The main content of director's scene scheduling

The main content of director's scene scheduling

Scene scheduling is a special way to create a movie image on the screen, which refers to the unified treatment of actor scheduling and lens scheduling. The word comes from the French mise-en-scène, which originally refers to a technique to deal with the performance position of actors on the stage of drama.

Scene scheduling is the main content of director's scene scheduling, which is introduced into film art creation. Its content and nature are different from those on the stage. It is not only related to the scheduling of actors, but also related to lens scheduling (or lens scheduling). The conception and application of movie scene scheduling must be based on the movie script, that is, the plot, characters and relationships provided by the script.

A director, actor, photographer, etc. We must design the scene scheduling based on the characters' actions and scene perspectives provided by the script and the actual shooting conditions. Using scene scheduling, we can depict the characters' personalities on the screen, reflect their thoughts and feelings, show the relationship between characters, render the atmosphere of the scene, and explain the time interval and spatial distance. Scene scheduling also plays an important role in the modeling of movie images.

Actor scheduling

Lateral scheduling: the actor moves laterally from the left or right side of the lens screen.

Forward or backward scheduling: the actor moves forward or backward to the camera.

Oblique row: The actor moves forward or backward in the oblique direction of the lens.

Up or down scheduling: the actor moves from the top or bottom of the lens screen in the opposite direction.

Oblique upward or downward scheduling: the actor moves obliquely upward or downward in the lens picture.

Cyclic scheduling: The actor moves in a circle in front of or around the camera.

Amorphous scheduling: actors move freely in front of the camera.

The director's focus in choosing the actor's scheduling form is not only to keep the spatial relationship between the actor and his environment perfect in composition, but also to reflect the character of the role and follow the action logic that the role must carry out in a specific situation.

Camera scheduling

The motion forms of camera scheduling are push, pull, shake, follow, move, rise and fall. According to the lens position, there are forms such as front shot, back shot and side shot; According to the lens angle, there are flat shot, overhead shot, overhead shot, lift shot and rotation shot. Generally speaking, shooting several consecutive shots in the same action form will give people a smooth feeling, and shooting from a leaning angle will give people a strong sense of opposition.

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