What should the Year of the Loong pay attention to in 2024? When is the Year of the Loong?

What should the Year of the Loong pay attention to in 2024?

From 65438 to 0990, director Xie Fei was 48 years old. The Year of the Beast won the Silver Bear Award at the Berlin Film Festival, and the Year of the Beast became the realistic theme of the Berlin Film Festival, China. Time flies, 365,438+0 years have passed, but the fate of the protagonist Li Huiquan has become a classic image memory, which has made countless fans unforgettable.

On February 4th, in the new year, "The First Classic Review of the Artists Association-Jingweier New Year Exhibition" was opened. Five films were shown in this film, namely Zodiac, The Dragon Slayer, Fun, Speak Out, and Don't Get Down. In addition to fun, all four films are presented in the original version, which is more suitable for the old drama bones. In addition to the film screening, the number of two screenings of "Animal Year" will be restored to the original version. On the evening of February 5th, Xie Fei, the director, was a guest in the live broadcast room of Shouyi Love, and talked with the audience about his love and his perceived "taste".

Jiang Wen changed its name to Animal Year.

The story of the birth years of Xie Fei and Liu Heng.

The Year of the Beast is adapted from Liu Heng's Black Snow, which tells the story of Li Huiquan (Jiang Wen), a prisoner, being released from prison and returning to the hutong where he grew up. At that time, the buddy fork was angry because his girlfriend fell in love with someone else. However, Li Huiquan, who was loyal, taught the man a lesson. As a result, he accidentally killed himself and both of them went to prison. With the help of Xiao Liu (Liu Bin), Li Huiquan chose to set up a street stall to make a living. During this period, he met with three religions and nine streams, which made him taste the warmth and coldness of the world. In the karaoke room, Li Huiquan met the singer Zhao (Cheng Lin), who became her escort. However, when he decided to start a new life, he fell into an unexpected predicament ... He expressed the indifference and spiritual loneliness between people caused by commercialization and modernization in the transitional period with tragic fate.

Director Xie Fei has just returned from a visit to the school, and he feels that his artistic ideas, concepts and horizons have become broadened. "The creation of works of art should understand that shaping characters, real and plump characters and exploring complex human nature are always the most important core of works of art, which is a major change in my aesthetics at that time."

Xie Fei, who is thinking about what works to use to practice his artistic experience, happened to be recommended by a friend to read Liu Heng's Black Snow. After reading this work of1.5000 words, Xie Fei appreciated it very much and was deeply impressed by the protagonist Li Huiquan. "This character is real and complicated: he is both a good man and a bad man, a strong man and a weak man. The true and complicated humanity of the characters resonated with me. "

Later, Xie Fei found Liu Heng and invited him to adapt the script into a script. At that time, Liu Heng said that he had only written a script, but he didn't write a script and didn't understand it. Xie Fei advised Liu Heng, must be written by himself, "because the characters and stories are all you want to come out, they are alive in your mind. Yours is completely literary, and the narrative requires scenes and continuous performance. Every scene, every action and every word should be written in detail. Therefore, it is up to you to do this' translation' of the script. "

Recalling this incident more than 30 years later, director Xie Fei said that harmony is two completely different language systems, each with its own characteristics and irreconcilable. When adapting, the director should neither copy nor be too loose, but should grasp the essence of the core theme of the original work and follow the law of creation to translate the original story into language.

Xie Fei believes that the reason why the Year of the Animal can be favored by the general audience lies in the analysis of the complex state of human nature and the punishment of evil and the promotion of good. In a calm and realistic way, it shows the change of the protagonist Li Huiquan's mentality and his struggle and confusion between good and evil, good and evil. "It truly shows the people in life and their complexity, and excavates a meaningful theme through this description, so that the audience can be enlightened after reading it, live a better life and pursue better life value rather than side effects. This life is strong and long, which makes me very happy. "

Why did you change "Black Snow" into "Animal Year"? Xie Fei said it was because it didn't snow when shooting, and the artificial snow scene was not effective, so he had to change his name. It was Jiang Wen's idea to change it to "Animal Year". At this time, Jiang Wen asked Xie Fei, "Director, I have an idea. Do I look 24 to you? " Xie Fei said, "When you giggle, you look naive." Jiang Wendao: "Let's call it the year of the animal. The Year of the Loong, Quanzi is just 24 years old. " Xie Fei felt that the title of the film smacked of fatalism and had some meaning with Black Snow, so he agreed. Coincidentally, the 1990 Silver Bear Award is not only Xie Fei's 48-year-old birth year, but also Liu Heng's 36-year-old birth year, which makes a much-told story.

