Brief introduction of Stephen Chow's films

English name: out of the dark.

More Chinese titles: Night of the Soul

Movie genre: fantasy/horror/comedy

Length: 87 minutes

Release date:1July 6, 995

Country/Region: Hong Kong

Dialogue language: Cantonese

Color: color

Format: 35mm widescreen system

Mixed: mono

Level: Hong Kong: Level 2

Shooting format: 35mm

Print format: 35 mm

Distribution company: Metropolitan Film Production Co., Ltd.

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Director: Liu Zhenwei Liu Zhenwei

Screenwriter: Liu Zhenwei Liu Zhenwei

Actor actor:

Stephen Chow Stephen Chow ... "This killer is not too cold".

Karen Mok Karen Mok ... Michelle Kwan.

Huang Yifei Wang Yufei ... Bold

Huang Zhixian Huang Zhixian ... Strong.

Liang Jiaren Liang Jiaren ... Wu language.

Luo Xiong ..... Security chief.

Li Lichi Li Lichi

Zhou Zhou ... Li Sheng.

Shimaotan ... Li Furen.

Menglong longmaang

Photographic film Y: Huang Zhiwei Che Wei

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The film depicts a haunted house in a village, and Stephen Chow, who is neurotic, plays with the spectre as a ghost catcher, thus creating a series of absurd and surreal jokes.

Night of the Soul (Karen Mok, Stephen Chow)

Watch online

Night of the Soul (Cantonese)

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Ghost expert (Mandarin)

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Behind the scenes production

This is a work that Liu Zhenwei particularly likes. A Chinese Odyssey has a low box office. Liu Zhenwei thought that he had betrayed his friend Stephen Chow's trust, so he went back and made a ghost film that he was familiar with when he made his debut. The talented ghost catcher inside is regarded as a mental derangement by everyone, and he is naturally the son of Liu himself. As for the imitation of "This Killer is Not Too Cold", it just adds a little seasoning to the movie. Night of the Soul has a sense of absurdity consistent with Liu Zhenwei's works. When a group of people in Stephen Chow put on paper hats, they wandered among high-rise buildings, which touched our audience who live in modern cities and have long lost their childlike imagination. At the end of the film, Stephen Chow came back from the dead to see Karen Mok, took off the sunglasses that he had worn for 90 minutes (by the way, sunglasses became a symbol in Liu Zhenwei's movies, which was a shield to hide his inner feelings), smiled indifferently, and did not hide his vicissitudes: "I'm really sorry, I have more friends to socialize with, so I came back late. You are so beautiful today. " At the moment, this cynical man seems so gentle. Stephen Chow has finally matured after being tempered by domestic 007, a Chinese Odyssey and a night of souls.