Photo comments: Find X5 Pro is Zhan Jia 10 Pro, X70 Pro+, Xiaomi 1 1 Ultra.

This comparison mainly depends on how much gain Mariana X and dual OIS can bring to the IMX766 of OPPO Find X5 Pro, and whether it can compete with the flagship. The contestants are the same one plus 10 Pro, the hero of friends circle vivo X70 Pro+, and Xiaomi 1 1 Ultra of GN2.

PS: There are many proofs, fully automatic mode, and the focus is right in the center. First press telephoto, super wide angle, and then press the main camera. The conclusion is unified in the end.

Xiaomi 1 1 Ultra, vivo X70 Pro+, one plus 10 Pro, OPPO Find X5 Pro specifications.

On the left is @ Victory's elegant Find X5 Pro main camera disassembled (the background phone is P50 pocket).

On the right is Xiaomi 1 1 ultra-demolished @ Jingjing Jingjing (OPPO's double OIS, the area is indeed GN2 level).

The specifications of telephoto parts vary greatly, and the comparison is simple and has a sense of ceremony. Only OPPO Find X5 Pro and vivo X70 Pro+ have twice the telephoto, and the other two are digital zoom at "double zoom". When the ratio of millet 1 1 Ultra exceeds 3 times, the telephoto will be "fused", while the addition of 10 Pro is 3.3 times that of telephoto.

"2x Zoom" contrast, scene 1, panorama and center zoom.

"2x Zoom" Contrast, Scene 2, Panorama and Center Zoom.

"2x Zoom" Contrast, Scene 3, Panorama and Center Zoom.

"2x Zoom" Contrast, Scene 4, Panorama and Center Zoom.

"5x zoom" contrast, scene 1, panorama and center magnification (incomparable resolution)

"5x zoom" contrast, scene 2, panorama and central zoom (the discrimination is completely incomparable)

"5x Zoom" Contrast, Scene 3, Panorama and Center Zoom (the resolution is completely incomparable)

"5x zoom" contrast, scene 4, panorama and center right zoom (almost equal resolution)

Contrast of "5x zoom", scene 5, panorama and central zoom (Xiaomi 1 1 Ultra didn't trigger the night scene mode here, and gave vivo 5x focus at night, which was miserable).

Super wide-angle contrast, scene 1, panorama and center magnification

Ultra-wide-angle contrast, scene 2, panorama and central magnification

Ultra-wide-angle contrast, scene 4, panorama and central magnification

Super wide-angle contrast, scene 5

Super wide-angle contrast, scene 6, panorama and middle right magnification

Super wide-angle contrast, zoom in on the center of scene 7.

Super wide-angle contrast, scene 8, panorama and central magnification

Ultra-wide-angle contrast, scene 8, zoom in at the top of the center (see highlight suppression)

Super wide-angle contrast, scene 9 (see highlight suppression)

Super wide-angle contrast, scene 10, zoom in above the center.

Super wide-angle contrast, scene 1 1, zoom in at the top of the center.

Super wide-angle contrast, scene 12, zoom in above the center.

Super wide-angle contrast, scene 13, zoom in above the center.

Super wide-angle contrast, scene 14, zoom in above the center.

Super wide-angle contrast, scene 15, zoom in above the center.

Super wide-angle contrast, scene 16, zoom in above the center.

Subjective and objective contrast, scene 1, panorama and central magnification

Subjective Contrast, Scene 2, Panorama and Central Zoom-in

Subjective comparison, scene 3

Subjective comparison, scene 4

Subjective Contrast, Scene 5, Panorama and Central Zoom-in

Subjective contrast, scene 6, panorama and central magnification

Subjective contrast, scene 7, panorama and right center magnification.

Subjective Contrast, Scene 8, Panorama and Central Zoom-in

Subjective contrast, scene 8, zoom in on the top of the center

Subjective Contrast, Scene 9, Panorama and Central Zoom-in

Subjective and objective contrast, scene 10, panorama and central magnification.

Subjective and objective contrast, scene 1 1, panorama and center enlargement.

Subjective and objective contrast, scene 12, panorama and central magnification.

Subjective and objective contrast, scene 13, panorama and central right side enlargement.

Subjective and objective contrast, scene 14, panorama and central magnification.

Subjective and objective contrast, scene 15, panorama and central magnification.

Subjective and objective contrast, scene 16, panorama, middle and middle right magnification.

Subjective and objective contrast, scene 17, panorama and central magnification.

Subjective and objective contrast, scene 18, panorama and central magnification.

Subjective contrast, scene 18, enlarged in the dark above the center.

OPPO Find X5 Pro is summarized as "close to the best camera experience+the strongest super wide angle+the main camera is not bad+tactical telephoto".

Its multi-frame synthesis is extremely active, the filming rate is high, the camera experience is very iPhone, and it has the fastest night scene imaging speed of today's flagship. When other flagships take 2 or 3 seconds in the evening, Find X5 Pro doesn't even need 1 second to call it a day. But like the iPhone, the shutter response is given priority. Continuous shooting will be "snapped" at high speed (there is no multi-frame composite sample), and its proportion is inversely proportional to the light intensity. The more you need a slow shutter, the more "caught" crazy continuous shooting is.

White balance tends to be red and warm, which is not very accurate. Of course, it is definitely closer to the naked eye than X70 Pro+, which is extremely eye-catching. I love photometry and dark parts, and the contrast is higher than others. The first impression is pleasing to the eye, but it will sacrifice the dark details.

Finally, several other old friends:

This story tells us: