Traditional Culture Encyclopedia - Photography major - Turn into spring mud to protect flowers.

Turn into spring mud to protect flowers.

Turn into spring mud to protect flowers.

Ji hai za Shi no.5

Author: Gong Zizhen

Original text:

The vast sadness of parting extends to the setting sun, away from Beijing, riding a whip to the east, feeling that people are on earth.

I quit my job and go home, just like a flower falling from a branch, but this is not a heartless thing. It can be turned into the soil of spring and can also play a role in nurturing the next generation.

Precautions:

1, mighty sadness: the sadness of leaving Kyoto, like waves, also means the author's inner injustice. Powerful: infinite.

2. Whip: The poet's whip. The East refers to the hometown of the East. Tianya: refers to the distance from Beijing.

3, falling red: falling flowers. Flowers are distinguished by the red ones, so falling flowers are also called falling red.

4, flowers: metaphor for the country. Namely: to.

Poetic:

The sadness of parting extends to the distant sunset. When I left Beijing, I felt like I was at the end of the world with a wave of my whip to the east. I quit my job and went home, just like a flower falling from a branch, but it was not a heartless thing. It has become the soil of spring and can also play a role in cultivating the next generation.

Appreciate:

This poem, the fifth in Ji Hai's Miscellaneous Poems, describes the poet's mood when he left Beijing. Although he is saddled with great sadness, he said that he still has to make a final effort for the country and the people.

The first two lyric narratives of this poem show the spirit of being bold and free and easy in infinite emotion. On the one hand, parting is sad. After all, after living in Beijing for many years, old friends are like clouds and the past is like smoke. On the other hand, parting is easy and pleasant. After all, I have escaped the shackles and can go back to the outside world to do other things. In this way, the sadness of leaving and the joy of returning are intertwined, with both the mighty sadness of leaving and the pointing of the whip; There is daylight, the west and the vast horizon. These two paintings complement each other and make each other interesting, which is a true portrayal of the poet's mood that day. The last two sentences of the poem use falling flowers as metaphors to express their own thoughts, which naturally blend into the discussion in the image metaphor. Turning into spring mud protects flowers more, as the poet said and did. After the Opium War broke out, he wrote to Liang Zhangju, the governor of Jiangxi in Shanghai, many times to discuss state affairs, and hoped to join the shogunate to offer suggestions. Unfortunately, the poet died in Danyang Academy soon (only 50 years old), unable to realize his social ideal. What a pity.

Falling in love is not heartless. Turn into spring mud to protect flowers. The poet changed his pen, from expressing his feelings of parting to expressing his ambition to serve the country. On the other hand, if you use Lu you, only the fragrance will remain the same. Falling in love originally refers to the flowers blooming on the branches, but it is not something without feelings. Even if it turns into spring mud, it is willing to cultivate beautiful spring flowers to grow. Not for the unique fragrance, but to protect the flowers. It shows that although the poet is divorced from officialdom, he still cares about the fate of the country and never forgets his ambition to serve the country, which fully expresses the poet's strong feelings and becomes a famous sentence handed down from generation to generation.

This little poem combines political ambition with personal ambition, organically combines lyricism with discussion, and vividly expresses the poet's complex feelings. On poetry, Gong Zizhen once said that poetry and people are one, there is no poetry outside people, and there is no one outside poetry (after Poems of Shu Tang Hai Qiu), and his own creation is the best proof.

Colorful poems are always spring poems.

Colorful poems are always spring poems.

spring

Author: Zhu

Original text:

Beautiful spring outing in Surabaya, the endless scenery is new.

Everyone can see the face of spring, the spring breeze blows flowers open, thousands of purple, and the scene of spring is everywhere.

Precautions:

1, spring day: spring.

2. Beat the sun: sunny days can also show the poet's good mood.

3, looking for incense: spring outing, hiking.

4. Surabaya: The name of this river is in Shandong Province.

5. Waterfront: water, river.

6. scenery: scenery

7. Leisure: normal and relaxed. Good recognition is good recognition.

8. East wind: Spring breeze.

Poetic:

The spring outing is sunny, and the endless scenery is completely new on the shore of Surabaya. Anyone can see the face of spring. The spring breeze is full of flowers and colors, and the scenery of spring is everywhere.

Appreciate:

It is generally believed that this is a poem describing a spring outing. Judging from the scenery written in the poem, it is also very similar. The first sentence wins the day and seeks the fragrance of water and shore. Victory over the sun refers to sunny days and weather. Point out the location through Surabaya. Looking for fragrance means looking for beautiful spring scenery and pointing out the theme. The following three sentences are all seen when asking for incense. The second sentence, boundless scenery is new for a while, is written about the initial impression of seeing the spring scenery. Use infinity to describe all the scenery in front of you. At that time, it was new. It not only wrote about the spring back to the earth, but also wrote about the refreshing joy of the author during his outing. In the third sentence, you can easily understand Dongfeng, and the literacy in the sentence inherits the search word in the first sentence. It is easy to recognize the features and features of spring. East wind refers to spring. The fourth sentence is always spring, which means that this colorful scene is dyed by spring, and people know spring from this colorful scene. This specifically answers why we can easily recognize the east wind. And the beauty of this sentence takes care of the new situation of the second sentence. The third sentence and the fourth sentence describe the new situation and the gains from finding incense in vivid language.

Xue Mei's "Strive for Spring" is not willing to give up the whole poem.

Xue Mei's "Strive for Spring" is not willing to give up the whole poem.

Xue Mei Xue Mei was unwilling to surrender in the spring.

Author: Lu Meipo

Original text:

Xue Mei refused to surrender for spring, and the poet pavilion commented on the pen fee.

The snow in Mei Xu Xun is three points white, but the snow has lost a kind of plum fragrance.

Precautions:

1, Lu Meipo, Song Dynasty. The year of birth and death is unknown. Mei Po is not his name, but he calls himself Mei Po.

2. Xing, surrender.

3, pavilion, put it aside, put it down. Comment on chapters and articles, here refers to the evaluation of Mei Xue.

4. Poets and literati.

Poetic:

Both plum blossom and snowflake think that they have occupied all the spring scenery, and no one will give up. It is difficult for poets to write critical articles. To be fair, plum blossoms make snowflakes crystal white, but snowflakes lose to plum blossoms.

Appreciate:

This is a seven-character quatrain written by Lu Meipo, a poet in the Song Dynasty. By commenting on Xue Mei, the poet skillfully wrote his own characteristics in comparison and endowed him with rationality.

Xue Mei will not surrender for the sake of spring, which means that Xue Mei will not give in to the other side for the sake of spring. Because plum blossoms bloom in late winter and early spring, the fragrance wafts away, giving people a feeling that spring is coming soon; Moreover, it has snowed several times, indicating that spring is not far away. Refuse to give up until you are willing to surrender.

The poet's fee is flat, that is to say, if you want to evaluate Xue Mei's messenger this spring, you need to put down your pen and weigh it. Poet, poet: put aside, put down: flat chapter, comment.

One, two meanings: plum blossom and white snow compete for spring, neither give up. Even a poet needs to put down his pen and think about it, which requires a lot of thought.

The snow in Mei Xu Xun is three points white. This sentence was written by the author from the perspective of color. Mei is not as white as snow. Three points is a little meaning. This is Mei's shortcoming, and this is precisely the advantage of snow. Poor, poor, almost.

Snow has lost the fragrance of plum blossoms. The author wrote this sentence from the perspective of smell. Snow is certainly not as fragrant as plum blossoms. This is the short board of snow, which is Mei's strong point. Losing, that's the difference.

Three or four meanings: (as if) plum blossoms are three points worse than snow in glistening flowers, and snow is going to lose to plum blossoms in fragrance.

One color and one fragrance, one long and one short, is a clever luck: it is a poet's problem to put pen to paper as a flat chapter. The author used a clever stroke to cover the coffin, in fact, there are both covers and no covers, because color and fragrance are two different angles!

For poems that praise things and express their feelings, we should get inspiration from things and connect them with similar phenomena in social life. After reading this poem, we can realize such a philosophy: one should see one's own strengths, the strengths of others and one's own weaknesses.

