Traditional Culture Encyclopedia - Photography major - Alternative nude art photography
Alternative nude art photography
Alternative nude art photography pictures
Body art is erotic in the eyes of most people, but in the eyes of artists, the human body is the best creative element. Arthur Cadre, a dancer and photographer from France, filmed a group of works called Creatures in Wonderland. In the picture, Arthur Cadre is like an elf of nature, dancing his body and leaving a figure in every corner of nature.
Classification of human photography
Classical aestheticism
Classical aesthetics human photography
Because human body photography was intertwined with classical painting from the beginning, human body photography in classical atmosphere became the earliest fashion. At the same time, in modern and even contemporary human body photography, the classical atmosphere, as a kind of nostalgia, still permeates the lens of many masters. Even classicism, in a sense, does not mean restoration, but it can become a fashion-fashion has been turning, and there will always be reincarnation after many years.
From the overall technical means, at the end of 19, painters mainly used soft light and other techniques to make nudity a suitable subject. Some photographers also use some classical printing techniques that have been lost now, and with the help of their elegant and exquisite picture effects, they produce classical romantic style characteristics, which are almost equivalent to the nude effect in painting. And some nude images processed by impressionism have gradually become the representative works of photo photography in international salons. A large number of photographers, including Weston and Steichen, completed human body photography in a classical, picturesque atmosphere and hazy way before embracing modern human body photography.
When photography entered the 1920s, the picturesque human body photography gradually retreated behind the scenes, and modern human body photography showed its own way, but it did not hinder the "resurgence" of the picturesque way. These photographers tried to respond to the brilliance of early image human photography and made a lot of efforts. Although their works can't become the mainstream of human photography again, they still remind us that the classical and aesthetic human body in photography is always a theme that can be revived. For example, China photographer Zhang Xulong's "Tang Jiali's Body Photography Series" is one of the more successful shooting practices.
Local close-up
Local close-up human photography
When human photography came out of the classical artistic conception, the photographer suddenly found that the thinking of the human body does not have to be expressed in a perfect whole. The close-up of local fragments can also make human photography go to the other side of the ideal. Later, Ralph, a famous photographer who made important contributions to human practice? Gibson once expressed the feeling of human body: "I am particularly interested in local debris formation, from which I can find the bright spot." I am not interested in the whole human body; I need exquisite form. "
As an aesthetic practice, shooting local fragments of human body began in the 20th century. In the composition of the human body in the19th century, the complete human body experiment of the academic school dominated, thus serving as the material for painters and sculptors. In the19th century, photographers could not imagine the human fragments we know today. First of all, all Victorian body photography is related to elegant art and pure science, and the fragments of human body are clearly considered as "indecent" and belong to a voyeuristic behavior, which has been denied by critics. In addition, it is hard to imagine that photographers will choose the vision of fragments as any aesthetic possibility. They are completely attracted by the aesthetic works of the whole human body.
Since the 1920s, many photographers began to pay attention to local fragments of human body. Some photographers began to show part of the torso of the human body, excluding only the head or eyes of the human body from the picture, thus retaining a complete body. This practice just reversed the aesthetic taste of19th century. At that time, the head was the center of interest, the leading part of the body, and the place of thought and spirit. Perhaps it is as a radical rebellious mentality that modern photographers have driven their heads out of the composition from the beginning.
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In the later local manifestations of the human body, three classifications can be roughly formed. One is the fragment of realism, and the body part appears as a very realistic object, emphasizing the clarity and realism of the object. The second is the local fragmentation of formalism, which emphasizes lines, shapes, volumes and abstractions, making the body a geometric material. The third is deformed or fuzzy local fragments, which create an illusion through local deformation and make the human body form a specious and unpredictable visual temptation.
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