How to shoot the transparent trophy?

Question 1: The rectangular transparent trophy needs to be photographed. What are the specific operation steps? ,,,, You'd better attach the renderings. Thank you. . Don't worry, the water (color) is composed of black and white, which means that there are black and white components in the cup, so you should choose a white curtain that is either black or white, and you'd better put the trophy on it, then hit the trophy from the side with a flashlight and take pictures with a good pixel mobile phone. Of course, this is an emergency method. The color of the picture is not very good, but it can definitely be seen as glass.

Question 2: How to make the trophy transparent with ps? The steps to make the white background transparent with Photoshop are as follows (the method of changing any color in ps is similar):

1. Put the photo with the background you want to change into the PS software, and press Ctrl+J to copy a layer, as shown in the figure, with a white background.

2. Dig out the head on the photo with a magic wand/pen/channel;

3. After the matting is completed, press Delete to delete the selected content;

4. "File-Save As" png format picture, complete.

Question 3: How to take pictures of the crystal trophy? Find some quiet environment as the background, and then shoot from the side, the effect should be good! (* _ _ *) Hee hee ...

Question 4: The easiest way to shoot the trophy is to find a large flat flannel (custom color), one third of which is laid flat on the desktop, two thirds of which are stretched and lifted, and nailed to the wall or board with thumbtacks. The junction between the desktop and the wall is best made into an arc. Place the trophy in the center of the flat flannel on the table, and there is some cloth in front of the trophy before shooting. You can also use gradient paper or other thicker paper instead of flat flannel.

Question 5: How can I take a photo of the trophy? Generally speaking, shooting still life uses monochrome background, and black, white and blue are the most commonly used.

If possible, you can arrange lights and shoot with a still life box.

If there are no auxiliary facilities, you can find others to replace them.

(Be sure to shoot with a tripod. You can get a clear enough picture. )

Take gold as an example:

Make an L-shaped (side) shooting range with black cardboard. It's best not to fold. If possible, shoot obliquely from above with a macro lens. If not, shoot with a medium telephoto lens. It doesn't matter if you shoot the surrounding debris. You can cut it later. (Of course, if the cardboard is big enough, it should not be photographed. If you want to express the texture, you can use a small aperture on the one hand and a desk lamp at home on the other. (without flash)

Take transparent utensils as an example:

Generally, black and white are used to express the texture of stems, and side backlight is used (without flash, you can also find multiple desk lamps). Of course there is no such thing. There is a relatively simple method, that is, a white card is enclosed in a ∏ shape, and the bottom is supplemented by a white card, in which objects are placed. It's better to put a lamp on it. Just adjust the color temperature yourself. Flash is the best. According to your intention, decide whether to use a large aperture or a small aperture. Generally speaking, even with a small aperture, the words behind are not displayed very much, because of the focal length, the depth of field is enough.

Other landlords will have to figure it out for themselves ~ hehe ~

Question 6: What background is better for shooting transparent cups? A darker background is recommended. The key is to have a backlight to illuminate the cup, so that the cup can have a clear outline and a prominent image.

Question 7: How to choose a transparent cup? When it comes to going back, the first thing to do is to go back with your hair. Secondly, transparent objects, such as transparent glasses, have a clear appearance, so you can cut out their range with a pen tool. But because it is a transparent object, you usually use a dark background as the base to highlight the transparency during shooting, so even if you take it out, you will find that the glass remains, and the original dark background is not transparent. If placed in other scenes, it will feel like opaque plastic. Therefore, prunes recently spent some time taking a transparent glass, memorizing it and leaving their own transparent materials so that they can put it in other scenes at will.

Question 8: How to shoot glass is not that complicated. Using black cloth as background and side backlight can achieve the goal. If you don't understand the soft box, don't think about it. You can't buy a device just because you shoot a cup. You can make an ideal film with the simplest equipment.

Question 9: How to set the exposure compensation for shooting a cup in Canon 600D Studio? Mainly depends on the color of the background and how to measure light to decide whether exposure compensation is needed and how to set exposure compensation.

Usually when shooting cups in the studio, transparent glass is usually shot by polishing on both sides. At this time, if it is a black background, the average or central key is directly used to measure light. In order not to make the black beat gray, the exposure compensation needs to be reduced by 1~2. If the negative with the gray scale of 18% is temporarily placed behind the cup for average or central key metering, there is no need for exposure compensation.

If the background is a middle tone, take a transparent cup and measure light with average or center focus, so there is no need to set exposure compensation.

If it is a white background, take a transparent cup and use the average or center key to measure light. In order to prevent the white dust, it is necessary to adjust the exposure compensation to increase 1~2.

If it is an opaque cup with a large shooting volume, no matter what the background color is, the average or central focus metering is used, and there is no need to adjust the exposure compensation.

Question 10: How to shoot glassware with white background is a very interesting artistic creation. Because glass objects have different modeling effects for different lighting modes. Photographers can sketch the outline of glassware with lights at will, and they can skillfully use the reflection of glass to reveal its glittering and translucent essence. Photographers can outline the shape of glassware in front of a black background with white edge light; You can also achieve the same goal in the opposite way in front of a white background. What I want to introduce now is the method of shooting glass cups in front of a black background. Lighting commonly used in shooting glass: backlight, bottom light and top light The most common mistake in shooting glassware is to directly illuminate the subject with light from the front. If the lamp is used in this way, there will be dazzling reflection on the glassware, like a mirror. Glass sometimes reflects the image of the lamp truthfully, making the picture very unsightly. Therefore, no matter shooting any reflective object, don't use direct light! In other words, do not directly illuminate the glass surface from the front. So, what kind of lighting should be used to shoot glass? There are about three kinds: 1, backlight; 2, bottom lamp, 3, lamp. For example, we wrap chocolate candy in gold paper and silver paper to shoot a glass. These metal foils make shooting more difficult. Because, in order to make the color of metal foil have enough expressive force, it is necessary to irradiate the main body with multiple light sources from different directions. Otherwise, the metal foil will flicker, affecting the beautiful picture. So, how should we market light? First, the outline of the cup should be shot before the white background, that is, several white highlights should be drawn on the main edge of the cup. First, put Yi Deng on the top of the cup and put a soft light cover in front of the lamp. If the light source area is too large, it will affect the darkness of the background. You can cover the light source with black paper, or add a baffle behind the lamp. At this time, a round of white highlights will appear at the top and bottom of the cup. Then, put a piece of white paper higher than the cup on both sides, and a white highlight will appear around the cup. With the outline protruding, the shape of the cup will appear in front of the white background, but this is not enough. In order to show that the cup is round, three-dimensional and glass-like, it is necessary to add a decorative highlight to the cup (that is, the highlight on the left side of the cup). This is the reflection effect caused by placing a mirror on the table in front of the cup on the left. I don't think this reflecting point is obvious, so it's better to look at what's in the cup. How to solve the problem that the light of the items in the cup is placed in front of the white background, and there are highlights around the white to outline its shape; There is also a white reflection to illustrate its texture and three-dimensional effect. It seems to be basically enough. Because it is transparent, we don't need to use lights for lighting. However, now the cup is filled with chocolate wrapped in metal foil, which needs to be illuminated in many ways. Because of this, it is necessary to add another lamp: put a lamp with soft light facilities in front of the cup, and then add several white reflectors around the cup to make the metal foil wrapped in chocolate be irradiated in many ways. But it is very important that the position of the additional lamp and reflector must be carefully adjusted to avoid seeing its light on the glass cup. If you take a close-up, the digital camera is very close to the cup. Be careful not to let the camera block the light.