How does landscape illustrator ps-ps turn photos into illustrations?

How to use PS 1 to make landscape photos into illustrations? Copy a layer and change the layer mode to Overlay Merge 2. Copy a layer of filter >; Sharpen > Sharpen Filter > Blur >; Special fuzzy combination 3. Copy a layer of Ctrl+Shift+U decolour 4. Copy the decoloring layer Ctrl+I to change the layer mode to subtractive filter >; Other > the minimum value is 15. Merge all layers. If necessary, you can adjust the highlights. The following is my effect.

Ps How to convert a picture into an illustration-style photo This setting requires five steps, as follows:

1. First, open the picture you want to modify in photoshop, and make some basic and simple modifications according to your own needs to make the original picture look beautiful as much as possible.

2. Then select the filter menu and open the oil painting filter in photoshop. The parameter values here are not fixed and can be set according to your own preferences.

3. Next, overlay the CameraRaw filter, which can also be found in the filter menu. The parameters are still not fixed, and can be adjusted according to the effect you need. After this step, you get a basic draft.

4. If you want to make the picture more exquisite and more like an illustration, you can cut it out and replace it with the animation material you want. Of course, not all pictures are suitable for this step, but if the technology is good, it can play a role in confusing the fake with the real.

5. Final adjustment.

degree of unsaturation

You can copy several more layers to achieve different intensity effects, and then use the opacity control effect of the layers to save the film after completion. The picture below shows the effect after completion.

How does ps turn photos into illustrations? Software: PhotoshopCC

1, preliminary preparation

Prepare photos to be processed (higher resolution) and animated sky materials. The original image used here is:

Note: This course is only suitable for dealing with landscapes, not people. Moreover, the treatment of scenery is not suitable for dynamic objects such as vehicles and running water, so it is actually quite picking photos.

2. Oil painting filter

Now I think the "dry brush" filter in the original tutorial is useless, so I only used the "oil painting" filter. The oil painting filter is located in the filter menu, and PhotoshopCC20 14 may not have this filter.

The six parameters currently used are 0. 1, 5, 10, 0, 0 and 0. You can use the values of these parameters as a reference first, and then master them yourself after doing more. If the filter effect is not strong after use, you can double it by Ctrl+F(Mac is _F).

3.CameraRaw filter

Although the "oil painting" filter is very important, you may not notice any obvious changes at this moment. Don't worry, you will see the effect after using the "CameraRaw" filter. This filter is located in the Filters menu of PhotoshopCC.

As shown in the figure, exposure+1 minimizes contrast and maximizes shadow, black, clarity and natural saturation.

4. Stealing the day

Dig out the blue sky, and then replace it with the animation-style sky material prepared in advance (continue to be lazy to use Makoto Shinkai's cloud). There are many methods of matting, so I won't go into details here. If the sky in your original film is pure blue or pure gray (that is, there is no cloud), it only takes 10 second at most to use the wand tool.

After changing the material of the sky, remember to adjust the exposure of the sky with "curve" or other tools to make it coordinate with the foreground. In fact, at this point, a good work has been completed for most people.

5. Final repair

The contrast between comics and movies is lower than that of photos, so I often add an "adjustment" layer in the final repair to reduce the contrast.

In addition, you can also observe the use of colors such as blue-purple (dark part) and warm yellow (bright part) with low saturation in Makoto Shinkai's works, process your works by means of "color balance", and then add a little warm yellow light spot to the bright part. Subsequent adjustments can be made according to the actual situation, such as the adjustment of lens halo and light and shadow, as shown in the following figure: