Thesis outline 2

Topic: the difference between new media painting and ancient painting methods

I. Preface (about 150 words)

? General statement (background overview)

? China's painting has a long history, while China's contemporary painting has experienced nearly 30 years of development, and its early vanguard and revolutionary nature evolved from secular existence. ?

? Thesis statement (the argument of the whole thesis)

? China's earliest paintings were writing and hieroglyphics, which were both words and paintings. Nowadays, with the development of science and technology, the way of painting is not limited to paper and pen, and now more and more people begin to use new media to paint. ?

? Map Emotion (Overview of Paper Structure)

This paper will analyze the differences between ancient painting and modern painting, then tell the current painting trend, sum up the differences between them, tell the advantages of modern painting methods again, and finally tell the development of new media painting.

Second, the text? (Each paragraph is about 400 words) 400*3= 1200

1 paragraph (positive)-? Central sentence

The new media art in modern painting is the cross-border cooperation between technology and art, and the development of new industrial era and more scientific and technological development have become the expression tools of art. New media art is a multimedia art, which is an art produced by the fusion of various elements. It has three manifestations: new technology, new forms and new ideas.

1. Xu Li mentioned that new media technology has changed the creative methods and techniques of painting art, and at the same time had an important impact on the spread of painting art (Xu Li, the influence of new media technology on the creation and spread of painting art [j]. Media, 20 19(24):77-79. )

2. Haixin Sun said that the vigorous development of information technology and network technology not only promoted the development of new media, but also enriched the creative forms and expressions of painting art, which was more in line with people's aesthetic needs, greatly increased the interaction between creators and audiences, further expanded the audience of painting art and injected vitality into the development of painting art (Haixin Sun, on the combination of new media and painting art [j]). Beauty and Times (Middle), 2019 (09):142-143)

3. Wang Jiaxin said that with the development and progress of science and technology, media forms have developed rapidly, and emerging media such as mobile phones, digital televisions and the Internet have become more closely linked with traditional painting art in China. The spread of traditional painting art in China has gradually separated from traditional media such as newspapers, magazines and television, realizing the all-media development of the spread of traditional painting art. (Wang Jiaxin, China painting art new media communication research [j]. Peony, 20 18 (36): 74-75)

[4. Conclusion] Conclusion: China traditional painting art has experienced thousands of years of development. This ancient art form has gradually formed its unique expression form and creative concept, and has become an important carrier of social culture and spiritual civilization. In modern society, the media of traditional painting art in China has changed from physical objects to pictures or videos that can be spread in virtual space.

Paragraph 2 (Objection)-? Central sentence

China traditional painting is one of the artistic forms based on China traditional culture.

1. Tan Tong said that since the Song Dynasty, China's painting art theory and expression techniques have gradually matured and entered a prosperous period. The mainstream painting style has gradually changed from the expression of objective things to the expression of subjective consciousness, and the artistic aesthetic taste and standards have changed. (Tan Tong, Aesthetic Artistic Expression of China Traditional Painting [j]. Culture Monthly, 2020 (11):190-191)

2. Ren Wenjing mentioned that China painters know and reproduce the world from a unique perspective, thus forming a unique traditional painting system in China. China traditional painting has a long history, diverse styles and rich language forms. After historical accumulation, China traditional painting absorbed the artistic features of foreign cultures and formed its own system and style. By analyzing the historical evolution and value orientation of China's traditional painting, we can understand the humanistic spirit contained in it. (Ren Jing, on traditional painting in China [j]. Research on Art Education, 2020 (20): 16- 17)

3. Ju Jianwei said that traditional painting in China has artistic characteristics of subjective expression, and subjective expression can not be separated from the high induction and refinement of modeling, or the emphasis and exaggeration of details. This kind of performance determines the unique image sense of Chinese painting. (Ju Jianwei, Analysis of the Relationship between China Traditional Painting Art and Iconology [j]. China Calligrapher, 2020 (10):124-129)

[4. Conclusion: I think the new media painting method is more convenient and acceptable to us. With the improvement of living standards, the pace of our life is extremely accelerated, and the painting method combined with electronic products can greatly improve our painting efficiency.

The third paragraph (own position)-? Central sentence

The category of new media art has the certainty of keeping pace with the times. At present, it mainly refers to those works of art with the latest scientific and technological achievements such as video, computer, network and digital technology as the creative media. New media art has inadvertently penetrated into all fields of contemporary art.

