Master of modern flower and bird painting

Guan Shanyue (1912.9—2000.7), formerly known as Guan Zepei, was a modern painter in China. 19121kloc-0/was born in Yangjiang City, Guangdong Province on October 25th. 1933 graduated from Guangzhou Normal School and later worked as a primary school teacher. His painting talents were discovered by Gao and absorbed into the Spring Sleeping Painting Academy to study painting. From 65438 to 0939, he participated in the China Art Exhibition held in the Soviet Union with works such as The Fisherman's Robbery. In the autumn of the same year, he held his first solo exhibition in Macau, Hong Kong and Zhanjiang. After that, he set out from Guangdong, passing through Guangxi, Guizhou, Yunnan, Sichuan, Gansu, Qinghai, Shaanxi and other provinces, went deep into life, collected materials, created sketches, held solo exhibitions along the way, sold paintings to make a living and raised funds. He copied murals and studied in Dunhuang Grottoes. This trip to sketch laid a solid foundation for his later artistic achievements. 1946, was hired as professor and director of Chinese painting department of Guangzhou Municipal Art College. During the period of 1947, he made a trip to Nanyang, traveling to Thailand, Malaysia and Singapore to sketch. His works depict tropical scenery and hold a solo exhibition, which is welcomed by overseas Chinese. The following year, he held travel sketch exhibitions in Southwest, Northwest and Nanyang in Hongkong, Shanghai and Nanjing, and published "Guan Shanyue Ji You's Painting Collection" (2 series). 1949 Spring, participated in the art activities of the World Painting Association in Hong Kong. After the founding of People's Republic of China (PRC), he has served as a professor at Zhongnan College of Literature and Art, deputy director of the Fine Arts Department of Zhongnan Federation of Literary and Art Circles, professor and vice president of Zhongnan Academy of Fine Arts, professor and vice president of Guangzhou Academy of Fine Arts, vice chairman of China Artists Association, chairman of Guangdong Branch of Artists Association and president of Guangdong Painting Academy. 1982 was hired by the Chinese University of Hong Kong as an off-campus member of the degree examination committee. He has always insisted on going deep into life and being diligent in creation. His representative works include Newly Developed Highway, Joe Don't Fight for Spring, Green Great Wall, Tianshan Pastoral, Blue Surges to the South, Qilian Mountain Pastoral, Ode to the Long River, There are so many beautiful rivers cooperating with Fu Baoshi, and Hong Kong's return to Mei Baochun. In addition, he also visited Poland, France, Switzerland, the Netherlands, the Soviet Union and other countries, held exhibitions in Japan and Australia, and gave lectures and conducted artistic exchanges in the United States. 199 1 donated to China Artists Association to establish "Guan Shanyue Chinese Painting Teaching and Creation Fund", and donated works to establish Shenzhen Guan Shanyue Art Museum.

Guan Shanyue adheres to the innovative idea of Lingnan School in art, and pursues the sense of the times and the flavor of life. His landscape paintings are ambitious and magnificent; His plum blossoms are like iron, full of flowers, vigorous and heavy, beautiful and elegant. He has published Guan Shanyue's Painting Collection, Sketches of Guan Shanyue and Northeast Fu Baoshi, and Selected Works of Guan Shanyue and Jinggangshan.

Mr. Zhu Qizhan (1892- 1996)

Born in Liuhe New Town, Taicang, Jiangsu Province, on the second day of May in the 18th year of Guangxu reign of Qing Dynasty. His name is Zeng Jun, his name is Zai, and he is looking forward to the old people. Zhai Ming: Meihua Caotang, Pi Fourth Bureau, Acorus calamus House, Lu Wu Xiuzhu. Grandfather, the word Xiangzhou. Business, Confucianism, silence, set up a good hall, set up a seven-righteousness temple, and do more good deeds in the village. My father, Dakun, inherited his ancestral business to run the sauce garden, and he was also charitable all his life. Women's history in the history of Confucian businessmen in Liuhe town. He has published Zhu Qizhan's Paintings, A Talk on Pisju's Paintings, and Zhu Qizhan's Paintings.

