow Crane Tower.

"Taiping Universe" said: "Shu Fei Wenxian ascended the immortal and wanted to drive the Yellow Crane to rest here." This points out that Fei Yi is a native of Shu, and the word "Wen" with Fei Yi is added in front of him. In Biography of the Three Kingdoms of Shu, there is a man named Fei Yi, whose body is immortal. Is it this Shu Fei Wenwei? It is unknown because there are no other records, but because they are all myths and legends, there will be some discrepancies in the records.

Third, say it's a fairy:

This legend is recorded in detail, and it comes from karma. The original text is: "Xin used to sell wine as a business. When a gentleman came, he was tall and in rags. He said quietly to Xin, "Can you drink? Xin didn't dare to quit and drank a big glass. When I was half a year old, the Xin family enjoyed it. One day, Mr. Xin called him and said that he owed wine and he couldn't pay you. So he took a small basket of orange peels and drew a crane on the wall. It was yellow. The sitter clapped his hands and blew, and the yellow crane danced with the law. Everyone paid money to see it. 10 years later, when the Xin family was exhausted, Mr. Hou came to the table. Xin thanked him and said that he was willing to provide him with the best. Mr. Wang said with a smile, "Why did I suddenly take a flute and play a few tricks for it?" After a while, white clouds fell from the sky and painted cranes. The king rode over the crane and built a building in Xin's house, named Yellow Crane. " 」

The general idea of this myth is that there used to be a Mr. Xin who sold wine on weekdays. One day, a tall, ragged and shabby-looking guest came here and asked Mr. Xin calmly, May I have a drink? Mr. Xin did not neglect the other party's rags, and quickly filled a large glass of wine. After half a year, Mr. Xin didn't seem bored because the guests couldn't afford the drinks, and he still invited the guests to drink every day. One day, the guest said to Mr. Xin: I owe you a lot of money for drinks, and I can't pay it back. So I took out the orange peel from the basket and drew a yellow crane on the wall. Then I beat my hands and sang a song. The yellow crane on the wall dances with the song and the beat. Other guests in the hotel paid to watch this wonderful event. Ten years have passed and Mr. Xin has accumulated a lot of wealth. One day, the ragged guest drifted to the hotel again. Mr. Xin came forward to thank him and said, I am willing to support you according to your wishes. The guest smiled and replied, Where did I get this? Then he took out his flute and played some songs. Before long, I saw white clouds falling from the sky, drawing cranes in Bai Yunfei for the guests. The guests climbed onto the crane's back and went to heaven by Bai Yunfei. In order to thank and commemorate this guest, Mr. Xin built a building here, named Yellow Crane Tower.

These three myths not only explain the origin of the naming of the Yellow Crane Tower, but also give us good enlightenment. Because Mr. Xin, the owner of the hotel, doesn't care much about poverty, loves money and doesn't judge a book by its cover, he got help from the gods and became a rich man.

The above are of course myths and legends. During the Three Kingdoms period, this hilltop building built by the river was originally for military needs, and later it gradually became a tourist attraction for literati to meet, entertain guests, make friends, recite poems and enjoy the scenery. Celebrities of past dynasties, such as Cui Hao, Li Bai, Bai Juyi, Jia Dao, Xia Song, Lu You, etc. , has been here, poetry as fu. Cui Hao, a poet in the Tang Dynasty, climbed the Yellow Crane Tower to enjoy the scenery and wrote a masterpiece handed down from generation to generation. A long time ago, the place where the Yellow Crane carried the saints to heaven is now only the Yellow Crane Tower. The yellow crane does not return to the world, and the clouds are empty. Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass. But I looked at my hometown, and the twilight was getting thicker, and the mist of sadness was filled on the river waves. "Later, Li Bai also boarded the Yellow Crane Tower and looked at Chutian, with an open mind and great poetic interest. When he was about to start writing poems, he saw Cui Hao's poems. He felt very ashamed and had to say, "There is a scene in front of him, and Cui Hao wrote a poem on it. "Cui Hao wrote a poem, and Li Bai put pen to paper. Since then, he has gained great fame.

By the first year of Yongtai in the Tang Dynasty (AD 765), the Yellow Crane Tower had reached a certain scale, which made many Jiangxia celebrities "feast". However, wars and fires occur frequently, and the Yellow Crane Tower is repeatedly built and abandoned. The last "Lou Qing" was built in the seventh year of Tongzhi (A.D. 1868) and destroyed in the tenth year of Guangxu (A.D. 1884), and has not been rebuilt for nearly a hundred years.

In June 198 1, the Yellow Crane Tower reconstruction project broke ground and was completed in June 1985. The main building is based on Tongzhi Building in Qing Dynasty, but it is bigger and more magnificent. Using modern building technology, reinforced concrete frames imitate wood structures. There are five cornices, a pointed roof and a golden glazed tile roof, with a height of 5 1.4m, a bottom width of 30m and a top width of 18m. Large murals, couplets and cultural relics are arranged on all floors of the building. Outside the building, a number of ancillary buildings such as bronze yellow crane modeling, statue pagoda, memorial archway and porch pavilion set off the main building more magnificently. Climbing up the stairs overlooking, I watched the long river rolling forward, and the three towns had a panoramic view.

Since its establishment, the Yellow Crane Tower has been shaped in different dynasties, but it is majestic and full of personality. Compared with Yueyang Tower and Wangtengting Pavilion, the plane design of the Yellow Crane Tower is an octagon with four sides, which is called "all directions". These figures reveal the symbolic and ethical ideographic functions of numbers in ancient architectural culture. From the vertical direction of the building, the eaves of each floor are directly related to the name of the building, which looks like a yellow crane and is ready to go. The whole building is magnificent and exquisite, full of changing charm and beauty.

"Wen" is well known.

The Yellow Crane Tower is close to the Yangtze River and stands on the top of Snake Mountain. It is tall, straight, brilliant and magnificent, and naturally becomes a world-famous tourist attraction. Celebrities of past dynasties, such as Li Bai, Bai Juyi, Jia Dao, Lu You, Yang Shen and Zhang. Come here to play and write poems. The ancient Yellow Crane Tower "has three floors, with a height of 9 feet 2 feet and a copper roof of 7 feet, * * * becomes the number of 99." The new building is much more magnificent, with five floors and a five-meter-high gourd-shaped treasure top. * * * The height is 51.4m, which is nearly 20m higher than that of Gu Lou. The ground floor of Gu Lou is "15m wide" and the ground floor of the new building is 30m wide. Therefore, the Yellow Crane Tower is not a restoration, but a reconstruction. It retains some characteristics of Gu Lou, but it is more designed according to the current needs and the changes of people's aesthetic standards.

1February, 927, Mao Zedong came to Wuchang after inspecting the Hunan peasant movement and wrote the famous "Bodhisattva Man? Climbing the Yellow Crane Tower: "Nine factions have flown to China, and the sky is empty in the north and south. Misty and rainy, turtles and snakes lock the river. Does the yellow crane know where to go? There are still tourists left "

When the Wuchang approach bridge of Wuhan Yangtze River Bridge 1957 was built, it occupied the former site of Yellow Crane Tower, and now the reconstructed Yellow Crane Tower is located at Sheshanfengling, which is about 1 km away from the former site. * * * Five floors, 50.4 meters high, pyramid-shaped roof, layers of cornices, shaped like a whole. There are other buildings around the main building, such as victory tower, stele gallery and mountain gate. The whole building has a unique national style. Inside the Yellow Crane Tower, layers of styles are different. The ground floor is a large and spacious hall, with caissons as high as 10 meters in the middle. On the front wall is a huge ceramic mural of "White Clouds and Yellow Crane", and couplets up to 7 meters long are hung on the columns on both sides: cool and refreshing, clouds and clouds are comfortable; A river gone forever, the waves washed away the troubles of the past and present. On the front wall of the hall on the second floor, the marble of Yellow Crane Tower written by Yan in Tang Dynasty is engraved, describing the rise and fall of the Yellow Crane Tower and anecdotes of celebrities. There are two murals on both sides of Lou Ji, one is "Sun Quan built a city", which vividly illustrates the birth history of the Yellow Crane Tower and Wuchang City; The other is Zhou Yu's Banquet, which reflects the celebrity activities from the Three Kingdoms to the Yellow Crane Tower. The murals in the lobby on the third floor are "Xiu Xiang paintings" by Cui Hao, Li Bai, Bai Juyi and other famous people in Tang and Song Dynasties, and there are also excerpts from their famous sentences chanting the Yellow Crane Tower. The hall on the fourth floor is divided into several small halls with screens, and contemporary celebrity calligraphy and painting are built in for tourists to enjoy and buy. There are long scrolls and murals such as the Map of the Yangtze River in the top hall.

