Oil painting retro portrait photography

The Great Gallery (the first photo). ? During the reign of Henry IV, it took him 13 years to build the grand gallery, the most spectacular part of the Louvre. This is a 300-meter-long gorgeous corridor, which is very long. Henry planted trees, raised birds and dogs here, and even chased foxes in the corridor on horseback. This exhibition hall with red and gold as the keynote is called Moline Hall and the nearby Road Hall. It was originally prepared for 1863 Charles Louis Napolé on Bonaparte Royal Museum.

2. Guide the people freely

1830 July, "three glorious days", that is, three days of revolutionary rebellion, deposed King Charles X. Later, Louis Philippe I replaced him as king, although the people of Paris tried to rebuild the Republic on July 28th. 1830: This day was celebrated in paintings. On the right, you can see the tower of Notre Dame through the smoke. On a huge roadblock, bodies piled up like mountains. A woman was holding a rifle and waving a French tricolor flag, calling on people to follow her. She symbolizes the Republic. From the clothes of the characters in the painting, we can see that they come from different social classes: on the left side of the Republic, a man is wearing a dress and a hat, and he is bourgeois; Further to the left, a soldier wore a beret and waved a saber. Judging from his apron and trousers, he is a manufacturing worker. This ingenious and powerful painting caused a stir in the salon of 183 1. Delacroix did not show the Republic as a symbolic image, but as a real woman. She was dirty, naked and furry, which was very dazzling to Delacroix's contemporaries! Because they can only accept smooth and idealized nude images!

3. The coronation ceremony of Napoleon I and Queen Josephine

The Coronation Ceremony of Emperor and Empress Napoleon I David was ordered by Napoleon to complete his masterpiece in three years, which recorded the immortal moment of Napoleon's coronation ceremony at Notre Dame de Paris on February 2, 804. Like all political propaganda works, this painting also has some treatment of reality: the emperor's mother sits on the throne and occupies a prominent position in the center of the picture. Actually, she didn't attend because she was angry with her son. Napoleon's image was idealized, becoming taller and thinner. Queen Josephine, kneeling in front of him, is also much younger under the pen of Napoleon's royal painter David. Because Napoleon put the crown on his head himself, David didn't show the plot of his coronation in the painting, but finally chose Josephine's coronation as the theme, but Pope pope pius vii sitting behind Napoleon didn't really pray for the new emperor.

4. The death of Sadapar

/kloc-The Death of Sadapal by French painter Eugène Delacroix in the 8th century. In the face of bloody killings, the coldness and indifference in the eyes of the person lying half-way above the painting are impressive. What kind of story is this? It turns out that Napal in Salda was the king of Assyria in the 4th century BC. This painting describes that when mobs surrounded the palace, he was lying on a beautiful big bed at the top of a huge woodpile, ordering eunuchs and warriors to kill his women and waiters, as well as his beloved steed. Everything that makes him happy is not allowed to exist after his death.

5. The coronation ceremony of Napoleon I and Queen Josephine.

The skill of light processing in oil painting is very skillful. In 150 portraits, the main characters are naturally highlighted, and the smoothness of gems embedded in a piece of jewelry or a piece of clothing fabric is properly taken care of. To some extent, David is a pioneer of modern photographers, just as they record the events of important people in the world. The luxurious scenes displayed in the painting can't help but make people think. Of all these characters in the picture, the most vivid one should be talleyrand, the foreign minister standing at the right end of the picture in red. He seemed to cast a sarcastic glance at the wonderful performance with a flamboyant taste.