Traditional Culture Encyclopedia - Photography major - Montage photography experiment
Montage photography experiment
In a typical railway montage, the lens includes the engine rushing to the lens, the huge engine wheel moves on the screen, the long train flies by in front of the lens, and the destination sign occupies the screen.
Rolling montage is a form of multi-screen montage, which is specially developed for mobile image Internet browsers.
It is in tune with Italian drama director Eugenio Barba's "Space River Montage", and the audience's attention is said to be "sailing with the trend of sports, and their eyes can never completely revolve around these sports". ?
"Rolling montage" is usually used for online audio-visual works. Sound and moving images are separated and can exist independently: the audio in these works is usually played on the network, while the video is published on a separate website.
meaning
When different lens groups are connected together, it often produces meanings that are not available when each lens exists alone. For example, the scene of Chaplin driving workers into the factory gate is connected with the scene of being driven by sheep; Pudovkin connected the scene of melting glaciers in spring with the scene of workers' demonstrations, which made the original scene take on a new meaning.
Eisenstein believes that when opposite shots are connected together, the effect is "not the sum of two numbers, but the product of two numbers". With the help of montage, movies enjoy great freedom of time and space, and even form movie time and space that are inconsistent with real life time and space.
Montage can produce a third action besides the actor's action and the camera action, thus affecting the rhythm of the film. As early as the film came out, American directors, especially Griffith, noticed the role of film montage.
Later Soviet directors Kuleshov, Eisenstein and pudovkin successively discussed and summarized the laws and theories of montage, and formed the montage school. Their related works have had a far-reaching impact on film creation.
Extended data:
Artistic extension
1895 Newborn movies (such as "Train Entering the Station") have no editing at all. Therefore, it is questioned: Why spend money to see the pictures that can be seen in daily life? Edwin Porter creates film clips. David Walker Griffith established a complete system for film art, but it was Sergei Eisenstein of the Soviet Union who turned this system into a real theory.
Montage is one of the main narrative and expressive means of film creation, which is different from the expression of long-shot movies. That is, a series of shots taken from different distances and angles in different places. In a broad sense, montage is editing, that is, editing some shots into a movie plot and portraying characters.
With the role of montage, movies enjoy great freedom in time and space, and even can form movie time and space that are inconsistent with real life time and space. Montage can produce "the third action" besides the actor's action and the camera action, thus affecting the rhythm and narrative style of the film.
The so-called montage theory was first put forward by a Russian director headed by Sergei Eisenstein, who advocated creating new meanings through a series of split shots. For example, in "Battleship of potemkin", Eisenstein repeatedly linked the stone lion cutting with mass riots, which created the implication of proletarian uprising. In addition to the image montage mentioned above, there is also a "sound montage".
Another important theorist of montage is Kuleshov. In order to find out the juxtaposition effect of montage, he made a famous shot editing experiment (Kuleshov experiment) and found "Curry Schouw effect" and "Creating geography".
References:
Baidu Encyclopedia-Montage
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