architectural feature

The new Yellow Crane Tower is more spectacular than the old one. This is because the Yangtze River Bridge, which flies across the river, is in front of us, opposite the 24-story Qingchuan Hotel. This group of buildings complement each other and add a lot of color to Jiangcheng Wuhan. The architectural feature of the Yellow Crane Tower is that the roofs of each floor are staggered and overlapped, and the corners are tilted, as if the crane wings spread their wings. Crane painting is the main part inside and outside the building, with moire, flowers, dragons and phoenixes as the foil. The front wall of the lobby on the first floor is a huge ceramic mural with the theme of "White Clouds and Yellow Crane". The surrounding space shows important documents about the Yellow Crane Tower in past dynasties, landscape prints of famous poems, and replicas of paintings of the Yellow Crane Tower in past dynasties. The halls from the 2nd floor to the 5th floor have different themes, with their own characteristics in layout, decoration and display. Walking out of the outer corridor of the fifth floor hall, you can look around and have a wide view. Nearly 90 meters above the river, the scenery on both sides of the strait is vivid and refreshing. The snake mountain area where the Yellow Crane Tower is located has been turned into the Yellow Crane Tower Park. Many flowers and trees have been planted, and some buildings such as archways, pavilions, corridors and so on. There is a poem tablet gallery, which contains many stones engraved with the works of famous poets in past dynasties. The ancient scenic spots around Sheshan will be restored one after another. The Yellow Crane Tower will become the symbol of Wuhan, the central city in central China.

A masterpiece through the ages

Yellow Crane Tower

Cui Hao

The fairy of the past has flown away by the yellow crane, leaving only an empty Yellow Crane Tower. The yellow crane never revisited earth, there have been no long white clouds for thousands of years.

Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass. But I looked at my hometown, and the twilight was getting thicker, and the mist of sadness was filled on the river waves.

Note: Qingchuan refers to the Han River that shines during the day. Hanyang: Hanyang District, Wuhan City, Hubei Province, located at the angle between the Yangtze River and Hanshui River, facing the Yellow Crane Tower in Wuchang across the river. Parrot Island: Located on the Yangtze River in Erli, southeast of Hanyang, it is gradually washed away by the river. At the end of the Eastern Han Dynasty, Huang Zu killed Miheng and was buried in the mainland. Mi Fei once wrote "Parrot Fu", which was later called Parrot Island.

A brief analysis of attracting readers into the past and returning to reality with rich imagination. All kinds of feelings and natural scenery blend together, and no one can but feel its sadness and desolation. This poem has always been highly praised by people and is listed as the first of the seven laws in the Tang Dynasty.

Legend has it that Li Bai traveled around the world in his prime, leaving poems everywhere. When he boarded the Yellow Crane Tower, he was fascinated by the beautiful scenery upstairs and downstairs. When he was about to write a poem as a souvenir, he suddenly looked up and saw Cui Hao's poem upstairs:

The meaning of this poem is: all the immortals in the past flew away with the Yellow Crane, leaving only an empty Yellow Crane Tower here; The yellow crane never revisited earth, I saw a thousand years of white clouds; Hanyang trees are clearly visible in the sun, and Nautilus Island is covered with green grass. It is getting late. Looking into the distance, where is my hometown? In front of me, I saw a mist hanging over the river, which brought people deep sorrow.

This poem is full of scenery before writing, and lyrical after writing, which is natural. Even a generation of Li Bai, who is known as the "Poet Fairy", can't help admiring again and again, and thinks it is better to stop writing for a while. To this end, Li Bai also sighed with regret and said: "There is no good scenery in front of me, and Cui Hao wrote a poem on it!"

In the Yuan Dynasty, the new Biography of Talented Talents in Tang Dynasty recorded that Li Bai once wrote poems on the Yellow Crane Tower. When he saw Cui Hao's works, he closed his hand and said, "The scenery in front of him can't be seen. Cui Hao wrote a poem on it." Legend or attachment of later generations may not be true. But Li Bai did write poems twice to imitate this poetic style. The first four sentences of his poem Nautilus Island say: "The parrot crossed the Wujiang River eastward, and its name spread to the upper reaches of the river. The parrot flies to Longshan in the west, and the tree of Zhou Fang is He Qingqing. " Just like Cui Shi. There is also a poem "On the Phoenix Terrace in Nanjing", which is obviously copied. Because of this, many poets have a reputation of oral communication. For example, Yan Yu's Canglang Poetry says, "Cui Hao's Yellow Crane Tower should be the first of seven-character poems in the Tang Dynasty." Gal, Cui Hao's "Yellow Crane Tower" is even more famous.

