If there is love in heaven by Andy Lau, I feel a lot of emotion every time I read it. Have you seen it?

This drama is the first time that I suddenly found that Andy Lau has such great charm. It is because of this play that I like watching Andy Lau's movies. Although this movie is very old, I always watch it again and again unconsciously. Every time I watch it, it's a new feeling.

Hong Kong movies have been brilliant, and everyone is more or less feeling that a golden age of Hong Kong movies has passed. In recent years, Hong Kong films have received a lot of rave reviews, but they are also scattered, and their scale and quality are dwarfed by those of Hong Kong films at that time.

However, even though many people say that Hong Kong movies are in their heyday, most people can't tell what has disappeared. Personally, I think, on the whole, Hong Kong films now lack a feeling and a taste.

Specifically, the most obvious performance is good character building; An incomparably strong production lineup and a prosperous film market; Exquisite photographic composition; Compatible soundtrack; The creation of fatalism and the thorough expression of the fate of duckweed-like little people.

If there is love in the sky and if there is love in the sky are not the pinnacle of Hong Kong films in my mind, but if there is love in the sky, there are some unique characteristics. Generally speaking, If there is Love in Heaven contains all the advantages of classic Hong Kong films and has its own unique charm.

If there is love in heaven contains the five advantages of the classic Hong Kong film I mentioned earlier. At the same time, Hong Kong action movies are unique because of their romantic feelings. From this point of view, perhaps the Cantonese version of the title "Dreamcatcher" is more appropriate to the unique temperament of this film.

In the clip, Vantage knows that it is dangerous to rob a jewelry factory, and he may not be trusted to partner with Horn, but he was decided by Brother Seven. Brother Hua was puzzled again and decided to accompany Brother Qi to the Hongmen Banquet the next day. In these two clips, Vantage has to face a running-in task, but even so, he really abides by the arrangement of Brother Seven. Highlighting the image of a brave and loyal young man.

Ng Man Tat's Vantage's role in Taibao is to stab someone in the back, which is shown by several plots in the film. Vantage learned that Taibao's business was robbed and bullied, and resolutely defended the site with one enemy and four enemies; In order to prevent Taibao from being killed in the process of stabbing horns, Taibao was knocked unconscious first; Finally, he desperately grabbed the corner and created opportunities for Taibao to fulfill his wish.

In the movie, the love between Hua Di and Jojo, Hua Di dresses the stranger Jojo; After breaking Jojo's heart, he held Jojo tightly. In this clip, the motionless Vantage and Jojo are set off by panicked crowds, fleeing cars and the big explosion in the background, and their feelings are rendered.

Jojo is also dedicated to Vantage and never gives up. Was forcibly separated from Huadi at the airport, and the cotton in the pillow was scattered all over the floor; In the flower field, my brother was drunk, and Jojo just silently endured and cleaned up the house; Jojo kept running away from home and reunited with Vantage. By constantly creating obstacles for Jojo to fall in love with Vantage, the film highlights Jojo's stubborn character and infatuation with Vantage.

The characterization of Taibao, a distinctive supporting role, is mainly presented through comparison, which is very distinctive. Taibao interceded for Vantage, but was humiliated by sir Jiang in the street. After the police car left, Taibao scolded the police for throwing themselves into the street. This kind of behavior, which dares to be angry and dare not speak, fully shows the weak position of Taibao and the status quo of being bullied. This also makes the whole film of Taibao, which has been suppressed, feel sad and moved when it finally breaks out.

At that time, the villains in Hong Kong movies were either bad or absolutely bad, and there was absolutely no tolerance for decency. They are ruthless, driving the protagonist to the wall, which makes people hate it.

Jojo housekeeper's concern for Jojo eventually led to Jojo eloping with Vantage, and Jojo housekeeper played a key role in distracting Jojo's mother. Finally, I saw Jojo in the back seat of the motorcycle, and I also smiled.

This real concern for Jojo is in sharp contrast with Jojo's mother's control over Jojo, and it also clearly shows the good side of Jojo's housekeeper. This character, who appeared in the film with three shots and one line, shaped his character through these pictures.

Of course, there are many characters with distinct personalities in the film, and the methods of shaping them are also different. The success of characterization in classic Hong Kong films lies in: simple plot and clear relationship between characters; The protagonist is three-dimensional, the villain is vicious enough, and the supporting role is different. Generally, there is an obvious personality trait.