1. Chen said that the development of art is always closely related to the development of science and technology. People use new media technology as the main tool and apply it to artistic practice, so new media art is born. Digital image art is one of the new media arts that came into being at the beginning of the 20th century. After 1970, microcomputers became popular and the operation became simpler and simpler. The creative process of digital painting has changed from simply imitating traditional media to using computer programs to create independently. The rapid development of digital painting, a new media, has changed the way of artistic creation and appreciation. This paper compares the humanistic characteristics of digital painting art with traditional easel painting art, and probes into the cultural turn of digital painting art, that is, the change of its communication media and communication form, and the turn of painting creation view. (Chen, Research on Digital Painting Art under New Media Technology [j]. Kunming University of Science and Technology, Yunnan Province, 20 14 (17): 69)

2. Cheng mentioned that the new media art and its characteristics, from the appearance of mineral dyes and egg-colored paintings to the invention and application of oily pigments, the boundary between the invention of modern chemical pigments and painting materials has been broken. With the rapid development of science and technology, new materials are constantly emerging, which also promotes the emergence and rapid development of a new art media. In the 1960s, the information revolution broke out and personal computers entered people's lives. With the popularization of image technology, digital technology, computer and Internet, artists began to discover the artistic value of these new technologies. As a result, a new form of artistic expression-new media art came into being. "New media" is a product of the digital age and a new type of media. (Cheng, New Media Art and Contemporary Painting [j]. Northwest Art, 20 13 (04): 5-7)

3. Lu Huabin said that in the process of communication, new media art has expanded the communication channels of traditional art by integrating and replacing traditional media. Art audience is no longer a simple receiver, but begins to face the dual identity and realize the transition from passive to active communication at the fastest speed. At the same time, the digitalization and virtualization of new media have enabled the traditional painting art to be implemented, which has unlimited communication space, lowered the platform and standards for the dissemination and release of media information, established a truly free and open communication system, and effectively realized the worldwide development of painting art (Lv Huabin, the dissemination and development of painting art from the perspective of new media [j]. Daguan (Forum), 2019 (.

Three. Examples. Use concrete examples to support your point of view.

Example 1- The new media drawing of the central sentence has the characteristics of randomness, infinite expansion, infinite amplification and no distortion. For example, bill viola's works have been using high-definition cameras to capture the movement of people and water for many years. Sometimes people cross the water curtain, sometimes people fall into the water, and sometimes people are attacked by water. He used slow motion to enlarge this action/process on a high-definition screen for the viewer to see. Viola's works are based on digital technology in both the production process and the exhibition process, so they are regarded as the representatives of early new media art.

1. Li Mengmeng said, I don't know what life is like without art. Bill viola, a video installation artist, commented on his life. Indeed, he turned life into art, realized life in art, and walked alone in his fascination with mysterious art. Bill viola, an American contemporary artist, is internationally recognized as a pioneer of visual image installation art (Rembrandt in Image Art by Li Mengmeng and bill viola [j]. Urban Geography, 2020 (05): 102- 107)

2. Song Yuqing mentioned that the essence of conceptual photography is the expansion and change of conceptual art in the media, and it is a relatively independent creative means. Its main body is to use photography to bring people visual feelings, bring people some ideas through photography, get rid of the process of entanglement and exploration, and trigger some deep thinking. Its appearance subverts the position of traditional art photography, and also shows people the diversity of contemporary art. As the most respected contemporary image artist, bill viola began to create with flowing images as the carrier at the end of the 20th century, exploring the perception of life consciousness, expressing his thoughts on life, time and the world, and returning art to its essence. (Song Yuqing, Analytical Concept Photography and bill viola's Image Art [j]. Artist, 20 19 (08): 149)

3. Lin Zi mentioned that since the invention of camera technology, this problem has become a myth that image makers talk about. For many image theorists who rose after World War II, the answer to this question is obvious: there is no absolute innate boundary between photography and image, because both use mechanical devices to capture part of the scenery from reality in unit time to form images. Camera shutter is the basic tool to realize this function. (Lin Zi, the aura of Bill Viola [j]. Art and Design, 2017 (11): 6)

[4. Concluding remarks]

At present, the new media painting method is in the spontaneous stage, developing rapidly, and has a set of characteristics different from easel art.

Example 2- The central sentence artist James Trail is a pioneer artist in the movement of light and space. He used light as the only operating medium and created countless visual spaces.

