Take pictures of beautiful women with live light?

How to make full use of scene light when shooting beautiful portraits? This paper teaches you how to use artificial fill light reasonably in dif

Take pictures of beautiful women with live light?

How to make full use of scene light when shooting beautiful portraits? This paper teaches you how to use artificial fill light reasonably in different light environments to achieve the perfect integration of artificial light and natural light. The following is part of the content of the website. Welcome to reading.

: shooting guide 1

Aircraft position analysis

Let the model reverse the body orientation to shoot, and the golden edge light appears behind the model's hair. Because it is backlight shooting and the background light is backlight, the model's face will appear darker, so turn on the ETTL mode of the flash and pull out the light-emitting board to fill the light. Shadows usually appear in artificial fill light. At this time, we should pay attention to the fact that the shadow produced by artificial fill light must be in the same direction as the shadow produced by natural light to prevent the appearance of "two suns", that is, two or more shadows with different directions.

Like the previous picture, this one uses a front flash to fill the light, but because there is no reflector behind the model and there is no reflector reflection except to illuminate the body of the model, there is basically no abrupt shadow.

Shooting parameters: ● Aperture: F2.8 ● Shutter speed: 1/60s ● Focus: 43mm ● Sensitivity: 100 ● Exposure compensation: EV-0.3.

: Shooting Guide 2

Aircraft position analysis

This is a big square with a tall installation tower behind it. The dense horizontal lines of wood boards on the ground form a "broken" relationship with the vertical lines of distant devices, which increases the linear direction of the picture. At the same time, the perspective of the floor lines is close and dense, which strengthens the sense of depth and space of the scene.

Shooting portraits in large scenes can easily lead to the separation between people and scenes. Attention should be paid when shooting, the model should not be too far away from the camera, otherwise it will be submerged in the big environment. In this work, the model can get the main position in the picture for two reasons, one is the red clothes, and the other is the light on her body. Pay attention to the light on the scene before shooting, and you will find the spot projected by the light on the ground, so that the model can find the light in the spot area. At this point, the bright area behind the model emphasizes the main position of the model. At the same time, the backlight illuminates the contour light on the model's body, which echoes the light spot emitted by the tower in the background, and the picture shows a sharp contrast between light and shade.

People with dark backgrounds can get rid of them, but because they are in the dark, they will basically not seize the dominant model, and at the same time add some sense of plot to the picture. Therefore, it is reserved here.

Shooting parameters: ● Aperture: F2.8 ● Shutter speed:11250s ● Focus: 25mm ● Sensitivity: 100 ● Exposure compensation: EV-0.3.

: Shooting Guide 3

Aircraft position analysis

Novices in portrait shooting are used to cutting the bust or head of the person to shoot the area, and the information conveyed by such works is very limited. With the deepening of shooting, it is necessary to exercise the ability to shoot portraits of the environment, so that the characters can combine with the lines, colors, light and shadow of the environment to obtain richer expressions. This work brings the lines of environment into the picture. The complex and meticulous structure of industrialization and the cool tone set off the femininity of the model, and the red clothes contrasted with the environment. When shooting, aim at the highlight of the model's forehead for photometry. After slightly reducing the exposure compensation, the flash pulls out the reflector, and moderately illuminates the model's body with the help of small-area reflected light, thus preserving the overall sketch relationship of the light in the picture.

Shooting parameters: ● Aperture: F2.8 ● Shutter speed:1125s ● Focus: 22mm ● Sensitivity: 100 ● Exposure compensation: EV-0.3.

Shooting parameters: ● Aperture: F2.8 ● Shutter speed:1125s ● Focus: 33mm ● Sensitivity: 100 ● Exposure compensation: EV-0.33.

: Shooting Guide 4

Aircraft position analysis

Using a wide-angle lens to shoot, the relationship between the surrounding environment and the characters has been more fully expressed. The large blank space on the ground contrasts with the density of industrial equipment with complex structure behind, allowing the audience to see more abundant picture information.

Shooting parameters: ● Aperture: F2.8 ● Shutter speed:1100s ● Focus: 2 1mm ● Sensitivity: 100 ● Exposure compensation: EV-0.3.

: Shooting Guide 5

Aircraft position analysis

Sunlight is projected onto the U-shaped tube through the device, and the huge industrial device structure and cold texture echo the gloomy atmosphere of the model, giving the picture a unique artistic conception, which is a unique effect obtained by bringing it into the environment.

Shooting parameters: ● Aperture: F2.8 ● Shutter speed: 1/80s ● Focus: 16mm ● Sensitivity: 100 ● Exposure compensation: EV-0.3.

: Shooting Guide 6

Aircraft position analysis

Let the model reverse the body orientation to shoot, and the golden edge light appears behind the model's hair. Because it is backlight shooting and the background light is backlight, the model's face will appear darker, so turn on the ETTL mode of the flash and pull out the light-emitting board to fill the light. Shadows usually appear in artificial fill light. At this time, we should pay attention to the fact that the shadow produced by artificial fill light must be in the same direction as the shadow produced by natural light to prevent the appearance of "two suns", that is, two or more shadows with different directions. Although the above two pictures are filled with front flash, there is basically no abrupt shadow because there is no reflector behind the model, except for illuminating the model's body.

Shooting parameters: ● Aperture: F2.8 ● Shutter speed: 1/60s ● Focus: 40mm ● Sensitivity: 100 ● Exposure compensation: EV-0.3.

The above is all the contents I collected from the Internet. Friends who like the internet should come often.