Brief introduction and detailed information of iron bow edge

Outside the west gate of Taiyuan, Chen Xiuying, the daughter of the late Taiyuan garrison, and her mother run a teahouse called Hero House. Chen Xiuying, daughter of 16 years old, is outstanding in appearance and martial arts. There is an ancestral treasure bow at home, and only father and Xiuying can open it. Father's last words: "whoever pulls this bow again, choose him as her husband." One day, Kuang Zhong's bow was pulled out by the teeth of Shi Xulong (A Shi Xulong or Shi Shilong) in the general town of Taiyuanfu, and he married Xiuying three days later. Unexpectedly, Shi Xulong's son Shi Lun also took a fancy to Xiuying. Father and son set a deadly trap, sent Kuang Zhong to escort the salary, and ordered people to pretend to be robbers. After that, he sent Kuang Zhong to the border, and Xiuying said she wouldn't change her mind when she left. Kuang Zhong asked Xiuying's mother and daughter to take refuge in Erlongshan Wang Fugang. When Wang Fugang learned that Kuang Zhong was in trouble, he went to Wang Yuanlong's men and waited for an opportunity to find out why. Xiuying angrily killed Shilun, disguised as a man, and used the pseudonym of Wang Fugang. On the way to Erlong Mountain, Xiuying was taken to Taihang Mountain by Guan, a fiancee she had never met before. She mistakenly thought it was the real Wang Fugang, so she treated her warmly and granted her military power. Xiuying led the troops to attack Taiyuan, killed the enemy and called Kuang Zhong out to fight. Wang Yuanlong let Real Wang Fugang play. They played against each other, but they didn't know each other. Wang Yuan Dragon transferred Kuang Zhong back to the battlefield from the border, Xiuying took out the token, and the two of them fought in the front. , Xiuying, and Guan, all's well that ends well, Erlong Mountain and Taihang Mountain, two rebel forces against the enemy.

Basic information about the credits Movie types: China traditional drama and stage art.

Length: 120 minutes

Country/Region: China

Production company: Beijing Film Studio

Film length: 12 copies

Color: color

Director: Chen Huaiai.

Producer: Li Million

Group photo of actor Guan He

Gao Yifan-Kuang Zhong

Liangcishan-Shilun

Guan Sujuan-Mu Chen

Jia Liancheng-Shi Xulong

Dong Ruikun-Wang Fugang

Yang Jie Guan Yueying

Zhang Zhanyuan-Guan Bo

Li Chunren-Wang Yuanlong

The trailer of the movie clip is a Beijing opera art film, full of twists and turns. It is very successful in characterization, vividly showing a strange girl Chen Xiuying who is loyal to love, hates evil and is brave and witty. The film combines feelings with the traditional story structure of the story, making the film compact and prominent. Guan Guan, the actor of Chen Xiuying, has mellow singing skills and a real and delicate performance. He is not only a martial artist in Hua Dan, but also a later martial artist who plays a minor, and successfully shows the image and character of the characters. The film won the 1980 Best Opera Film Award of the 3rd Hundred Flowers Award Film and the 1979 Excellent Film Award of the Ministry of Culture.

Film Evaluation Performance Evaluation This dramatic art film has a tortuous plot and strong story, but the creator did not win by clever plot, but based on the character's character, created the image of a handsome and heroic girl Chen Xiuying.

The film does not stick to traditional programs, nor does it abandon programs. It is a good combination of feelings and programs, so that the style of the whole drama looks as handsome and heroic as the characters.

The actor commented that the first half of Guan played Hua Dan, with mellow singing and delicate and naive performance. Then he combined the performances of Hua Dan and Wu Dan. Later, Wu Dan disguised herself as a man, effectively depicting the excellent quality of Chen Xiuying's loyalty and love for evil.

Douban evaluation I didn't really understand what a heroine is until I saw this film and the wonderful performance of Guan, the heroine in the film.

If I have to name the most beautiful and heroic female knight-errant, it is Chen Xiuying she plays.