Xie Fei also revealed that Liu Heng's original name was "Red Vortex", which means that Quanzi lived in a whirlpool of blood, but the editor of the publishing house thought the name was not easy to understand, so he changed it to "Black Snow". Liu Heng also has a movie called White Vortex. After filming the animal year, Xie Fei originally wanted to continue filming this film, but was not approved, so he had to give up and shoot funny face instead.

Jiang Wenai gave advice.

Is a talented director and talented actor.

The Year of the Sheep is a one-man show, and each scene has its own fountain. The actor who plays this role has a heavy performance task. If the performance is weak, the film will not hold water. Xie Fei once said: "When Jiang Wen is found, the shaping of Li Huiquan is half done." For Jiang Wen, Xie Fei even commented that he was a "talented director and talented actor".

At first, Xie Fei couldn't decide who would play Kwon-ko. Later, some people said that Jiang Wen's play was good, but after watching Jiang Wen's furong town, Xie Fei thought that Jiang Wen was probably forty or fifty years old, too old to try. Xie Fei asked the assistant director to send a script to Jiang Wen. "As a result, the deputy director came back and said that he was only 26 years old and his age was just right!" Jiang Wen read the script and liked it very much. He said he was willing to take it, but he should be given at least three months to get familiar with life and roles.

Jiang Wen had already acted in several films such as furong town, Red Sorghum and Spring Peach before he appeared in the animal year, but only the animal year was the one closest to his real age and life. Jiang Wen devoted a lot of efforts to the role of Quanzi. Some viewers commented that this film is Jiang Wen's "Yan value masterpiece". Xie said that Jiang Wen and the crew's costumer went to Xiushui to buy clothes, and the costumer called him and said that Jiang Wen wanted to buy a particularly expensive trench coat. Xie Fei agreed. He said that the effect was good after the filming, and Jiang Wen was "really handsome".

Xie Fei revealed that Jiang Wen has special ideas, loves to give ideas, and actively participates in various things of the crew. There is a group scene of 400 or 500 people in the park, which was shot in painted soil. How to make so many people cooperate all the time is a difficult problem. Jiang Wen made another idea. He found two friends to say "double reed" there. "We filmed for a long time. If there is no double reed performance, everyone will run away. People were very happy and we filmed successfully. "

Tian Liang plays Jiang Wen's friend Brush in the film, and he was nominated for the Golden Rooster Award for Best Supporting Actor. Brush is an idle punk, who plays cards, goes to bars and hangs around every day, even though he is heavily in debt. He has a classic line in the film: "How can living be so boring? Go to work, it's boring. " No work, no fun. Eating is boring, and not eating is boring. Sex is boring. Stop having sex. It's boring. Why are you so boring? The director revealed that this line was also written by Jiang. There was only one line. He felt a little boring, so he asked Jiang Wen and Tian Liang to think again. As a result, Jiang Wen made up such a paragraph.

When filming Animal Year, Xie Fei suggested that Jiang Wen, who loves everything, be the director. "He fits." In Xie Fei's view, although several recent works directed by Jiang Wen are all commercial films with market-oriented behavior, they are not as simple as his early works, but they are brilliant and amazing.

1990, Xie Fei and Jiang Wen went to the Berlin Film Festival. Xie said that they brought 20 or 30 posters and pasted them with paste. The next day, the streets were covered with huge foreign posters. "Our posters were soon flooded and no one noticed. Born on the 4th of July by Si Tong and Bound Me by Amodova are both representative works. I really didn't expect to win the prize in this animal year. "

Xie Fei praised Jiang Wen for being smart and studious. To his surprise, he found that Jiang Wen's English was very good. "At that time, it was rare for drama students to have such a good foreign language level. Although our poster didn't attract attention, it still got a lot of praise after the screening. A foreign journalist told Jiang Wen that his performance was very similar to that of Robert De Niro and Marlon Brando, and asked if Jiang Wen was influenced by them. Jiang Wen replied, "Sorry, I haven't seen them." In fact, Jiang Wen borrowed Robert De Niro's Angry Bull from me when he was filming the Animal Year. "

It is not easy to find cafes and dance halls when shooting the animal year.

The five parts of the exhibition "Classic Retrospect of the First Artists Association-Jingweier New Year Exhibition", namely, the year of birth, the massacre, fun, speaking and staying, were all born in the 1990s. They all accurately described and recorded this city with traditional flavor and keeping up with the pulse of the times in that era of rapid development and diverse ideas. When "Animal Year" won the Silver Bear Award at the Berlin Film Festival, the evaluation given by the judges was: "This film reflects the face of the times."