Mr. Wang lost his mother when he was eight years old. His father hired a scholar, Tong Songyu, as a teacher to study in my old house in Xinzhen Town. Teachers in children's schools have many talents. Whenever they are free in the library, they paint Zhu Lan to amuse themselves. Mr. Wang was so impressed that he painted himself. Mr. Wang and his mother have deep feelings, and they cry when they think about him. Tong Shushi was amazed, caressed his head, and recited the "Book of Songs Feng Wei" cloud: "I am involved in it, hope my mother!" So I changed my name to Teacher Zhan. From then on, Yu studied hard at home and kept learning painting. About after the victory against Taiwan, at the age of fourteen, Mr. Wang got the support of his uncle and entered Baoshan County School. During this period, he often painted and contributed to Shanghai Times. At the age of seventeen, Mr. Wang graduated from Baoshan County School and was admitted to Shanghai Industrial School (the predecessor of Shanghai Jiaotong University). Pro-school supervisor (that is, principal), a class of famous sinologist Tang. During this period, Mr. Wang continued to teach himself painting where he studied. Master Tang earnestly warned: "When learning Chinese characters and drawing, we must focus on strokes and avoid slipping." For the future, I will devote my life to painting.

Mr. Wang began to learn painting at the age of eight or nine, and pursued art all his life for nearly a hundred years. In Painting in Pisiju, he said: "Over the years, Mr. Yu has always sought for himself with the words" independence ","strength "and" simplicity ". Those who are "independent" are loyal to their own faces and do not follow the portal; Those who are "strong" are absorbed and calm, and they are trying to write, which also includes the author's ideological depth, that is, "heart"; A "simple" person means that the picture is clean and concise, not bound by the world, not persistent and not clingy. It embodies the spirit of endless pursuit, and Mr. Wang's virtues of modesty, openness and diligence are universally recognized. He never thinks that his paintings are better than others, and he has never been satisfied with one of his paintings. He always said modestly, "I can't draw, and I will collapse blindly." "He is not self-styled because of his fame, arrogant because of his age, or intoxicated because of his honor. After more than 100 years of turbulent social changes, Mr. Wang has deep feelings for socialist countries and China. He often said: "Painting used to be a meal, but painting today is an art, creating spiritual wealth for the country. Life in the past was not as stable as it is today. "199 1, Mr. Wang 100 years old, became the oldest member in China. In the presence of party flag, he said: "During the day, we can only open our hearts and unswervingly follow the Party. This is the most solemn and important choice in my life. 1April 20, 996, Mr. Wang died of illness and passed away peacefully, but his artistic strength and moral character will be with the mountains and rivers, and the sun and the moon will be with him. The people in my hometown Liuhe will always miss Mr. Liu.

Tang Yun: 19 10- 1993, a native of Hang Cheng, Zhejiang Province, nicknamed Chen Xia, alias Ye Cheng,,, Lao Ye, Dashi and Dashiweng. His studios are called "Dashizhai" and "Shanleixuan", and he likes painting and calligraphy since he was a child. Before 17, I mainly copied ancient famous paintings. I studied in Hangzhou Huilan Middle School in my early years, 19 years old, and was a Chinese painting teacher in Hangzhou Shi Feng Girls' Middle School. After 1949, he served as deputy secretary-general of Shanghai Artists Association, director of exhibition department, director of Chinese painting department of Shanghai Academy of Fine Arts, appraiser of Shanghai Museum and vice president of Shanghai Chinese Painting Academy. Good at flowers and birds, landscapes and occasional figures. Eight methods of flowers and birds, winter heart and Silla; Landscape painting began with Shen in Ming Dynasty and Shi Tao in Qing Dynasty. What he did was not bound by the details of the object to be described, but he was good at grasping the characteristics, boldly dropping ink and carefully cleaning it up. He was able to combine the massiness of the North School with the detachment of the South School in pen and ink, which was beautiful, free and vivid. His works have been exhibited at home and abroad for many times and published in newspapers and periodicals. Representative works include Sunflower after Sunflower and Cotton Millet. Published "Tang Yun Flower and Bird Painting Collection" and "Selected Sketches of Revolutionary Memorial Sites".

