What's wrong with "Superman II punches"? Is there any logic or other serious injury?

I feel that the production lineup of the popular animation "One Punch Superman" in the first season is quite luxurious. Famous original artists such as Toyo Nakamura, Xianglun Kameda, Acer Tanaka, Se-jun Kim, and Nobuyuki Imai. All of them participated in it, presenting a painting feast for the audience with three times more frames than ordinary animation, which is no exaggeration.

However, the second season did not continue the luxurious lineup of the madhouse before, but was replaced by the team of JC.staff. The disparity in quality between the two seasons also made some viewers dissatisfied and pointed out the problems in the second season of One Punch Superman. Among them, many viewers are accusing the tone of One Punch Superman ii of being unnatural and becoming "shit yellow".

Today, I would like to take this opportunity to explain what is the "photography" link of animation and why the second season has such a color:

Let me briefly talk about the medium-term process of animation production.

After the script, scenery, split mirror and other preliminary work are completed, the original painter will first draw the layout according to the split mirror, which is called "composition". Composition needs to include all the details such as people, foreground and background, and reflect the spatial relationship. After the director or performer checks this episode, the original painting can be carried out.

In the original painting stage, you don't need to draw the foreground and background, just draw people, machinery, props and other objects. The background of the animation is given to the "Art" team.

After the original painting is completed and submitted to the painting supervisor for modification, the animator needs to supplement the complete action process between the original painting and the original painting. Paintings that embody this process are called "Chinese painting", "animation" and "Chinese cutting", which are synonyms.

The stage of "photography" is the completion of original painting, middle cutting, background line drawing and coloring.

The so-called "photography" in Japanese animation is different from what we remember. Refers to the process of combining characters with the background and adding special effects. It seems more appropriate to refer to it with the Chinese word "post-processing".

In the second season of One Punch Superman, Gunneshev also used this photography technique. This process actually adds a lot of work to animation, so only the protagonist can enjoy this treatment in the feature film, and the face of the supporting role is not specially shot with this gradient. However, the audience accustomed to the ordinary photography style in the first season seems to be not buying Gunneshev's personal style.

As for the effect, everyone has different opinions.