Architecture of Songzhuang Art Museum Talking about Art Museum

Songzhuang painter village is located in the north of Tongzhou New Town, Beijing. 1994, Li Xianting, Fang Lijun and other critics of Yuanmingyuan Art Village settled here, which contributed to the collective migration of Yuanmingyuan artists as the main members. Up to now, a large-scale community of freelance artists has been formed, which has been continuously improved and expanded, and thousands of freelance artists and related professionals from all over the country have gathered. Songzhuang Art Museum, located in Baoxiao Village, songzhuang town, provides a platform for exhibition and communication for Songzhuang Painter Village, a special community. The site is located in an idle industrial land near the Sixth Ring Road in the northwest corner of Baoxiao Village in Songzhuang, with some factories and warehouses scattered around it. In the distance is the base of North China Power Grid, with dense and endless high-voltage lines. The houses nearby are typical northern farmhouses. Because of its special geographical location, Songzhuang Art Museum is more attractive and challenging to build a contemporary art museum and a village-level art museum invested by Bao Xiaocun in a traditional northern village compared with well-known public art museums in most prosperous cities (such as Guggenheim Art Museum in new york, Pompidou Art Center in Paris, China Art Museum in Beijing, etc.). So what kind of design can respect the geographical background of Songzhuang in image and accommodate the unpredictable future art in space? At the beginning of 2005, nearly a thousand artists had gathered and lived in Songzhuang, and the number was still expanding. Artists have become an important part of the village population structure. The art museum built in such a densely populated working and living area will be a temple or church in this future art community, where artists regularly worship and meet. What should this place look like? The first thing to consider is the geographical environment where the art museum is located. The folk houses in Songzhuang are typical farmhouses in the north, surrounded by a large red brick wall. All rooms face the courtyard with lighting, ventilation and privacy. From the outside, each yard is a box surrounded by a big red wall without windows, and there is not much sense of design. We learn from this residential form: the main exhibition and academic space of the art museum is surrounded by a series of square boxes of different sizes, and the light passes through the inner courtyard or the top. The size of the specific space and the size of the wall are set according to the functional requirements. These square boxes leave the ground and float in the air, forming a horizontal and transparent place with the ground, which can accommodate various service facilities and functions of the art museum, such as offices, warehouses, toilets, power distribution and so on. , not only can be used for small exhibitions, but also a relaxed exchange place. As a result, the architectural form presents a sharp contrast: the first floor space has windows without walls, and the second floor space has walls without windows. A layer of transparent glass curtain wall nearly 3 meters high surrounds the building, which makes the indoor and outdoor sight run through. The gray bricks on the ground extend from the square through the double glass to the room. The exhibition can also be extended from the interior of the building to the outdoor sculpture square, emphasizing the invitation and openness of the space, and you can see the landscape around the art museum. All kinds of service facilities are combined with rest benches, weakened into square boxes of furniture scale, European pine board walls with industrial traces, and dark gray rough floor tiles, showing a clear sense of material in one space. The second floor space uses white to dilute the material sense of the space, and light is only the basic element of functional requirements. The art here is the purest scenery. The Art Museum is invested by Bao Xiao Village Committee, with a construction area of about 5,000 square meters and a total cost of about 3,000 yuan/square meter. The building and indoor construction are completed by the village construction team, and the building materials are mainly produced by the village manufacturers. The design started in the spring of 2005, started in the summer and was completed in the summer of 2006. On June 6, 2006, 10, the opening exhibition of the Art Museum was held on the opening day of the second Songzhuang Cultural Festival, and the Songzhuang Art Museum was officially launched. As the first building of the local creative cultural park, the art museum is also an exhibition space that nearly a thousand artists pay attention to, and in a sense, it is a temple of this art community. As a village art museum with the lowest administrative level in the world, as an industrial land on the edge of a village in the suburbs of Beijing, it should be different from the cultural buildings in the metropolis and try to avoid excessive sense of design and form.

As an influential art museum in the field of contemporary art in China, there should be many possibilities in space, including the trend of future art development.

On the basis of given conditions (investment, construction, material possibility and design and construction period, etc. ), we try to simplify such a 5000-square-meter building. Clear function, clear space, simple materials and simple technology. The complexity of structure and construction has not been challenged excessively, and the sense of volume is more important than the sense of form. In this way, limited funds, time and the best construction technology may play a role where they are most needed, avoiding the pursuit of everything. The most important thing is to realize an art museum that is suitable for its function, environment and future. 3.2 1-5.20 got shot-Zhang Xuehai 1999-20 15 exhibition.

5.8 From East to West —— Venice Biennale of Contemporary Art in China (Venice)

6.6-8.9 Venice-Wang Yiqiong's solo exhibition

6.6-8.9 Main Art Exhibition 3.7-4.8 I have been to Songzhuang-Mr. Chang Zongxian's Legacy Exhibition.

3.7-5. 19 pencil-Meng Baishen's solo exhibition

Go to Mars.

