The Artistic Style of White Rose in the Song Ma Yuan

Flower-and-bird painting in the Academy of Song Dynasty inherited the tradition of five generations and made some innovations on this basis. Huang Quan's rich style of "sketching and coloring, with rich purport" has ruled the painting world for nearly a hundred years. Its painting method is to outline the outline with extremely fine lines first, and then apply heavy colors, which often covers the black lines and shows a very stable, delicate and luxurious charm.

This painting is meticulous, which fully embodies the rigor and meticulousness of painting in the Song Dynasty and deliberately seeks truth from life.

From this painting, we can see the ingenuity of Song people's meticulous brushwork, and we can also know that Ma Yuan not only has keen observation and ability to grasp natural beauty, but also has the ability to cut and choose, and his modeling is accurate. He can not only write the shape and quality of white roses just right, but also vividly reproduce their charm and expression. The picture is simple and interesting. Now, the meticulous paintings of some painters are often dull, tasteless and gaudy in color. It is suggested that they should often look at the paintings of Song people, understand the significance of painting by Song people, use the principle of pen and keep their hearts in nature. In the lower right corner of this painting, there is the small print "Ma Yuan", and there are nine seals on it, such as "Xiangzi Jingjia Collection", which is everyone's masterpiece and treasure.

Most of Ma Yuan's works are collected by major museums at home and abroad, and are rarely seen in today's painting and calligraphy market. It is said that its original work is valued at 3 billion yuan per square foot. Once it comes out, it will surely create sky-high prices and set a new record for calligraphy and painting auction.