Traditional Culture Encyclopedia - Photography major - Barry lyndon's behind-the-scenes production
Barry lyndon's behind-the-scenes production
Warner Bros. promised to fund the filming of this film, on the condition that stanley kubrick must choose a love story with a box office score of Top 10 as the leading role. 1973, Ryan O'Neal became the runner-up at the box office that year (according to the most authoritative quigley poll market survey in the United States, the first place was Clint Eastwood). But interestingly, this is the only time Ryan has entered top 10. The remaining third to tenth places are Steve McQueen, burt reynolds, robert redford, barbra streisand, paul newman, Charles Bronson, john wayne and Marlon Brando.
Only O 'Neill and Redford can get Kubrick to consider auditioning. The other actors are either too old or not suitable for the role. O 'Neill and Redford are Irish, and both of them have box office appeal. Although O 'Neill, 32, is five years younger than Redford in 1973, they played this role at the right age. However, O 'Neill was more famous at that time. Because "Love Story" has been nominated for the Oscar for Best Actor, Kubrick still prefers to play Redford, and O 'Neill only auditioned after politely refusing. Since then, Redford has always overshadowed O 'Neill on the big screen. In the same year, he starred in Stinger 1973 and Our Original Appearance 1973, which won a great victory, and 1974 ranked first in the box office. From 1973, O 'Neill fell out of the top ten box office camp, and his appearance in 1973 just fulfilled the highest rule that Hollywood is the highest box office for actors.
After the film was released, it was highly praised by the American Film Critics Association, saying that barry lyndon was the best film, and Kubrick was once again affirmed as the best director. The film also won the Oscar for best cinematography, best costume design, best artistic direction and best soundtrack. The film is quite epic, with exquisite composition and photography, meticulous costumes and scenery, and bold and innovative use of music. Wu Yusen's good method of using pigeons to fly against violence can be traced back to this movie. Stanley kubrick, a film prodigy, put a18th century European legend on the screen with almost perfect film technology. Every shot is elegant like a classical oil painting, and the ending has a sad feeling after vicissitudes. The whole film is three hours long and consists of two volumes. Audiences who like literary films should not miss it.
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