Traditional Culture Encyclopedia - Photography major - Model expressive force and performance skills
Model expressive force and performance skills
In the process of shooting, the model is first required to have strong performance ability and performance skills in front of the camera. Let's sort out the model's expressive force and performance skills for your reference.
For example, if you eat a piece of candy, although the candy is sweet, you are required to show the taste of this sweet candy on your face and convey it to the audience. At this time, the photo model must have delicate expressions and gestures. Of course, it's not just a photo. The photographer will keep pressing the shutter with the change of your shape, and finally choose a satisfactory photo. This form of expression, in addition to the help of atmosphere, the use of light, the adjustment of angle, the cut-in of viewpoint, the stylist's design and post-production will all play the role of finishing touch.
How to be more photogenic
The ability to move or pose in front of the camera is the most important skill of a model. But there are no strict and firm rules or complete sets of standard postures for reference. We must learn "what works and what doesn't work" through experiments and failures, so as to grow into excellent models.
In order to improve your skills and become more photogenic, you should pay attention to many aspects.
Subtle movements of the head are more effective than exaggerated movements. For example, a large tilt of the head to the left or right will make the model look unbalanced and unnatural, and a large increase or decrease of the chin will also make the model look unnatural or unnatural.
1. Facial expression
(1) Eyes: The eyes are usually the most important part of the face and the focus of head shooting, so communication with eyes is very important. Models can practice speaking with their eyes in front of the mirror. Don't be shy or embarrassed. Imagine you are looking at an interesting thing in the camera, and then express the idea with your eyes.
It is more helpful to cover the lower part of your face with a piece of white paper when practicing. Don't look at the photographer's head or hands, look at the center of the lens.
You can open your eyes and pretend to be innocent.
3 squint slightly to create more aggressive and complicated effects to change the expression of eyes.
Blink one eye and you'll have another face.
(2) Eyebrows: Eyebrows are important expression makers.
If your eyebrows are lower, your face will be serious.
Lower your eyebrows and you will have an angry face.
3 only raise one eyebrow, but have a brisk face.
(3) nose:
① When the nose turns to 3/4 angle, the wide nose will appear narrower.
② When the face leans to one side, the aquiline nose will appear less hooked.
(4) Mouth shape: The way to practice mouth shape expression is to practice different ways of smiling. Think of all the ways you can smile. You can't start with a knowing laugh, and then go from laughing and smiling with your mouth open to just grinning. You can also try different emotional expressions, such as satire, sexiness, embarrassment, joy, warmth and so on. When you laugh, make sure your expression is true. You should avoid a stiff and artificial smile.
In order to get more lip-synching creativity, we can draw inspiration from the behaviors in our lives. Such as blowing kisses, eating, drinking water, pouting, whistling, singing, licking or touching lips, shouting, exclaiming, wailing, frowning, making faces, etc.
It's about brokers.
For planned and professional fashion shooting, the organizer will arrange the photographer to meet the model in advance to increase the communication between the photographer and the model. On the other hand, models can learn about the whole shooting plan, shooting style and makeup style through photographers. Sometimes when you meet a photographer, you may let the designer try on the model and the makeup artist try on the makeup.
2. The way photographers ask models to cooperate
(1) swing
The photographer asked the model to pose statically and then shoot. When posing, it may be modeled according to the photographer's requirements. Maybe the photographer will let the model model freely, and the photographer will choose the right model to shoot.
(2) Move the racket
The photographer asked the model to constantly change shapes and perform body movements, and the photographer took snapshots during the movement of the model.
(3) Studio shooting
The studio may be simple and clean, or it may make some sets and props. The general studio environment is better, and it is easy for models and photographers to concentrate on creating.
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