Traditional Culture Encyclopedia - Photography major - The shooting method of two people's dialogue in news TV lens-standard triangle position.
The shooting method of two people's dialogue in news TV lens-standard triangle position.
(1) 1), all subjects can be summed up as static and dynamic scenes of "two people talking", so it is the basis of camera position arrangement to handle the scenes of two people talking well.
2), the common two-person dialogue shooting: positioning-backhand with less inside and more outside-positioning.
3) Dialogue between two people: ordinary people and alternate positions.
(2) Standard triangular airplane seat
1, basic figure: P 1 13 Figure 4- 1
2. Positioning the camera position: generally, it is a panoramic or medium shot, which plays a role in determining the spatial position relationship of people.
3. Parallel shooting position: Compared with the positioning lens, the shooting angle is almost unchanged, from the positioning lens to the close-up or close-up of people.
4. Inside backhand position: Take a close-up or almost positive close-up.
5. Exterior backhand position: Generally, it is a close-up over-the-shoulder shot, which is completed by two cameras.
6. Coaxial lens: realized by changing the focal length of the camera or moving the camera position.
7. The common shooting of two people talking: positioning-backhand with less inside and more outside-positioning.
8. The orientation of the two people's conversation: the common L and the alternate position arrangement. People's front lens, side lens and back lens are open, semi-open and closed in composition.
(C) seek change while maintaining stability
Shooting in a standard triangular position while seeking novelty and change will give the audience an orderly and lively feeling.
1, the change of the seat range of the plane 2, the change of human posture
3. The change of character position. Changes in composition ratio. Change of focal length of lens
In fact, two or more shots of the masses can be simplified to equivalent two shots of people. For example, all the students in class can be treated as a "one" student collection to arrange the lens relationship between teachers and students in the classroom scene. In a multi-person dialogue scene, there are often two main actors or other types of characters at the center of the dialogue. The pursuit is not necessarily the pursuit of two people, but also the coming and going between two cars or different people. In short, we can regard the lens of talking and chasing as the lens that shows the relationship between two objects, and their difference is only the difference between motion and static.
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