Pan Tianshou

The word (1897- 197 1) means "righteousness", which is also called "thunder breaks the head and seals the life". Zhejiang Ninghai people. Graduated from Zhejiang First Normal University. He used to be a professor at Shanghai Academy of Fine Arts and Xinhua Art College. From 65438 to 0928, he served as the director professor of Chinese painting at the National Academy of Arts. 1945 president of the national academy of arts. 1959 Dean of Zhejiang Academy of Fine Arts. He is full of confidence and perseverance in inheriting and developing national painting. In order to defend the independence of traditional painting, he devoted all his efforts and struggled all his life, forming a whole set of Chinese painting teaching system that influenced the whole country. His art draws on many talents, especially Shi Tao, the Eighth National Congress and Wu Changshuo, and forms a unique personal style. Not only is the pen and ink simple and concise, but it is magnificent and magnificent, with a breathtaking sense of strength and modern structural beauty. He used to be the vice chairman of China Artists Association, a deputy to the National People's Congress, and an honorary academician of the Soviet Art Institute. He is the author of History of China's Painting and Listening to Tian Ge's Painting Essays. He is a generation of master artists and art educators.

Pan Tianshou's painting themes are eagle, lotus, pine, four gentlemen, mountains and rivers, figures and so on. Every painting must have a strange feeling, seeking a balance in structural risks, with simple form and far-reaching implications; Gou's square is long; Mo Yun is thick and light, concise and healthy with a pen.

He is good at freehand brushwork of flowers and birds, landscapes and occasionally works of figures. You are good at drawing eagles, starlings, fruits and vegetables, and pine plums. Boldly put pen to paper, be careful of dyeing. The ink is criss-crossed, and the composition is fresh and beautiful, magnificent and interesting. The picture is smart and fascinating.

Pan Tianshou's finger painting is also unique and has made great achievements. There are many such works, such as Xia Qing, Zhu He and Fang Xin. , refers to the ink flowers, and they are all "lotus flowers reflecting the sun", splashing ink, wiping hands with lotus leaves, and lines hooking the fingertips, which has a vivid charm beyond the pen. When Pan Tianshou paints, every stroke should be carefully scrutinized and meticulous. Under the guidance of the thought of "always remembering things", he learned from each other's strengths and formed his own style. His painting materials are ordinary subjects, but the paintings he began to paint can produce extraordinary artistic appeal. For example, his "Little Dragon Corner", especially the composition in which the main body of the picture, the little dragon, is pressed to a corner, implicitly allows viewers to see the majesty of Lingyan Mountain first and then appreciate the dragon water. This method is in contrast with those methods that make the picture "unobstructed", which not only shows the painter's amazing composition ability, but also expresses the painter's inherent nature for ordinary things.

The value of Pan Tianshou's art mainly lies in his bold creative spirit. He often said, "There are flowers in the grass. Although there is no special ordinary difference, people with wisdom and skills will get the best. " His calligraphy skills are also very deep. He studied Zhong and Yan in his early years, and later took the essence of Wei and Jin inscriptions and ancient seals. He is also good at poetry and seal cutting. I usually paint, write poems, inscribe and print. I am very serious and particular, and I am never careless. He is also proficient in painting history and painting theory, and has written History of Painting in China, Gu Kaizhi, Listening to Poetry in Tian Ge Pavilion and Talking about Silk Screen Printing. Also collected "Listening to Tian Ge's Painting Essays" and so on.

Qi Baishi (1864- 1957), a native of Xiangtan, Hunan Province, was a master of Chinese painting in the 20th century, one of the top ten painters in the 20th century and a world cultural celebrity.

Qi Baishi, 1864 was born in Xingziwu, Baishipu, Xiangtan County, and 1957 died in Beijing on August 23rd, Ding Younian, at the age of 94. The imperial clan sent Chunzhi, posthumous title, Huang, Zi, Lanting, alias Baishishan, and died in the name of Qi Baishi; There are a large number of pen names and self-names, such as Da Qi, Mu Ren, Mujushi, Hongdousheng, descendants of the former residence in the Tang Dynasty, borrowing Shan Weng, borrowing the owner of Yin Shan Pavilion, sending Garden, Pingweng, sending Pingtang Owner, President of Longshan, the rich man of three hundred lithographs, and the owner of Bai Shu Pear Flower.