Xie Fei said that the animal year was filmed in Taiping Hutong, Xinjiekou. Now, although the streets have changed and the yard is still there, the trees in the yard have been cut down. It was not difficult to shoot hutongs at that time. What is difficult is new things, such as cafes and dance halls. "At that time, it was dark outside at 7 o'clock in the evening, and there was almost no nightlife. We want to shoot the cafe ballroom, where I have never been. Looking around, we found a basement in Xisi Geological Auditorium, where we could have coffee and dance disco. Later, we found that they had neon lights in the side hall of Haidian Cinema, so we photographed the location of China Song and Dance Hall there.

Xie Fei also wanted to express the alternation of old and new times and the collision between modernity and tradition by voice, so he chose A Fire in Winter by ChristianRandPhillips, Pingju sung by Lao Bai, Peking Opera, Double Spring and so on.

Xie Fei said that in the traditional culture of Jingweier, like other regional cultures, traditional operas occupy an important position. Besides, China's traditional drama is also an important part of China's history. One of China in history is Dingjun Mountain. He said that the "New Year Exhibition of Jingweier" held this time also made the audience re-examine "Jingweier", just as the northeast culture and Sichuan-Sichuan culture have penetrated into artistic creation in other regions. At that time, Beijing flavor culture was also a representative regional element. Later, with the development of industry and the rise of industry concepts such as regional culture and New Year's Eve dinner stalls, Beijing flavor culture gradually became a fixed creative style, probably no longer limited to filming and storytelling.

I saw it in 2022

137 works

Read 9 books.

Although Xie Fei is nearly 80 years old, he is still a social master. When Xie Fei visited the United States on 1986, he found that people had started to use computers, so he brought a 486 desktop from overseas to do word processing on 1988. Later, he learned to shop online and surf the Internet with his mobile phone. ...

Xie Fei, the director who once wrote film reviews in his notebook, registered Douban in 2022 and soon became one of the film critics of Douban. According to the records of Douban Book in 2022, Xie Fei read 137 works, read 9 books, published 8 film reviews and 3 book reviews in 2022. Interestingly, however, Xie Fei, the director who is surfing freely on the Internet, is not familiar with popular online terms. He laughed and said it might be because he didn't open the barrage.

As a "network master", director Xie Fei is also very optimistic about the network. He believes that movies, numbers and contacts are all one thing, just like three different sales forms of a commodity. Xie Fei believes that in order to break the concept of this boundary, with the development of scientific and technological means, the new broadcast media has been changing, the needs of the audience have changed, and the supply of new media has also changed. In his view, with the development of science and technology and the continuous improvement of networking mechanism, networking will definitely become a part of the mainstream in the future.

In 2003, Xie Fei, the director of 6 1 year-old, was diagnosed as a patient. When he was admitted to the hospital for the first time, Xie Fei was very ill. His stomach and lungs are seriously short of oxygen, and his temperature is as high as 39 degrees Celsius. After more than 50 days of treatment, he was discharged from the hospital. Director Xie Fei said that he is in good health and has no sequelae, so there is no need to panic about the epidemic.

Nearly eighty years old

Still running around

First line education

As the main director, Xie Fei entered the college to study directing at the age of 65,438+08. I graduated five years later and stayed in the director department until I retired. He wrote in 2022: "I graduated from junior college at the age of 23 and was delayed by sports and rural labor 10 years. At the age of 33, he began to teach and became an assistant director. At the age of 36, he made his debut in filming. My career as a director is short. Fortunately, I still have my main occupation-education, which I have done for 50 years. If my body permits, I can teach for 10 years. "

Today, director Xie Fei, who is nearly eighty years old, is still in the front line of education. On July 29th, 2022, Director Xie Fei flew from to Xining, which was his first flight after the epidemic in 2022. The purpose of this trip is to participate in the first youth exhibition held in Xining. Director Xie Fei believes that young people today have better opportunities than they do, but there are also many opportunities. In order to make more audiences, the ability and skills to master the content will always be a solid foundation that art students must lay, not just a temporary novelty in form.

In his view, the means of seeing, watching and listening are very simple. Technology that used to be very expensive and complicated is now a stupid device. Anyone can make movies with mobile phones and tablets. However, whether there is talent or not, whether there is humanistic quality, is not something that the school can manage, nor can technology decide. Therefore, it is very important that if everyone has a dream, tap his talent and accumulate humanistic qualities, his works will be valuable. "If you want to be an excellent artist, you must study the spirit of this era. Therefore, students' learning is one of basic skills and the other is keen on life.

Director Xie Fei believes that the study of art ultimately boils down to the understanding of people, and personal views on life, history and life should be expressed artistically. Real works of art are created by artists' deep understanding of spirit and culture.

Text/reporter Zhang Jia for the picture/Shouyilian

The above is about what the Year of the Loong should pay attention to in 2024, and the sharing of the Year of the Loong. After watching the the Year of the Loong Zodiac, I hope this will help everyone!