The Yellow Crane Tower is named after its Yellow Crane Mountain (also known as Snake Mountain) in Wuchang. Legend has it that in ancient times there was a fairy who crossed here by yellow crane (see Zhi); It is also said that Fei went to the immortal to drive a crane (see "Taiping Universe", quoted from "Tu Jing"). Poetry is to think about the origin of the name of a building, from legend to writing, and then grow out. What is the fairy crossing the crane? What is it now? If it is said to be "gone forever", there will be regrets that the years are gone and the ancients are gone; The fairy went to the empty building, leaving only the white clouds in the sky, which lasted for thousands of years and could show the boundless generosity of the world. The poet's strokes describe the feelings that people who boarded the Yellow Crane Tower at that time often felt, with boundless spirit and sincere feelings.

There used to be a saying that "writing is based on qi". The first four sentences of this poem seem to be spoken casually, spinning in one breath and going down the trend without hindrance. The word "Yellow Crane" appears repeatedly, but because of its momentum, readers "wave five strings to see Hong Fei" and read on in a hurry, which is a taboo in metrical poems. The poet seems to have forgotten that he wrote the seven laws of "floating before cutting", and every word has a fixed tone. Try it: the five or six words in the first couplet are the same as "Yellow Crane"; The third sentence is almost all snoring; The fourth sentence ends with a three-level tone such as "empty leisurely"; No matter any confrontation, it is based on the syntax of ancient poetry. Is this because the seven laws were not finalized at that time? No, there are already seven standardized laws, which were written by Cui Hao himself. Is it the poet who deliberately writes disharmonious laws? Not necessarily. He is different from Du Fu's later metrical poems in that he deliberately created his own tune. It seems that I still ignored it. As Lin Daiyu said when she taught people to write poems in A Dream of Red Mansions, "If there are strange sentences, even the truth is wrong." Here, Cui Hao practiced according to the principles of "focusing on intention" and "not hurting meaning with words", which is why he wrote such a rare poem in the Seven Laws. Shen Deqian commented on this poem, thinking that "the meaning is like the first, the implication is between the lines, and he writes with a vertical pen, so he is good at making great achievements through the ages" (Volume XIII of Tang Poetry), which means this.

In the first half of this poem, put things right, and in the second half, I wrote about what I saw and felt in the building, and wrote about the homesickness caused by the grass and trees overlooking Hanyang City and Nautilus Island from upstairs. This is put first and then collected. If you just let nature take its course, don't accept it, don't stick to the rules, and don't return to the meter, then it's not seven tones, but seven ancient ones. This poem seems to be divided into two parts, but in fact, the text is always focused from beginning to end, with only one breath in the middle. This seemingly continuous connection is also the most organized from the perspective of the beginning, inheritance, transformation and combination of rhythmic poetry. When discussing that the second couplet of legal poems should be attached to the first couplet, Yuan Yang wrote several poets and legalists: "This couplet should be broken (the first couplet), like a dragon ball, and should be firmly adhered to." This is the case in the first four sentences of this poem, which tells the legend of a fairy riding a crane. Couplets and puzzles embrace each other and are integrated. Yang Zai also said that the "turn" of the neck couplet: "Avoid the meaning of the former couplet, and change it, such as thunder breaking the mountain, the viewer is amazed." The metaphor of thunder is intended to show that there should be a sudden change in the first five or six sentences, which is unexpected. At the turning point of this poem, the style turns from right to right, and the realm is completely different from that of the former couplet, which just meets this requirement of the law. The sudden death of a native Syrian yellow crane gives people a feeling of unknowability. Suddenly it became a grass tree in Qingchuan, and I can vividly see the scene in front of Manchuria. This contrast can not only dye away the sadness of those who climb the building and overlook, but also make the literature change. It is also in line with the law of poetry to let poetry return to the invisible state at the beginning to cope with the "combination" in front, such as the tail of a leopard.

It is precisely because of its superb art and great success that this poem is regarded as the swan song of the Yellow Crane Tower, which is understandable.

