How to color the general background?

How to adjust the color of the background is based on the correct observation and understanding of the color relationship of objects. The color of the manuscript is adjusted according to the tone, from deep to light. You can see the main color of the picture. The following is how to color the universal background I shared.

How to color the general background? 1 advanced ash mixing method;

1, fruit yellow = medium yellow+meat

2, yellow gray = flesh color+lemon color+white+sky blue (a little)

3. Egyptian grey = khaki+olive+white.

4. Swan Grey = Grey+Pink Green+Sky Blue+White

5, cold solid ash = khaki+yellow-green

6, high gloss gray = white = sky blue

7, blue gray = pink green+lake blue = white

8. Ice pear ash = olive+medium yellow+khaki.

9, purple gray = rose+sky blue+white

10, apple ash = yellow green+medium yellow.

1 1, crystal gray = olive+white

12, cyan = olive+yellow-green+white

13, green putty = dark green+khaki+rose.

14, warm green = medium green (more)+deep red (less)

15, banana ash = lemon+yellow green+white.

16, earthenware ash = ochre+violet+dark green

17, warm pear ash = khaki+olive.

18, Pacific Grey = Violet+Sky Blue+Pollan+Pink Green

19, Tiran Club = Pollan+Pink Green+Violet (Less)

20, gray ideal blue = lake blue+rose

2 1, watermelon red = scarlet+lemon

22, gray ideal purple = rose+sky blue

23, cold heavy ash = black (diluted)+board

24, warm heavy gray = black (diluted)+crimson

25, Naples yellow = white (more)+lemon+meat

26, blue gray = blue+pink green+sky blue

27, khaki = ochre+meat+rose (a little)

28, red fruit ash = meat (more)+orange+crimson+sky blue

29, gray = meat+orange.

30, red oil ash = crimson+olive

Color matching theory

1, apple, darken the nest, not too ripe.

2, oranges, bright parts without white, orange and lemon yellow/light yellow. Add orange and green gray at the bottom, olive green, reflective, purple, green and purple gray, light yellow or yellow-green. Ochre/ripe brown with a clear lotus hook at the bottom.

3, pear, medium yellow, khaki, a lot of white, [cold white, white with a little blue]. Pear stalk: olive green with earth red [can be extended to any stalk object], with red and light green in the nest.

4, glass, first draw the drinks inside and the things behind, and finally tick a little green ash.

5. Bread, inherent color [orange, khaki, khaki] bright part [khaki plus lemon yellow plus white] dark part [cooked brown plus khaki (small amount) plus khaki (small amount)].

6, potatoes, the inherent color [khaki plus cooked brown plus ochre] bright [khaki plus white plus a small amount of medium yellow] dark [cooked brown plus blue plus a small amount of deep red].

7. Egg yolk, inherent color [medium yellow plus lemon yellow] bright part [medium yellow plus a small amount of lemon yellow plus white] dark part [orange plus medium yellow plus khaki].

8, tomatoes, bright [rose red plus vermilion plus hundred yellow] excessive [red plus rose red], boundary [dark red plus grass green plus ochre brown] reflective [khaki plus grass green plus yellow green] convex yellow.

9, pumpkin, bright warm yellow, orange yellow, dark red and bright purple gray.

10, egg, bright [yellow with pulp and a little purple with white] middle color [khaki with ripe brown ochre] Dark part with ochre.

1 1, green pepper, bright [yellow-green plus medium yellow plus grass green] reflective [orange plus grass green plus transition color]

12, carrots, bright 【 orange plus lemon plus light green 】 excessive 【 grass green plus orange 】 dark 【 ochre plus ripe brown 】

13, dark jar, the darkest part [dark red plus blue] and the bright part [ochre plus khaki] are excessive [khaki plus ochre plus ripe brown plus a little purple]

14, blue cloth

A. Inherent color 【 Pure blue plus a little flesh color 】 The stroke direction is perpendicular to the direction of the pleats.

B, adjust the color of the objects around the environmental color to the inherent color of the cloth.

C, gray: reduce the purity, and add flesh color to the bright part of the blue cloth. Add purple ash in the middle, green purple ash in the distance, and blue purple ash.

D, dark part: blue deepens red, use a small pen to live a little, and add less. The front and back pairs are weak, and the dark part is ochre and brown.

15, red cloth, natural color [red plus teeth (more) yellow plus khaki (less) plus white (less) natural color more than 60%, less environmental color, more gray and less dark color cloth.

Ambient colors, bright, yellow-green, ochre light green and purple-gray.

Add blue in the dark, deepen green and olive green.

In the brightening part, there is a small amount of white/flesh color/lemon yellow/beige color in the inherent color band, and the brightening light source in front of the object is unified and the shadow is heavy.

16, yellow cloth, bright yellow with a little white/flesh color.

Dark part: yellow with violets and a little blue.

draft

There is no way to determine the color of the manuscript, you can look at the main color of the picture.

Warm painting ochre is changed to cold painting blue, and the color is diluted and outlined.

First locate and find the angle, and then carefully measure the proportion.

Auxiliary lines are used to draw shapes, and the depth of large shapes is changed.

Finally, it is important to draw a sketch according to the light and dark sides.

colour

The color of the drawing board is divided according to the tone, from dark to light.

First, the projection color should be strong, one deep, two shallow and three tone sandhi.

Careful color matching and careful observation, bold strokes are powerful.

Finish the projection and draw the dark side, and write at the junction of light and dark.

The color gradient has a transition, and the environmental color change is extremely important.