5.25-7.20 Riverside Community-1996-2004

7.26-9.2 1 Scissors, Rock and Paper-Youth Art Exhibition in Heiqiao, Huantie and Songzhuang Art District

10.18-12.10 rainbow-bear (20 14) solo exhibition.

12.23 light-how far is the neon exhibition of contemporary art 8.3-9.12-China Contemporary Image Exhibition

8.3-9. 12 Objection-Tian Xiaolei Image Exhibition

8.3 Wei Hong's Works Exhibition-Chapter 13 of Tea Songs

9.28-11.18we:1994-2013 —— 20th Anniversary Special Exhibition of China Songzhuang Artists Cluster.

The Root of the Relationship between11.23-12.5438+05 —— China-Korea Contemporary Art Exchange Exhibition

12.24-20 14 Your World-The Second Contemporary Art Weibo Exhibition (2013) 3.21-5.11Fruitful Flowers-Wushu Works Exhibition

4.8-5. 1 1 Refuting Civilization-Three-person Exhibition

5.26-7.8 Scenery outside the window —— Exhibition of Zhou Yibin's Works

5.26-7.8 Delay —— Exhibition of Liu Gangshun's Works

7.2 1-9.9 Biology and Ecology —— Contemporary Art Exhibition in China and Holland

9.26- 10.7 Art Frontier-Contemporary Art Invitational Exhibition

10.18-12.15 mysterious place-Zhou Kui's solo exhibition in Mao Mao.

10.18-12.5438+05 Not Now-Contemporary Art Invitational Exhibition

9. 1-2.20 @ Songzhuang Art Museum -20 12 (1st) Contemporary Art Weibo Exhibition1.1-4./performance art China literature-1985-20.

3. 12-4. 10 Songshan and Han Rong African Art Collection Exhibition

4.22-5.23 Red Archaeology-Bao Bao solo exhibition

4.22-5.23 Scripture-Mao solo exhibition

6. 18-8.26 The Same Source of Reality-2011Beijing New Media Art Annual Exhibition

10.29-11.29 I believe-contemporary art in China, Songzhuang

10.29-3.13 Post-80s Art Archives (I) 1. 1-3.20 Uncertain Possibility-798 and Youth Works Exhibition in Surrounding Art Communities

4. 18-5.25 20 10 influences the archives exhibition-the new features of field, emotion, nature and unnatural, gathering and memory.

Garbage Besieging the City —— Observation of Wang Jiuliang

8. 1-8.23 micro/life/events-Chen Youtong's solo exhibition

8. 1-8.23 Refractive Brainwashing —— Tan's digital fine printing and installation solo exhibition

8. 1-8.23 automatic! Fully automatic! -Zhuo Fan Man-made Installation Exhibition

9.10-10.10 Contemporary Tibetan Art Exhibition 1.4-4.30 The 4th "Living in Songzhuang-Field Investigation Exhibition of Artists in Songzhuang and Surrounding Areas"

5.24-5.30 The 6th China Literature Exchange Week

The 4th Beijing Queer Film Festival

9. 1-7.3 The 4th Beijing Independent Film Festival

9. 18- 10.36438+0 Chengdu Landing Artists Community Exhibition

9. 18- 10.5438+0 Nanjing Mufushan Artists Community Exhibition

11.14-12.14 solo exhibition in Lin Jingjing: I want to be with you forever.

11.14-12.14 Original Reproduction-Ni Zaiqin's China Ancient Painting and Calligraphy Exhibition 1.8- 1 Source Area-International New Media Art Project (IDAP

3. 15-4. 15 the 2nd "Living in Songzhuang-Artist's Field Work Exhibition" (female version)

5. 1-5. 10 robbery-Chen Jiagang's photo exhibition

5. 1-5.7 The 2nd Beijing Independent Film Exchange Forum

5. 14-6. 14 Korean "Meme Tracker"

6. 15-6.23 Night of Desire-Evergreen Photography Exhibition

6.9-7. 13 My Party-Lin Zhipeng Photo Exhibition

6.6-9.6 The 3rd "Living in Songzhuang-Artist's Field Work Exhibition"

10.19-12.1Memory of Jiangnan-Ink Painting Exhibition 4.30-5.6 China Literature Exchange Week of Songzhuang Art Museum.

6.23-7.23 First "Living in Songzhuang-Artist's Field Work Exhibition" (Donation and Collection Series)

7.28-8.28 "Desire for Image"

9. 15- 10.7 Lv Nan Photography Exhibition

10.18-11.18 Comparative reading between the two sides of the strait.

11.24-12.30 Intention and Concept Wu He Jiang Shuo's Works Exhibition10.6-1.6 Photography Exhibition of Heaven and Earth-Memory of Reality

10.6-1.6 Li Xiaobin: 1976- 1989 documentary photography retrospective exhibition.

10.6-110.6 horror memory-Wu Gaozhong's installation art exhibition

10.6-10.16 "China Independent Film Forum"

11.30-12+0 flowers are not flowers-an eternal fable of life.

11.30-12.5438+0 symbolizes life-Guan Fengdong's works exhibition