Traditional Culture Encyclopedia - Photography major - What kind of writing style can we see from the poem Xiao Chi?
What kind of writing style can we see from the poem Xiao Chi?
Yang Wanli's poems are vivid in artistic conception, popular and fresh, fluent and natural, and full of life breath. His poetry creation has formed his own style according to the road of learning from others, facing reality and imitating nature, and has formed a new, strange, lively, fast, harmonious and sincere poetry style, such as "The lotus leaf is infinitely colorful in the sky, and the lotus flower is red in the sun" (Dawn from Jingci Temple to the Woods), "The stream turns to sorrow without a way, and suddenly there are one or two plum blossoms". Most of his poems are about natural scenery, so his good friend once humorously joked with him that "mountains and rivers are afraid to see everywhere." Yang Wanli's works are rich. According to legend, there are more than 20,000 poems, and there are more than 4,200 existing poems. He was one of the writers who wrote the most poems in ancient China.
This poem is a fresh sketch describing the beauty of the pond in early summer. Everything is so beautiful, so soft and so affectionate. Every sentence is poetic, showing beautiful early summer scenery, natural and simple, touching. This poem describes a spring, a trickle, a pool of trees, a few small lotus leaves and a small dragonfly, which constitutes a vivid landscape of a small pool and shows the intimate and harmonious relationship between all things in nature.
At the beginning, the words "spring is silent and precious for a trickle, and the shade shines on the water and loves softness" bring readers into a small, delicate, soft and pleasant realm, and a trickle slowly flows out of the spring silently; In the sunset, Chi Pan's green trees throw the shade into the water, and the light and shadow are mottled and clearly visible. A word "pity" turns ruthlessness into sentience, as if spring lets it flow silently and slowly because it cherishes a trickle; A word "love" gives life to the green tree. It seems to like the soft sunshine and shows its charm with water as a mirror.
In three or four sentences, the poet, like a clever photographer, took an interesting shot with a quick mirror: "Xiao He just showed his sharp corner, and a dragonfly stood on it a long time ago." The time sequence has not yet reached midsummer, and the lotus leaf has just exposed a sharp corner from the water, and a small dragonfly is standing on it. A "talent show" and an "early stand" are taken care of, vividly depicting the scene of dragonflies and lotus leaves leaning against each other.
Yang Wanli advocates learning from nature when writing poems. He has a keen interest in natural scenery. He often uses fresh and lively style and plain language to describe the ordinary scenery he sees every day. He is especially good at capturing the characteristics and fleeting changes of scenery and forming interesting pictures, so his poems are full of rich life breath. This poem expresses the author's love for life. Through the description of spring water, shade, lotus flowers and dragonflies in a small pool, we can draw a simple, natural, vivid and full of infinite vitality: the spring water seeps silently and trickles, as if cherishing the crystal spring water; Green trees like to blend their shadows into the pool water in the soft sunshine atmosphere; The delicate lotus leaf has just exposed the sharp leaves out of the water, and the naughty dragonfly has already stood lightly on it. The whole poem focuses on the "small" place and vividly describes the lively new scene in the pond in early summer, which is used to describe the newcomers who are budding.
? The whole poem is entitled "Xiaochi", and the word "Xiao" is specially written. Poetry needs to have a different theme from that just now, and some major themes should be written with magnificent realm and momentum; Some subjects are very small, just some details in life, but they can write about love and fun. Therefore, Wang Guowei said: "There are big and small realms, and the pros and cons are not divided into right and wrong."
reference data
Zhou ... Middle school students must read 70 ancient poems. Hangzhou: Zhejiang Children's Publishing House, 20 12: 176.
Yu Jianzhong. Appreciation of China's ancient poems. Kunming: Yunnan University Press, 20 1 1: 363 pages.
Xiao Lianwu, Yang Jinghua. China language. Shanghai: Fudan University Press, 2009: 192.
Yang Yuxiang. Appreciation of classical poetry. Beijing: China Radio and Television Press, 2007: 204-205.
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