Traditional Culture Encyclopedia - Photography major - In Peisi Chen, compared with Zhao Benshan, whose performance is more artistic and ornamental?

In Peisi Chen, compared with Zhao Benshan, whose performance is more artistic and ornamental?

With the development of film and television technology, the performance form of sketch appeared, which can be traced back to the silent film era at the earliest, that is, drama performance moved from the stage to the screen. The biggest breakthrough of photography technology in promoting performance is to enlarge the actors' expressions and action details. People's facial expressions are extremely rich, which can express their emotions more accurately and arouse the audience's voices. However, after close magnification, ordinary movements will also produce good laughter.

It is because of Zhao Benshan's outstanding performance that the comedy culture and Errenzhuan culture in Northeast China spread all over the country. While bringing joy to the people of the whole country, Zhao Benshan's northeast culture also quickly swept the country. As far as Zhao Benshan's comedy style is concerned, rich performances, grounded lines and absurd stories have become the greatest advantages in Zhao Benshan's sketches. Zhao Benshan's sketches are brief, centering on his parents in Northeast China and showing the social changes in China. Similarly, the lines with great contrast and absurdity in Zhao Benshan's works meet the performance requirements of sketches; As far as appreciation is concerned, the continuous jokes have become the most ornamental side except Zhao Benshan.

Peisi Chen's sketches have many patterns and figures in different formats, each of which is a classic. He once starred in Zhu Shimao's sketches such as Eating Noodles, Police and Thief. 2065438+2005 65438+27 10, Peisi Chen returned to CCTV after 65438+2006, and the TV comedy "What a Big Family" directed and performed by him personally landed on CCTV. On July 16, The Stage, directed and starring, opened in Beijing Comedy Theatre.

Both of them are from the Northeast, and Peisi Chen's performance shows no trace of the Northeast, let alone deliberately exaggerating the image of the Northeast for fun. At the same time, I don't deny that Uncle Benshan has brought happiness and hardship to people on the stage of the Spring Festival Evening for many years, but in terms of artistry and appreciation, I think Peisi Chen's works are slightly better.

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