1. Xiao Qing said that the artistic space of new media is an image created by artists and a unique spiritual realm. The new media art space constructed by artists through digital technology is restricted by technical means and follows the principles of scientific theory, which embodies the combination of technology and human perception and behavior. The interactive, immersive and emotional artistic aesthetic characteristics of new media art space have expanded people's understanding of space consciousness, affected the aesthetic category of art and are having an important impact on the audience's artistic experience. (Xiao Qing, Aesthetic Characteristics of New Media Art Space [j]. China University Social Sciences, 2020 (06):146-152+157)

2. Chen Qiyue mentioned that with the rapid development of science and technology and people's increasing demand for information diversification, new media, as a media form to meet the needs of modern society, has gradually become an important part of people's lives and formed an important industry. In the development of new media, visual communication design has become an important content to attract audiences, and the visual communication design under the impact of new media art design has also become the research content of new media industry. The author of this paper briefly analyzes some problems of visual communication under the impact of new media art design. (Chen Qiyue, Discussion on Visual Communication Design under the Impact of New Media Art Design [j]. China National Expo, 2020 (20): 186- 187)

3. Natalie said that contemporary digital technology and art design are interdisciplinary, and the diversification of media applications makes digital media art popular, and new media technology is more inclusive. This paper discusses how the development of contemporary technology affects new media art, and points out that the combination of technology and art is bound to be the future development trend (Natalie, analysis of the influence of contemporary technology on new media art [J]. Fashion of tomorrow in 2020 (19):154-155).

[4. Conclusion] Artists are gradually exploring new behavior patterns and new media applications, which makes it particularly important for the audience to participate in their works. From the perspective of new media art, the immersive artistic experience is produced through scientific and technological means. It is often richer in visual expression and gives the audience a deeper reading experience.

Fourth, the conclusion (restatement or summary of the main points (nothing new); Final comment (about 150 words)

? Restatement of thesis statement (restatement of central argument)

The earliest paintings in China and the changes of painting materials and carriers also played a certain role. Nowadays, with the development of science and technology, the way of painting is not limited to paper and pen, and now more and more people begin to use new media to paint. There are many kinds of paintings in ancient and modern times. Compared with the traditional painting method, the new media painting method can make the picture more accurate.

? Retelling of map sentences? (note: present perfect tense) (restate the structure of the paper)

This paper first analyzes the differences between ancient painting and modern painting, then tells the current painting trend, summarizes the differences between them, tells the advantages of modern painting methods again, and finally tells the development of new media painting.

Concluding remarks. (Concluding sentence)

Now, with the help of science and technology, we can explore our own expression by using new media painting methods, concentrate on creating the cultural value of our works, and create the painting art with China spirit.

Verb (abbreviation of verb) reference (reference)

1. (Xu Li, the influence of new media technology on the creation and dissemination of painting art [j]. Media, 20 19(24):77-79. )

2. (Haixin Sun, on the combination of new media and painting art [j]. Beauty and times (middle), 2019 (09):142-143)

3. (Wang Jiaxin, China painting art new media communication research [j]. Peony, 20 18 (36): 74-75)

4. (Tan Tong, Aesthetic Artistic Expression of China Traditional Painting [j]. Culture Monthly, 2020 (11):190-1)

5. (Ren Jing, on traditional painting in China [j]. Art Education Research 2020 (20): 16- 17)

6. (Ju Jianwei, Analysis of the Relationship between Traditional Painting Art and Iconology in China [j]. China Painter, 2020 (10):129)

7. (Chen, Research on Digital Painting under New Media Technology [j]. Kunming University of Science and Technology, Yunnan Province, 20 14 (17): 69)

8. (Cheng, New Media Art and Contemporary Painting [j]. Northwest Art, 20 13 (04): 5-7)

9. (Lv Huabin, the spread and development of painting art from the perspective of new media [j]. Daguan (Forum), 2019 (11): 29-31)

10. (Li Mengmeng, bill viola Rembrandt in Graphic Art [j]. Urban Geography, 2020 (05): 102- 107)

1 1. (Song Yuqing, analytical concept photography and video art in bill viola [j]. Artist, 20 19 (08): 149)

12. (Lin Zi, the aura of Bill Viola [j]. Art and Design, 2017 (11): 6)

13. (Xiao Qing, aesthetic characteristics of new media art space [j]. China University Social Sciences, 2020 (06):146-152+157)

14. (Chen Qiyue, Discussion on Visual Communication Design under the Impact of New Media Art Design [j]. China National Expo, 2020 (20): 186- 187)

15. (Natalie, Analysis of the Influence of Contemporary Technology on New Media Art [J]. Fashion of Tomorrow in 2020 (19):154-155)