Who will tell us more about the movie Confessions and how you feel after watching it?

Confessions Director: Tetsuya Nakashima Type: Plot/thriller Producer Country/Region: Japanese Language: Japanese Film Length: 106 Minutes Release Date: 20106-05 (Japan) Screenwriter: Tetsuya Nakashima/Kanae Minato Starring: Matsu Takako/Okada Masaki/Yukito Nishii/Yoshino Kimura/Mana Ashida/. Moriguchi didn't name the two murderers: Juvenile A and Juvenile B. She didn't intend to take any legal action because she knew that murderers under the age of 14 would be released under the protection of juvenile law. She wanted to teach the murderer the value of life, so she injected blood with HIV into milk for the two suspects to drink ... However, the fact is not as simple as it seems ... The film is adapted from the mystery novel of the same name by newcomer Kanae Minato, and tells a bleak revenge story. Confession is a horror film, not one that stimulates nerves by monsters and broken limbs, but one that makes you feel cold after watching it, and then suddenly feel strange when you see familiar people. At the beginning of the film, there is an unreal slow-motion feeling in the classroom: the students completely ignore the existence of the teacher. When the teacher (Matsu Takako) begins to tell the truth about her daughter's death, the indifference and excitement of the onlookers appear side by side. At the same time, on the roof of the school, some people are besieged, and those immature faces are bloodthirsty, which makes you feel that it is no accident that students kill teachers and children. The main characters are three students and three mothers. Some people are used to blaming their parents for their children's crimes, but Matsu Takako said that this is just an excuse to blame their parents for their children's lack of morality. Everyone should be responsible for their own actions, and the evil inside has nothing to do with age. Therefore, Matsu Takako's revenge on the murderer, that is, the students in her class, directly touched the deepest pain of the criminals, instead of simply killing them, because they simply didn't understand the meaning of life. The critical significance of this film is not limited to homicide cases, but focuses on human nature itself. As a higher organism, human beings advocate "goodness" because it is conducive to the coexistence and reproduction of human beings as a species. The unforgivable sin of pruning trees in the film lies in their contempt for life. The three children in the film are extremely self-centered, and their actions lead to the result of violating the collective will, which leads to collective revenge. This weird class is actually a microcosm of society. Everyone can find their own shadow, such as the idea of becoming famous at all costs, which is staged on the Internet and TV almost every day. Even the class teacher who appeared later, the sunshine boy, was exposed that home visits were not only for the good of students, but also for personal gain, which is probably the most real human nature. Confessions was written by Tetsuya Nakashima, director of Japanese visual department. The tone of the whole movie is dark, and the sky never seems clear, creating a sad artistic conception. Looking back on his life of abandoning pine nuts, I feel that his ability to master heavy themes and make movies by commercial means is really excellent. Japanese intolerance and unrealistic fantasies. Cold and cruel, without the warmth of human nature. Only the Japanese can make such a movie. The style of the film is also like animation. Depressed, absolutely depressed, until the end, also don't give any sunshine. Formally speaking, it is not easy to embody the unique narrative form of the novel to this extent. However, I still feel a little confused. Is it necessary to pay such a high cost for a reluctant and seemingly simple motive-the deviation of loveless teenagers? No feeling, no feeling. It's cruel. The process of revenge is really interlocking. It is inconceivable that a mother who has lost her child is crazy. The psychological distortion of children caused by family reasons is chilling, which should be one of the reasons for school violence and juvenile delinquency. The ending of the film subverts the traditional gameplay! Because of being young. It's a pity that the brain-damaged neuropathy in childhood will not change. Parents who raised cruel brain-damaged children are as guilty as society. For an audience like me who is tired of forgiveness and redemption, this movie is great! It's wonderful to shoot such a true and cruel story with such a clean picture, such a pure face and such passionate music! Enlarge the problem of juvenile delinquency to extreme backswing and folk music movies. I like cloudy days and the cool colors inside. Tetsuya Nakashima and Matsu Takako both tried ways that were contrary to their personal styles. Think about the life of pine nuts you don't like, the story of your next wife, and the story of April, and finally make a breakthrough.