Skills of capturing the beautiful scenery of Jiangnan

Skills of capturing the beautiful scenery of Zhouzhuang, an ancient water town in the south of the Yangtze River

Camera: Constellation 45A large-scale technical camera, Rotundus 150mm lens, and Kodak 100VS 120 professional reversal film on the back of Knight 6* 12.

Aperture: F32 Speed: 25 seconds

In fact, the best time to shoot night scenes is not to wait until it is completely dark. Usually, it is most worthwhile to press the shutter when the sky is dark and the tone is dark blue. Contrast and contrast are perfect. A stable tripod is another key to ensure the success of the work, and it is also essential to release it. The best shooting time is fleeting, so don't waste shooting opportunities and increase the failure rate of your works by exposing for too long. Generally speaking, about 30 seconds is enough, and there are several more parameters for photometry.

Suzhou Gardens Stay in Gardens

Camera: Fuji 645WI camera, 45mm lens, Kodak 100VS 120 professional reversal film.

Aperture: F 1 1 speed: 1/30 seconds.

It is particularly important for photographers to appear in the right scene at the right time. Sunrise or sunset will have this warm color. The question is, sooner or later? It is very necessary to survey the shooting point many times. The direction of light, the time of sunrise, the day when ginkgo turns yellow, and by the way, the time of opening the garden, all these conditions have been settled, that is, the aperture, shutter and composition.

Tongli, an ancient water town

Camera: Canon EOS 1D MARK2 camera 70-200F2.8L lens.

Aperture: F4 Speed: 1/40s.

The bridge is the most basic element of the water town, and the silhouette effect is a good idea to avoid the film becoming boring. The lanterns in the foreground and the aura of Jiao Wai are both ways to create an atmosphere.

Guzhen Wuzhen

Camera: blanchard SQ? AM medium format camera 80 mm lens Kodak 100VS 120 professional reversal film

Aperture: F 1 1 speed:115 seconds.

Being lazy will not have any shooting opportunities, and the low color temperature in the morning and evening will bring strong colors to the works. Of course, attractions like Wuzhen, the benefits of getting up early, can also avoid crowded tourists for your camera. Square composition makes the picture stable and rigorous. Photometric shooting according to the brightest part can darken many things that interfere with the line of sight.

Suzhou Gardens Stay in Gardens

Camera: Fuji 645WI camera, 45mm lens, Kodak 100VS 120 professional reversal film.

Aperture: F 1 1 speed: 1/30 seconds.

It is particularly important for photographers to appear in the right scene at the right time. Sunrise or sunset will have this warm color. The question is, sooner or later? It is very necessary to survey the shooting point many times. The direction of light, the time of sunrise, the day when ginkgo turns yellow, and by the way, the time of opening the garden, all these conditions have been settled, that is, the aperture, shutter and composition.

Suzhou Netscape Garden

Camera: Canon EOS40D camera 17-40F4L lens is used.

Aperture: F5.6 Speed: 1/200 seconds.

Without the contrast between light and shadow and reality, this kind of film is boring. Suzhou Garden is a classical building, and it is very bookish. Using light and shadow to create an atmosphere is a clever way. Composition should be concise, photography is always subtraction, and there should not be too many elements in the picture so as not to interfere with the expression of the theme.

Garden Suzhou Art Park

Camera: Fuji 645WI camera 45mm lens Kodak 100VS 120 professional reversal film.

Aperture: F 16 speed:1/60s.

The use of foreground is the basic performance in landscape photography, which can explain the relationship between scenes and echo each other. The unique perspective has a multiplier effect on the subject of expression. Details outside the foreground depend on the aperture size and performance intention, which can be implicit or direct.

Nanxun, the ancient town of Shuixiang

Camera: Canon EOS 1D MARK2 camera 70-200F4L lens.

Aperture: F7. 1 speed: 1/50 seconds.

The shooting angle of this kind of film is the most critical. The commanding heights will provide a completely different perspective for the photos, and the three-dimensional sense and depth will be emphasized. Of course, both boat painting and misty rain need luck, and luck is obtained through countless repeated shots.