Traditional Culture Encyclopedia - Photography major - How to make music MV
How to make music MV
1. If there are multiple frequencies in the MV, please keep the volume consistent if there is no special need.
2. If the MV is pure music with a knife, follow fast, slow and slow.
3. If the MV is music with lyrics, the content of the lyrics should match the picture quickly and slowly. It is recommended to put the lyrics on the audio track first, because only the preview version of the lyrics will not be stuck, even if you use pre8 memory. Adjust the subtitles of the lyrics to match the audio of the lyrics, which is convenient for related videos to aim at the lyrics.
Second, the correlation between video and audio.
1. If the lyrics and the picture match, not all the lyrics match, but all the lyrics must match.
2, between the two lyrics, the lyrics and the rhythm changes of the front, middle and end, etc. , the video picture should be replaced.
3. For fast-paced songs and fast-paced places, the video should always change with the rhythm-even if you change the picture so that people can't see the content when they first enjoy it.
Third, video.
1. In photography, a "static" video with constant lens range, constant focal length and basically constant character movements should not be used for more than two seconds without filters or masks, except for special needs. Pull, push, follow-up and zoom photography are the first choice for MV film sources.
2. Don't have too many close-ups of people (even different people) in the 2.MV. Far, middle, near, front and back scenes should be reasonably distributed, and some scenes or empty shots have no protagonists.
3. If the film source has black edges, it is best to trim it uniformly; If it is not, it is not allowed to make the center of the picture appear black edge through three-dimensional and page-turning transition, and it is not allowed to appear black edge at the edge of the picture. The first simulation test will also affect the effect of some filters, such as general filters-narrow black edges will also blur, and the blur will be more obvious.
Try not to show anything similar to the logo. It is impossible to cover it with light, halo, decorative filter, etc.
5. Don't use fancy transition ceiling. Don't use dazzling flash throughout the transition. The transition is just an ornament, not the main body of the MV. Generally speaking, desalination transition should be the most commonly used. On the other hand, the strong voice "Explosion" uses the smash transition, and the memory and flashback use the flash transition.
6. Dialogues and captions should be handled as needed. If you want people to see subtitles, you should choose videos with subtitles; If you don't want people to see the subtitles, do the whole process of widescreen MV, or try to block the video with subtitles, which can be covered with lyrics and filters.
7. Don't "interfere" with the content of the MV. Some videos, no matter how perfect they are, can be deleted if they don't need MV.
Don't forget the scene in which the characters are very handsome. Make sure to turn when you need to turn.
9. When there is no special need, the adjustment of video speed should not be less than% or greater than%, otherwise there will be obvious traces of manual processing. If you want to show anything, you should choose the most suitable and clear lens on the screen.
Fourth, video scene selection
1, highlight, the distribution is objective, and it will not be biased towards which role because of preference.
2, as a single person, don't always give the camera to the protagonist, especially the close shot, but also give some of the protagonist's vision, cooperation with others, and related empty shots. What's the use of a filter mask if the protagonist is only shooting at close range? Manually handle the level of MV, at least close up the panorama behind the hero.
3. If there is no special need, it is best to only feature one actor playing a role and multiple actors playing TV; If one actor plays multiple actors, don't play two actors in one MV.
4. If you want to type the name subtitles uniformly, you can make your own font into a PS font with the same format as the name subtitles on TV, and then input it to confuse the fake with the real.
5. For fighting scenes, if the original film is not well shot, the lens should be changed frequently, the hard cutting effect without transition is better, the picture cross-dilution transition effect is better, and the fighting effect will be better if the video speed is properly increased.
6. Aerial photography: sky, sun, sunset, moon, clouds, mountains, rivers, waves, flags, etc. You can choose a suitable scene according to your needs.
Extended data:
Music mv storyboard
Also known as "director's script". The literary content of the film is divided into a series of shots, which can be shot by using live shooting scripts. According to the conception and image provided by the script, the director presents the picture image of the combination of sound and painting in the future film through the overall conception.
According to people's visual characteristics, the director divided, concretized and visualized the life scenes, characters' behaviors and relationships in the play, which reflected the theme of the play and endowed the film with a unique artistic style.
Storyboard is the architectural blueprint designed by the director for the film. Understanding the director's specific requirements, unifying creative ideas, making shooting plans and determining the cost of film production are also the basis for all departments of the film production team. Most scripts are in tabular form and have different formats.
Generally speaking, there are columns such as the number of shots, scenery, photography, length, content, sound and music on the table. "Photography" refers to the angle and movement of the lens. "Content" refers to the actions and dialogues of the characters in the picture, and sometimes actions and dialogues are divided into two items. There is also a scene before each paragraph, that is, the location and time of the plot, and the paragraphs are marked with the skill of lens connection. Some more detailed scripts are divided into shots, as well as screen design sketches and artistic treatment instructions.
Doing MV is not as complicated as doing TV. The copy of MV can be roughly equivalent to the copy above. There should be a general idea whether the copy is written or not. Just because this book is too complicated and too long, you can't forget it.
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