Later, Li Bai went upstairs, also full of poetry. When he found Cui's poems in the building, he repeatedly shouted "wonderful, wonderful!" " According to legend, Li Bai wrote four "doggerel poems" to express his feelings: "Hit the Yellow Crane Tower with one punch, and kick over Parrot Island with one foot. There is a scene in front of him in which Cui Hao wrote a poem. " I stopped writing. Young Ding laughed at Li Bai: "The Yellow Crane Tower is still intact, but it can't be beaten." Li Bai also explained in a poem: "It's really a disaster. It was only because the yellow Crane Immortal cried to the Jade Emperor that the Yellow Crane Tower was rebuilt, and the yellow Crane Immortal returned upstairs. " It's really serious. That's great. Later generations built a pavilion on the east side of the Yellow Crane Tower, named Li Bai's Writing Pavilion, to show his ambition. On the double eaves, it re-entered the Tao and became a place for Yan You. In fact, Li Bai's love for the Yellow Crane Tower is hard to find. He is passionate and even called it "one guest in Qingyun, three guests in Yellow Crane Tower". Mountains and rivers depend on humanities, and the name of Yellow Crane Tower is more prominent.

Listen to the flute playing on the Yellow Crane Tower and the piano playing in the stone pheasant.

Lipper

Once people take a back seat, like Jia Yi in Changsha, they look far and wide, but they can't see Chang 'an or their hometown. There was a flute sound of "Plum Blossom" from the Yellow Crane Tower, and another drop of plum blossom was seen on the river bank in May.

This is what Li Bai did when he exiled Yelang to Wuchang in the first year of Gan Yuan (758). This poem is about visiting the Yellow Crane Tower and listening to the flute, which expresses the poet's exile abroad. Jia Yi in the Western Han Dynasty was relegated to Changsha by the powerful minister for accusing the current politics. Li Bai was also implicated in the Li Lin incident in Wang Yong, and was exiled to Yelang on the charge of "disobedience". So the poet quoted Jia Yi as a homonym. "One is to move the capital to Changsha", which is to use Jia Yi's misfortune to compare his own experience, to reveal the resentment of innocent victims, and also to mean self-defense. But the political blow did not make the poet forget the state affairs. On the way to exile, he couldn't help looking to Chang 'an in the west. There are memories of the past, worries about national luck, and attachment to the imperial court. However, Chang 'an, Wan Li, is a long way away, how far is it from the relocated people! I can't help but be disappointed if I don't see it. When I heard the flute playing plum blossoms on the Yellow Crane Tower, I felt particularly desolate, as if the Jiangcheng in May was full of plum blossoms.

The poet skillfully used the flute to render sadness. Wang Qi quoted Guo Maoqian's Yuefu poems to illustrate the theme: "Plum blossoms are also a tune in the flute." In May and early summer in Jiangcheng, of course, there are no plum blossoms, but because the flute of plum blossoms is beautiful, it seems to see the scene of plum blossoms falling all over the sky. Plum blossoms bloom in winter, and although the scenery is beautiful, it inevitably gives people a feeling of awe, which is a portrayal of the poet's cold mood. At the same time, it also reminds people of the historical legend that Zou Yan was imprisoned and suffered great injustice. The expressive technique of linking music with musical images is what poetic theorists call "synaesthesia". The poet thought of plum blossom from flute, appealed to vision from hearing, and interwoven with synaesthesia, depicting the desolate scenery consistent with the cold mood, thus effectively setting off the sad mood of returning home and homesickness. Therefore, it is insightful to comment on this poem "Infinite Love Blows in the Flute" in the direct interpretation of Tang poetry. Shen Deqian in Qing Dynasty said: "It is more important to keep your mouth shut when you are away from feelings. They only pay attention to the prospect and oral language, but there are overtones that make people out of reach, too white and meaningful. " (Volume 20 of Tang Poetry) This seven-character quatrain is good at "words are close to feelings, but words are not revealed", which makes people hear the poet's argot from the perspective of "blowing the jade emperor" and "falling plum blossoms".

In addition, the unique artistic structure of this poem is also very good. Poetry is written with the feeling of listening to the flute, but not in the order of smelling the flute and feeling, but feeling first and then smelling the flute. The first half describes the typical action of "looking west", vividly expressing the feeling of missing the imperial city and the sadness of "looking but not seeing". In the second half, I heard the flute, which revealed the bleak scene of "plum blossoms falling in May in Jiangcheng", and used the scenery to express emotion, so that the scene before and after lived together.

On May 8, 2007, Wuhan Yellow Crane Tower Park was officially approved by the National Tourism Administration as a national 5A-level tourist attraction.

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