Character experience, Han Shaoyun.

When Han Shaoyun was 3 years old, his father ran away from home, and his mother led Shouzhen and his younger brother Kousuo (later renamed Han Shaobao) to make a living in Shanhaiguan and Changli. Soon, his mother married Han Dejin, who performed in the Swan Theater in Changli. Since then, the Shouzhen brothers and sisters have changed their names to Han and settled in Yutian. Han Dejin is from Yutian City. He is a "drama mother and son" and can perform many plays; He is also loyal and often helps poor artists. He saw at a glance that Xiao Shouzhen had a talent for acting and was determined to cultivate her into a "role" (that is, a famous actress who can play the leading role). But he has a bad temper and punches easily. Under his almost harsh supervision and guidance, the Shouzhen brothers and sisters get up at 5 o'clock every morning and shout to the cemetery in the suburbs. Then practice martial arts. Years of hard work and hard practice have made great progress in the performing arts of keeping chastity. 13 years old, studied under the famous Ju Ping actor Liu Zixi, and learned more than 0/0 dramas such as Opening a Shop, Crying, and Divorce in Zhu Maichen. /kloc-At the age of 0/4, Five Women Cry in the Grave was staged in the theater. Han Dejin's brother and Han Shaoyun's second uncle gave Shouzhen the role of "five daughters" and gave Shouzhen a stage name: Han Shaoyun. As the play became a hit, Han Shaoyun's name disappeared from the audience.

From the second year, Han Dejin led the family to wander the rivers and lakes. They run classes in some small theaters in Changli, Linxi and Luanxian, and then enter Tianjinwei. "Li Sanniang" broke out with warm cheers at the beginning of its premiere, and it became more and more fierce in the future. Then he returned to Tangshan, the hometown of Pingju, and performed at Linxi China Grand Theatre. The audience was very enthusiastic. After the liberation of Tangshan, Pingju veteran Jin and others founded the "Tangshan Pingju Theatre" in Shenyang-later renamed the Northeast Experimental Pingju Troupe, the predecessor of today's Shenyang Pingju Theatre, and were invited to join and become a member of the national professional art performance group. 1952 10, the first national opera viewing and performance conference was held in Beijing. Northeast Experimental Repertory Theatre participated in the drama Little Son-in-law, in which Han Shaoyun played the heroine Yang Xiangcao. The performance was a great success. In addition to winning the first prize for script and performance, nine people won individual awards. Among them, Han Shaoyun, who is only 2 1 year old, won the first prize. During this period, they also went to Huairentang in Zhongnanhai to perform for Mao Zedong, Liu Shaoqi, Zhou Enlai and other central leading comrades. After the performance, the crew toured more than 90 games in Shanghai, Wuhan, Tianjin and other places, with an audience of more than 6.5438+0.2 million. From 65438 to 0956, he participated in the actor's study class organized by Northeast Traditional Chinese Opera Research Institute and the actor's workshop organized by the Ministry of Culture in Beijing, and listened to the lectures of artists such as Mei Lanfang and Cheng, which further improved his artistic level.

From 196 1 to 1965, it is the peak of Han Shaoyun's art, rehearsing hard-core dramas such as Red Guards of Honghu Lake, Children of Coconut Grove, Rhododendron Mountain, Red Sister-in-law, Jie Jiang and The Story of Red Lantern. The role he played achieved the unity of likeness and spirit likeness, which provided valuable experience for Pingju to express real life and expand the theme of performance. In the performance, it has formed a simple, delicate, beautiful and generous artistic style; In singing, she has a wide range, a moderate voice and a mellow charm. Her articulation and pimple cavity are even more unique. Her performance and singing are integrated, and she is praised as "Korean School" by the audience. 1984, Han Shaoyun and his lover, the famous composer Wang Qiheng, returned to his hometown of yutian county. Not only their relatives welcomed them, but also the leading comrades of the county party committee, the county people's congress, the county government and the county CPPCC warmly received them and arranged for the couple to visit the factories, villages and places of interest in the county. At the same time, she performed two performances of "Feng Haichao" jointly with the Pingju Opera Troupe of this county, and all the proceeds were donated to the nursing home. Finally, Wang Shumin and Wang Shaoling, two main actors of the county Pingju Opera Troupe, were taken as disciples. This trip to her hometown left a very deep and beautiful impression on her.

In half a century, she has performed nearly 200 plays. Representative repertoires include: Little Son-in-law, The Marriage of Little Erhei, Yang Sanjie's Complaint, Red Guards of Honghu Lake, Du Fu Mountain, Jiang Jie, Red Sister-in-law, Song of Friendship, Xue Mei's Accidental Encounter, Home, Yimeng Mountain Man, The Story of Diexin and Peach Blossom Temple. The typical women she played in various historical periods since the May 4th Movement are vividly in my mind. In particular, her successful portrayal of some female cadres has provided valuable experience for Pingju to express modern life and expand the theme of performance.

Han Shaoyun followed the realistic creative method. From the performance point of view, their roles have their own characteristics. And it is famous for its concise, delicate, beautiful and generous performance style; From the singing point of view, she was historically influenced by the vigorous singing in the early stage of Pingju Opera and the soft and charming free and easy singing in the new singing in the 1940s, and combined with her own conditions, she merged into a style with wide range, flexibility, moderate intonation and mellow charm. And her pronunciation and accent are unique. The performance is simple and delicate, the singing is mellow and mellow, the words are fresh, and the palate (pimple) sound is particularly good. Her performance and singing are integrated into one, forming an overall artistic style, which is praised by the audience as "Korean School". There are her descendants inside and outside Shanhaiguan Pass.