How to make rational use of the characteristics of scenery and film and television world

Because the distance between camera and video camera is different, the range of the subject in the movie screen is also different. Scenery is generally divided into five types, from near to far: close-up (above the shoulders), close-up (above the chest), middle view (above the knees), panorama (all the human body and surrounding background) and perspective (the environment where the subject is located). Scenery refers to the difference in the range of the subject due to the different distance between the lens and the subject in the movie screen. Generally speaking, there are five kinds of scenes, from near to far, which are close shot (above the shoulder), close shot (above the chest), middle shot (above the knee), panorama (all of the human body and its surrounding background) and distant shot (the environment where the subject is located). In the film, the director and photographer use the complicated and changeable scene scheduling and lens scheduling alternately to use different scenes, which can make the narrative of the film plot, the expression of the characters' thoughts and feelings and the handling of the relationship between the characters more expressive, thus enhancing the artistic appeal of the film.

Photographers usually use lenses without depth of field to shoot different scenes. The following is the reference correspondence between the scene and the camera aperture:

Farewell to the panoramic close-up, close-up, close-up and close-up of the middle scene.

Aperture (wide aperture) 221618 5.64 2.8 21.4

5.6 The sliding hole is the center line, which is good in all aspects to the left, but not to the right. Aperture reflects illumination, depth of field and resolution, and also affects color reproduction.

If the light hole is wide open, it will be all lost. Because of the light hole, the flash is not as good as sunlight.

The panoramic view on the left is called panoramic series scenery, and the middle close-up view on the right is called close-up series scenery. Panoramic series scenery is painting, painting composition, freehand brushwork, atmosphere and lyricism. It is the relationship between point, line and surface. It is the scenery that gives priority to, supplemented by people, and there are many environments, and people point to it. Use the horizon relationship when shooting. Select the time of the light. Character is the expression of position and form. No position, no light, no position, no composition. Color matters more, not less. It should be beautiful and concise, with lines, truth, light and shade, cold and warm contrast, and rich levels. The picture should have an angle to express emotions. The director wants spatial layout, and photography wants to express this relationship. Vision takes its position-artistic conception, taste and rhythm. Exposure is selective. Close-range series is a documentary composition, random and irregular composition, which can be said to be "irregular" and "incomplete" composition, not to mention "open", "closed" and meaningless narration. In shooting, we mainly deal with the relationship between faces, people and backgrounds. People first, scenery second. Shooting is mainly about composition of characters. What is a composition? Is the relationship between graphics and the edge of the picture. ) Be careful with the light. Performance is an expression performance, a local performance. Focus on color contrast. Angle and action express characters. To express the details of the action, render the details. Close shot takes its essence-expression, shape and mentality. The two groups of landscapes have different functions, so we should master the law. Don't fight when filming, the things you shoot are not good. Be careful when designing, but be detached when shooting, make changes, and don't leave your ancestral home. Do not compete. The middle shot is a transitional shot. Reason:

1, the lens has cut off the most attractive leg and the human body is incomplete.

2. Because of the scope of the picture itself, the expression of people and environment is not outstanding.

3. Its visual impact is not great. Example: Ashes of Time, Maggie Cheung's memory of Tony Leung Ka Fai. Different scenes, the light can not be exactly the same, it must be hypothetical. As long as the close-range light conforms to the overall atmosphere, it doesn't matter if the direction is opposite. Don't compete. This paragraph could have been cut into Tony Leung Ka Fai's reaction, which would have a new meaning or overlap, but now it is not. The highest principles of stitching are reaction and reaction. There is something wrong with the lens concept of this scene. All subsequent changes have not been explained. You can explain it or not, which embodies the concept of lens. * * * Four shots. The question is why the long shot should be long: the content, lines, actions and scheduling of the play should be changed in order to attract the audience continuously. The position of the light beam in the panorama can be higher.

Example: "Ashes of Time", I know that after the death of Mrs. Du. Movie example: "Red Lantern Hanging High", newly married. Jing, don't jump in the same direction, jump back and forth. The confrontation and jumping of the two-pole lens. Wide field of vision-close range. Anti-processing of narrative-color, action and environment. The counter-treatment of narrative is first expounded by Jing Bie, and the whole story is written in lyrical, freehand, beautiful and warm colors, but all this must be under the guidance of Jing Bie. There are many elements to choose from in creation, but only a few can be sure of creation, not a hodgepodge. The split shot is subconscious. People can't do anything too deliberately. However, the separation lens series has its inherent stipulation.