"Langtaosha Beidaihe" is a poem written by a proletarian revolutionary in China, which vividly depicts the summer and autumn at Beidaihe seaside.

Langtaosha Beidaihe is a word created by a proletarian revolutionary in China, which vividly depicts the magnificent scenery of Beidaihe seaside at the turn of summer and autumn and shows the broad mind of a generation of great men. Proletarian revolutionaries are:

Mao Zedong

Langtaosha Beidaihe

original text

Rain falls on swallows,

White waves are surging,

Fishing boats outside Qinhuangdao.

Without Wang Yang,

Who do you know?

More than a thousand years ago,

Wei Wu whipped,

There is a legacy of Jieshi in the East.

Today is the bleak autumn wind again.

Changed the world.

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The heavy rain fell on the secluded swallow, and the waves surged into the sky. Fishing boats outside Qinhuangdao have long been out of sight in the undulating Wang Yang, and I don't know where they have drifted.

After a thousand years, Cao Cao, Emperor Wu of Wei, mounted a horse and waved a whip, and traveled eastward to Jieshi to recite poems. The autumn wind is rustling today, but the world has changed its face.

To annotate ...

Youzhou: Ancient Youzhou and Yan State are located in the north and northeast of Hebei Province.

Wei Wu: Cao Cao, Wei Wudi.

Jieshi (Jie): Jieshi Mountain, outside Beidaihe, near the Bohai Sea. It was still on land in the Han Dynasty and sank into the Bohai Sea in the Six Dynasties.

Legacy: refers to Cao Cao's poem Looking at the Sea. Cao Cao went north to the Fifth Ring Road in Jian 'an 12 (AD 207) and passed through Jieshi Mountain. Cao Cao climbed the mountain to watch the sea, and wrote four poems "Walking out of Xiamen", including one "Jieshi watches the sea in the east ... the autumn wind is bleak and the waves are rough".

From the beginning, the word showed people magnificent natural scenery. The sentence "heavy rain falls on the secluded swallow" is empty, giving people the feeling that the rain is like a drum arrow; Secondly, the "white waves are overwhelming", with increasing momentum, thunderous waves and surging mountains. "Heavy rain" and "white waves" fly down and soar, touching each other, and the wind is roaring, sweeping away the clouds and rain, adding fuel to the fire. It is really magnificent.

In "Langtaosha? In the first part of Beidaihe, the great man wrote: "There is no Wang Yang outside Qinhuangdao. Who do you know? "It tells the good memories of the great man talking with the old fisherman, and also entrusts the great man with care and love for the safety of fishing boats at sea. The great man is in "Langtaosha? The second part of Beidaihe mentioned Cao Cao, which sublimated Cao Cao's bleak autumn wind into "the bleak autumn wind came again and changed the world", which made people feel a strong heroic passion.

The first two sentences of the last film, one is looking up and the other is looking forward to it. With the change of visual angle, the spatial picture also changes from land to sea and from top to bottom. The last three sentences are the gradual passage of sight from near to far, which is very layered. The first sentence of Fishing Boat Outside Qinhuangdao responded to "Youyan", pointed out the location and matched the topic. The artistic conception of "fishing boat" and "you can't see a piece of Wang Yang, so you can know who to go to" may also be taken from the description of the stormy waves by the ancients, but "Langtaosha" is a poem written in refined rhetorical sentences, which turns reality into fiction and controls complexity with simplicity. It's a stroke of genius! Instead of writing about people and ships, it is better to put small images in a vast and huge space, further highlighting the ferocity of rendering "white waves" and highlighting the indistinguishable, chaotic and cliff-free scenes in the wind and rain, thus expanding the spatial capacity of the works and showing a broad and profound sense of the universe.

In the first part, the scenery is full of emotion, while in the second part, it is lyrical and full of emotion. Outside Qinhuangdao, there are white waves and Wang Yang everywhere. This scene here and now will naturally remind people of 1700 years ago when Cao Cao climbed Jieshi Mountain to watch the sea and the famous poem "Watching the Sea". "Cao Cao is a very capable person, at least a hero." (Lu Xun's "Wei and Jin demeanor and the relationship between articles and medicinal liquor") At the end of the Eastern Han Dynasty, powerful people began to fall apart. "Snobbish makes people fight, and heirs are also self-defeating." (Cao Cao's Hao) After years of melee, the people are in trouble. The rise of Cao Cao's great talents depended on the emperor as a vassal. After decades of fighting, he finally swept away the clan warlords and powerful forces that split the regime, unified the northern part of China, promoted the development of production, and played a certain progressive role in history. At the same time, he is also a famous writer, and his poems are "vigorous and powerful enough to cover everything" (Qing Liu Xizai's "An Introduction to Art" shows his political ambition, great talent and enterprising spirit, and also reflects the miserable life of the people at the end of the Han Dynasty, which is the first of its kind in Jian 'an literature. The next film of this word begins with nostalgia, reverses time and space with a phrase "the past goes back to a thousand years ago" and shows the picture of history. And "Wei Wu wields a whip, Jieshi is in the east" is like a vivid silhouette, which simply and vividly outlines the majestic posture of Cao Mengde riding a whip and climbing mountains and wading into the sea. "Whipping" is a typical dynamic image with rich connotations. As a fragmented process, it summarizes the military career of the characters galloping on the battlefield and fighting in the south and the north. As an instant action, it shows the personality characteristics of the characters, such as heroic, unrestrained, brave and heroic. "Legacy" refers to Cao Cao's poem "Watching the Sea", and "East Boundary Stone" is the first sentence of the poem. Introduce words, change "I" into "He", dig out new meanings, and condense profound historical content in a concise form. The sentences in "Whipping" and "Jieshi" have rich meanings, including dynamic pictures of heroes, horses, mountains and rivers, the sky and the sea, acoustic effects of whipping, hooves, wind, waves and poetry, showing a kind of beauty of strength and spirit, and containing the author's positive aesthetic feeling and evaluation of historical figures' martial arts and literature.

The time span of the next film is enormous. The first three sentences go back to the distant past, and the fourth sentence flies in the autumn wind, bringing it back to the present, from the past time and space to the real time and space. The bleak autumn wind is also quoted from Cao Shi's original sentence, and the connection between history and reality is reversed by "today is again". The author seems to be talking to historical figures more than a thousand years ago: You see, the bleak autumn wind you described has risen again, and the sea is still magnificent, but what about social reality? -"changed the world." "The wall stands in Qian Shan, and the thorns rise high in the sky" (Han Cao Zhi's "Seeing Home"), and "Going out without seeing, the white bones cover the plain" (Wang Han's "Seven Wounded Poems") is the old dark world; "Before the pigeon dance, the masses of workers and peasants were boundless", "Equality and freedom became cooperation, and the Xiongnu Nanzhao was more important" (Liu Yazi's "Huanxisha"), which is a brand-new bright world. "A louse is born in the first place, and all surnames are dead", "There are hundreds of people left behind, and reading it breaks people's intestines" (Cao Cao's Hao Lixing), which is the past era; "A cock crows, the world is white, the joy of ten thousand parties plays in the sky, and the poet's prosperity is unprecedented" (the great man "Huanxisha? And Mr. Liu Yazi "), is today's era. Isn't this more worthy of "OK, Lian, singing and singing" ("Looking at the Sea")?

The word is at the end. "Changing the World" is a discussion, a feeling and a description, which greatly shows the poet's victory and lofty sentiments of advancing with the times, is meaningful and lingering, and leads readers to infinite time and space to explore endless implications.