The red film is all 800 words.

There are many influential movies and TV plays about the Long March. Movies include Grassland, Wan Shui Qian Shan, Long March, Yihai Alliance, Sidu Chishui and so on. TV plays include Jinggangshan, Thousand Blood Sources and Long March. Some of them have reached a considerable height. How to re-shoot the Long March and how to innovate? How to surpass? The creation of Xiongguan Mandao faces many operational problems. However, there is no way out without innovation, and we must go on without hesitation. First of all, it is necessary to update the creative concept, change the chronicle structure, and work harder on stories and details, because from the perspective of audience and aesthetics, a work of art reflecting history must have artistic creation, rather than simply listing it according to history; It is necessary to make artistic fiction, because the fate and ending of historical figures are no longer suspense to the audience, and the little people who are only related to historical figures have greater tension and creative space. It will be a basic starting point of this TV series to write about small people and see and reflect major historical events and historical figures through small people. Only in this way, it is possible to avoid lengthy meetings, avoid the corresponding seating of many historical figures, superimpose composite information and improve visibility. However, this does not mean that we can ignore historical figures, show their great talents and extraordinary feelings, respect historical facts, do not stick to historical facts, and make major issues small and trivial. In addition, the story should be fast-paced and novel in form. The starting point of the story is very important. We should be able to catch people at once, let the characters in the story appear as soon as possible, advance in waves, constantly have new suspense and climax, and let historical figures and fictional characters interweave and support each other, so as to promote the development of the story. It is necessary to set up necessary contradictions, take care of the audience's appreciation habits, and the fate of the protagonist should drive the story and lead the audience. We should not only pay attention to the internal rhythm of the story itself, but also pay attention to the external rhythm. Don't cover everything, don't be afraid that the audience won't understand, and always put the fulcrum on the protagonist in the foreground. The use of block structure also mainly considers the requirements of story points and rhythm, because the Long March of the Second Army is later than the Long March of the First and Fourth Army and cannot be the same. Need to bring out interesting points and events, with unheard-of effects. The whole film should be an established plate, maintaining the overall integrity from a macro perspective. Each section should be organically strung together with historical figures and fictional characters. The theme of the story should be buried deep, not political slogans, but revealed through the fate and details of the characters. The Red Army's Long March is a helpless move. The choice in helplessness, the wisdom in helplessness, the feat in helplessness, and the charm of personality are more intriguing, and the people in helplessness follow suit and are more convincing. The living conditions of the Red Army may be consistent with the people of that year to some extent, in order to have clothes and food and live with dignity like a human being. Relying on a simple ideal of life, many poor people and many intellectuals with martyrdom came together wonderfully, forming the spectacle of China revolution. Political work and military work are thus specific and clear. Living for hope and believing by living is the biggest theme of this film. On the basis of this understanding, this film tries to create a number of brand-new characters, especially a brand-new image of a political worker. Politics and military are interdependent, inseparable and even integrated. Real, touching and novel atmosphere is our most basic pursuit. With the improvement of the audience's appreciation level, shoddy and false works will not only attract attention, but will cause the audience's rebellious psychology. Truth comes first. Truth should work hard on the details and the relationship between characters, control the choice of actors and performances, choose the environment and create the atmosphere properly, be typical and life-oriented, and have a sense of the times, regional characteristics and national characteristics. We should try our best to break the rules of the environment and the style of service, and make the people's participation in the Red Army and the cruelty of the war visually convincing, otherwise all the characters' languages will be eclipsed, not only pale but also contradictory. Therefore, we must emphasize the composite information of audio-visual effects, and emphasize the use of lens language to interpret the story, rather than relying on the actors' mouths to keep talking, simple or colorful, so that the audience can walk into a specific historical time and space, share their destiny with the characters in the story, let them think, think deeply, be infected and get emotional sublimation, and make the whole work atmospheric and not vulgar. In addition, the atmosphere does not refer to the size of the scene, but to the connotation of the picture and the feelings of the characters. If the scene does not show characters and feelings, it is only superficial. The atmosphere needs the improvement of the understanding level of the creative staff and the joint efforts of * * * *. The tone of the story. This drama reflects the history of the "Long March" of the Second Army. Not archaeology and simple repetition, but creative deduction. It is necessary to show the choices faced by He Long, Ren and other proletarian revolutionaries of the older generation and the broad masses of workers and peasants at the critical juncture of the country and the nation, as well as their fate, feelings and pursuits. So its tone must be dignified first. The winding mountains, continuous rain, misty fog, muddy narrow paths, slippery stone roads and ancient villages and towns in Hunan, Hubei, Sichuan and Guizhou provide the most basic elements for this dignified. What needs to be explained is that we should show indomitable characters in dignity, and show the beauty, warmth and romance in the depths of the characters in dignity. The warm lights (all kinds of oil lamps, bonfires and torches) in the cold night, the mountain flowers everywhere and the gunfire in the fierce battle may be particularly poetic and dignified. In the blood and fire paved "Xiongguan ramble", generation will show charming brilliance. "Colorful" on the dignified basis will form the keynote of this film. The music of the story. Music is an important part of sound composition in film and television art. Good music should not only strengthen the theme, enhance the emotion and supplement the picture, but also make people feel no trace of form, that is, to the point. In addition to variation as a "group" theme, there should also be a sub-theme that runs through the characters and the emotions of the characters in the section. We should skillfully use the popular folk songs, even because of the existence of members of the art troupe, and turn them into a dramatic element. In addition, the southwest region is inhabited by ethnic minorities, and the original ecological tunes of ethnic minorities can be well utilized, which is of great benefit to the formation of regional and ethnic characteristics of the whole drama. In short, the music creation space of this drama is very broad, so we should try our best to understand it and dig it well. The choice and orientation of actors determine the success or failure of a film. The type and temperament of actors should be different from their true colors, which is not conceptualization and cosmetic surgery, but mainly for the needs of typology. After a movie is broadcast, apart from some details and story lines, it is often the vivid characters that can impress the audience the most. Whether the actor's choice of genre is in place and accurate is the key to the success or failure of a film, and its obvious external characteristics are coarse, fine, simple, capable and ugly. The actor's performance emphasizes the performance without performance. Speaking with the camera, we should create a specific atmosphere to help actors, give them specific details and actions, and never let actors play hard in front of the camera, and play the role as an adult, regardless of the pros and cons of the role, before the people in a specific historical background and relationship; Character language should be distinctive, conform to the identity of the character and be simple; Actors should be familiar with history, have a certain understanding of the background of the times, have sufficient internal performance foundation, live and be typical. It is necessary to highlight the characteristics of each little person and make it personalized. In characterization, both great men and small people should pursue integrity. These extra things are often overlooked. In fact, they are an important part of film and television dramas. The image, costumes, props and actions of the extras will directly affect the quality of the film. It takes some time and energy to be a good extras. Modeling. Including scenery, actors (costumes), photography, lighting and other shapes. It should not only have a sense of the times, regional characteristics and national characteristics, but also be typical and meet the requirements of artistic beauty. Artistic beauty is a realm, not a simple concept of beauty and ugliness. This kind of realm needs to improve the understanding level of our whole team, and the level of realm is the embodiment of the comprehensive level and strength of our whole creative group. On the basis of understanding in place, supplemented by everyone's team spirit and efforts, it is possible to produce excellent works. "Going to the East" is a severe test for our creative group. We have to face the harsh natural environment, because "it is not empty talk, but also challenge ourselves, because the shooting cycle and shooting quality are hard." We must go on resolutely. Telling a good story, telling it truly, touching and novel is our common pursuit. Let's work together! Please adopt