What are the correct steps for sketching?

Before memorizing and painting, it is very important to quickly collect and store the main morphological characteristics of objects in the "electronic computer" of the brain through the transmission of eyes. In the process of sketching, look up and observe, and bow down to draw from memory. Because the function of the eyes is limited, you can't draw when you look at the object, and you can't see the object when you draw. It is impossible for anyone to look at objects with his eyes and draw on paper at the same time. Therefore, the modeling of this object must be completed by many memory connections. In addition, some objects that change instantly can't be sketched at once, and it's a pity that they can't be drawn, so they can only be done by memory. For example, when sketching an action, only two or three large lines can be used at most to determine the main features of the action, and other parts need to be supplemented by memory. Sketching is inseparable from memory, so sketching and dictation are very important. Sketch already contains oral elements, so in this sense, sketch is actually the embodiment of the painter's memory. So when you start sketching, don't rush to write, look at it first and observe it silently. Only in this way can the painter master the initiative to capture the object. When it's time to do this, the shape of the object will be printed in your mind at first sight, and the second and third eyes will only deepen, correct and supplement it. No first sight. Next, you will be in a passive position, because the dynamics of the object may have changed when you look up again. Of course, some slow repetitive movements may have a chance to make up for it, but it is not as vivid as you first saw. Conciseness is the characteristic of sketch. In the process of sketching, we should be careful not to draw more and more. Selection and simplification, such as real copy, are more difficult. This requires a brain. This is difficult for a beginner who is always confident that he can draw as meticulously as he sees. They often can't grasp themselves and can't stand the temptation of those eye-catching details. Of course, you should use the wonderful details of the subject selectively in sketch, but don't include the details that affect the whole. The information that enters the eyes should be filtered, summarized, selected and simplified by the brain. Firmly grasp the integrity of the picture. It's difficult to explain clearly what you need to choose in one sentence, because every painting has its own "brilliance". Selection and induction also depend on the requirements of specific painting. If the painting is dynamic, you can omit the five senses or just point your eyes; When drawing a bust, trivial clothing lines and pocket clothes can be omitted. However, the content of the same painting is different for each painter, allowing "different people to have different views" because painters have different interests. Generally speaking, sketch is taboo, because after completion, the original vividness of sketch will be weakened; Alteration will destroy the decisive and neat characteristics of sketch; After completion, there is often no passion at that time, and the lines drawn are often dull, which will weaken the charm of sketch. Generally speaking, sketch is different from sketch, it has incomplete characteristics, and it doesn't have to be comprehensive. Some "defects" and "blanks" may give people association and taste. But it doesn't mean that the sketch will never be finished. If you think the effect after painting is weaker than the first feeling, you can strengthen it. If some places are trivial. Then you can change the fragments to make the main body stand out. If there are redundant faults in some places, you can erase them to make the picture more comfortable. If some sketches are irretrievably added and modified, and this picture is rare, it is a pity that it is not well drawn, and it is no harm to rearrange one. If you don't do it twice, sometimes it may be more vivid and powerful than the original sketch. In short, the principle of processing and finishing is to keep the picture whole and concise. Sketching is inseparable from the purpose of dictation and sketch training. In a sense, it is to let the painter remember a lot of morphological information and morphological changes in his mind. Mastering dictation can help you achieve this training goal faster. This dictation modeling method has a deep tradition in China. It is said that Wu Daozi, a painter in the Tang Dynasty, was ordered to paint the Jialing River. When Li Sixun came back, he said, I don't have a chalk book. And keep it in mind. One day, entrusted by Li Yu, the Southern Tang painter sneaked into Han Xizai's home, rote learning, observed his dissolute nightlife and painted it into a famous > The five generations of painters repainted the portrait of former Shu Wang Aiji, and asked her to come out and observe it for a while, and then handed in the realistic portrait the next day. This shows that China ancient painters have profound attainments and accumulated a lot of experience in dictation. The scientific spirit of western painting is embodied in the modeling method, which attaches importance to intuitive sketching. When it comes to academics, this will be stylized. Without models, students can't even draw the simplest things. Some painters even take cows to the studio to sketch. Without the ability of dictation, the expression of the painter's own imagination is limited. /kloc-At the end of 0/9th century, the French painter Bouabdulak realized the importance of developing image memory and imagination. He proposed a new teaching method based on memory painting. He trained students to remember the images they saw, observed naked or dressed models walking in forests or fields, and then drew pictures from memory. Degamatis and many other creative people. This modeling method is different from sketching according to objects. It is based on the accumulation of images stored in brain information, scrutinizing, brewing, analyzing and combining the shapes of local and scattered pictures and fragments, and then reproducing the shapes of objects through memory modeling methods. The pictures in dictation are mostly what the artist is most interested in, and the things that flash through the artist's mind are mostly the most wonderful things.