Based on the stage play of the same name, this film tells the story of Chen Xiuying's mother and daughter opening a teahouse, being bullied into marriage by bullies, getting to know the young general Kuang Zhong, and taking Xiuying's iron bow as their destiny. Unexpectedly, the wicked father and son were framed by Kuang, Xiuying's mother and daughter fled to find her husband, and finally the husband and wife reunited after twists and turns.

The Peking Opera version of the stage play usually lasts only one engagement, but this film will put the whole story on the screen and make a big fuss about the script.

Before that, I watched a stage play starring Wu Suqiu, which was recorded in the 1980s, and I felt very different.

In the stage play, the comedy of the story is highlighted, especially the role of Mu Chen played by Cai Dan, which plays a humorous role in adjusting the atmosphere and has the entertainment function of the citizens. There are many jokes during the period. As the heroine, what is equally outstanding is her charming daughter heart unique to Hua Dan, which is basically manifested as a comedy with the characteristics of Xun School.

The film of the same name has a strong humanistic color, which highlights the heroine's anti-evil spirit, boldly deletes the slightly vulgar gimmicks in the stage play, and focuses the story theme on the traditional drama program of two people from acquaintance, love, separation to reunion.

Speaking of this film, I have to mention the director Mr. Chen Huaiai, who is a rare artist who can respect and understand national traditional art and has a good film professional level. His film Wild Pig Forest is a classic of China opera films.

He not only removed a lot of commercial and entertainment elements from the original stage play, but also devoted himself to expressing the rebellious theme that he was always good at expressing, and created an artistic image of Chen Xiuying, a female hero who dared to love and hate, was intelligent and brave, and exuded feminine charm and loyalty.

There is little difference between mother and daughter and Kuang Zheng in the stage play, and the comedy atmosphere is dominant. In the film, the director focuses on shaping the heroine, affirming her quality of daring to resist evil forces and pursuing love. The treatment of the mother's image seems to have a more sense of justice. The whole film presents a tragic style. From the beginning, Xiuying described her life experience and practiced martial arts, which showed that this was not an exquisite small jasper-style tea merchant, but a woman with strong ambitions.

He injected the unique idealism of literati into the original secularized opera, and made bold attempts in photography, scene scheduling, actor performance, etc., without losing the original artistic characteristics, making such a traditional Peking Opera more plump in characterization, more exquisite in artistic expression, a rare treasure, and emitting eternal artistic charm.

This is also worth learning from some contemporary traditional literature adapters, and reasonable artistic processing should be carried out on the premise of respect, rather than unscrupulous tampering or even deformation. We should improve the tradition, instead of denying it completely, discarding its dross and preserving its essence, not destroying it but protecting it. The main problem is respect first. We should learn respect modestly and then improve it.

As an excellent opera actor, Guan created a classic heroine image in the film.

When playing a daughter in Teahouse, she appeared as Hua Dan, with a charming and lovely voice of a girl, showing the shyness and joy of a girl. In Changting's farewell ceremony, she appeared as a girl in Tsing Yi, and sang plaintively, vividly depicting the mood of a woman who was about to leave her lover. Then she disguised herself as a man, dressed in white, and was a heroic young Xia. She plays Hua Dan, Tsing Yi and Wu Dan alone in the film, which shows her exquisite and solid basic skills in singing, reading, sitting and acting virtuous. She is good at the transformation of three professions and has her own characteristics. She is really a talented actress. Under the guidance of the director, she not only gave full play to the expressive force of Chinese and foreign Peking Opera stage plays, but also used the characterization in film art to express the inner feelings of the characters quite accurately, especially in the dressing scene, vividly depicting the psychology of a girl to be married.

The makeup of the film is not as strong as that of the stage play, but with the real capacity close to nature and a little powder, it has achieved the effect of distinguishing the stage and retaining the stage characteristics. The use of lighting is in place, and the scenery also gives people a specious illusory effect.

Guan is really beautiful. Her eyes can talk, especially when she is half squinting. She has a romantic feeling, slightly drunk and sexy, which reminds me of Lao Lun bacall's charming eyes.

Award-winning record 1980 The 3rd Hundred Flowers Award Film Best Opera Film Award.

1979 Excellent Film Award of the Ministry of Culture