The bright side is colored, and the relatively dark side is monotonous.

Exquisite color configuration, basic concepts to know.

Look at the hue first and carefully compare the color change trend.

Look at the lightness to find the depth, and be careful not to confuse the same color.

Look at the purity, divided into bright and dark, high before and low after.

Colors should also echo, and the manuscript should be unified with the overall adjustment.

It is not enough to know the above, but also to know the main color.

Look at the areas with different tones and find the colors according to the tones.

Adjustment and reform

The coloring stage must be fast, rough and fine-tuned.

See if the hue is accurate, the color change should be strong and the water should be less.

Second, lightness is better than sketch, light and shade are distinct, and feel is good.

Third, you can draw details, but don't forget to make the finishing point.

Fourth, see if there is a sense of space. The former can be confused with the latter.

Fifth, look at the overall color and grasp the warm and cold tones.

Do the steps skillfully first, and then ask for the skill of drawing high.

Use a pen

Color sketch emphasizes hue, and it is also important to use a pen.

Modeling texture depends on it, and you need to know different methods.

Generally, things follow the shape, and the interlining should be wiped with a pen.

Small flowers and broken objects can be picked, and metal glass can be brushed.

Fine things are small pen hooks, and the highlights are brushed lightly.

The whole brush strokes are unified and the picture feels good.

breakdown

There are many problems in sketching for beginners, and the correction methods should be remembered.

First, the color is too monotonous, so find more environmental colors.

Second, the color is too pink, and it is too bad to abuse white.

Third, the color is too bright, and the problem lies in the high purity.

Fourth, the color is too dull, which can be changed by adding light to brighten it.

Fifth, the color is too dirty. If you don't wash it, you will change the pen.

Sixth, the color is too fancy and there are too many environmental colors.

How to color the general background? The color matching in sketching is based on the correct observation and understanding of the color relationship of objects. When mixing colors, you can't look at one piece in isolation, adjust one piece and draw one piece. We should consider the overall hue and color relationship, and decide each color from the whole. The colors of gouache sketch are not easy to connect. On the basis of clarifying the relationship between colors, try to adjust the colors of several large color blocks and prepare for redrawing. Don't be divorced from the whole, look at one piece, adjust one piece, draw one piece, and adjust one piece for another.

The color of gouache painting is dark when wet, light after dry, and the wet and dry changes obviously. If more powder (white) is used in color matching, or if a thicker color layer has been drawn, and then colored for painting, the dry and wet changes of the pigment will be more significant with paper with strong water absorption. It is difficult to make a correct estimate of gouache color matching. It is difficult to connect, cover and modify colors. This is an obvious feature and difficulty of gouache painting. Pay special attention to this problem when you are a beginner. So we should draw heavy colors at the beginning. Generally speaking, when painting is wet, the color is wet. After painting in one breath, the color relationship is easy to master. If the color is dry, connect the colors and cover them. Pay attention to the wet and dry changes of the colors.

Painting object

1, metal object:

Choose a pen in the gloss direction and draw the correct structural force.

The depth and level are very different, and the highlight must be of high purity.

If the shape of the reflector is too clear, it is good to highlight the color.

2. Transparent objects:

Using metal and other pen methods, the color difference is just right.

Transparent viewing is the characteristic, and the insert is deformed when it meets water.

Colorless and transparent objects, the background synchronization method is ingenious.

In the case of semi-occlusion, you will notice the color difference inside and outside.

3, ceramic objects:

Although there are not many shades, you should know the purity of the highlight color.

Although the color of the reflection environment is bright, the shape of the object image is chaotic.

Don't worry about the small pattern, draw it as a whole and describe it in detail.

4, cloth objects:

The color of the cloth has been adjusted, but the change is very uniform.

The pattern only needs to be roughly drawn, and the overall consideration should not be too jumping.

Wrinkling is complicated. Don't worry, just take the main order.

5. Fruits and vegetables:

The fruit grasps the basic color and the connection between light and shade turns well.

Pay attention to the ambient color when reflecting light, and don't spend too much and too bright.

Vegetable varieties are diverse in form, especially in large tones.

Fine lines can be added when wet, or lightly brushed after drying.

6, flower object:

Leaves first, then flowers are in order, and big flowers should be small.

In particular, flowers and leaves need to be distinguished in color, and bright flowers and dark leaves are the keynote.

The dark side of big flowers can be changed slightly, and small flowers are simple and clear.

7, books and paper items:

Generally, the reflection of books and papers is weak, and the environmental color is not important.

The difficulty lies in words and paintings, and the overall color is well grasped.

Look for the shape of the object in the picture and omit the details.

Just tick, fill in big words and small words.

How to color the general background? There are many fine arts institutes at present.

The styles tend to be gray.

But gray is hard.

Hold on! Give you a little advice ~ ~

First, make all the drawing paper black (not pure black-blue+scarlet)

Then slowly start painting.

There are many ways to find it yourself.

Is the best! Because it exercises your consciousness.

You have to ask how to adjust the gray background.

It is estimated that many people's answer is

Heigabai! That's right.

But we don't need black and white ~

Black and white are two extremes.

Black and white are also complementary colors.

Red and green

Purple and yellow ... a lot.

Red alone is divided into 255 kinds of red, and 255 kinds of yellow are hard to distinguish with the naked eye.

255 kinds of blue

So 255X255X255

The final result is the result of tens of millions of numbers: the most important thing is

You have to catch it

Primary colors

Three complementary colors

Tens of millions of colors can be changed from these colors ~ ~!