I advise you to drink a glass of wine.

I advise you to drink a glass of wine.

Send yuan twenty-one Xi

Author: Wang Wei

Original text:

Weicheng is drizzling,

The guest rooms are green and willow.

I advise you to drink more wine,

There is no reason to go out of Yangguan in the west.

Precautions:

1, Yuan Er: Yuan, ranked second, author friend. Dispatch: Send a special envoy. Anxi: refers to Anxi, the capital of the Tang Dynasty, near Kuqa in Xinjiang today.

2. Weicheng: Xianyang City in Qin Dynasty, Weicheng City in Han Dynasty, in the northwest of Chang 'an, on the north bank of Weihe River. Yu Chao: It rained this morning. Wu (y): wet.

3. Guest House: Hotel.

4. Yangguan: Located in the southwest of Dunhuang County, Gansu Province, it is the main road leading to the western regions in ancient times.

Poetic:

The light rain in the morning moistened the dust on the acropolis floor, and the branches and leaves of willow trees in the hotel covered with green tiles were particularly fresh. I sincerely suggest that you have another drink. Out of the Buddhist paradise, you will never have any bosom friends again.

Appreciate:

This is a poem written by Wang Wei when he sent his friend to the northwest frontier. Anxi, the abbreviation of Anxi Duhu, was established by the central government of the Tang Dynasty to govern the western regions, located in Qiuci City (now Kuqa, Xinjiang). The friend named Yuan went to Anxi on the orders of the imperial court. In the Tang Dynasty, most people who traveled westward from Chang 'an saw them off in Weicheng. Weicheng is the old city of Xianyang, Qin Dou, in the northwest of Chang 'an, on the north bank of Weishui.

Write the time, place and atmosphere of farewell in the first two sentences. In the morning, the Acropolis Guest House extends from east to west, and the postal road has no end. Willow trees surround the guest house and the postal road is on both sides. All this seems to be a common sight, but it is picturesque and picturesque. Yu Chao plays an important role here. The rain didn't last long in the morning, but it stopped as soon as it got wet. On the main road of Chang 'an West, cars and horses once crossed each other, and it was dusty on weekdays. Now, the rain has stopped, the weather is fine and the road looks clean and refreshing. The word "light dust" means wet, and it is used in a measured way here, indicating that the rain clears the dust and is not wet, just right, as if it were God's will, and a light dust road has been specially arranged for people who travel far away. Hostel is originally the companion of travelers; Willow is a symbol of parting. Having chosen these two things, I naturally intend to end my farewell. They are usually associated with sadness and hatred, showing a feeling of ecstasy. Today, however, it looks bright and fresh because of a shower in the morning. The guest rooms are green and willow. On weekdays, the roads are dusty, and the color of willows on the roadside is inevitably shrouded in gray dust and fog. It takes a rain to wash its green again, so it is new, and because of the new willow color, it reflects the green guest house. In a word, from clear skies to clean roads, from green guest houses to green willows, a picture with fresh and clear colors has been formed, which provides a typical natural environment for this farewell. This is a affectionate parting, but it is not a sad parting. Instead, it reveals a light and hopeful mood. Light dust, green, new and other words. There is a soft and bright rhyme, which enhances the reader's feeling. This poem is also called Farewell, Acropolis Song, Yangguan Song and Yangguan Triple. About before the Anshi Rebellion. This is a masterpiece in ancient farewell poems. The first two sentences rise, and the green willows appear in the early morning scenery. This is a common image in literary works, which is used to express farewell feelings from ancient times to the present, and Yangliu is reluctant to part. The following two sentences put deep feelings such as farewell, concern and worry into the act of persuading wine. There is no reason to go out to the west, and the place where friends go is strange; Second, there are few people there; Three words, since you and my friend left, it's hard to find a bosom friend. In this way, the preciousness of friendship, the helplessness of parting, and the concern of friends are all contained in the cup. The so-called farewell is long-lasting, and the feelings are sincere and will not be broken. In Li Dongyang's Poems at the Foothills in the Ming Dynasty, it was said: When writing poems, you should not believe in words, but express your meaning in words. Words can convey meaning, songs can be sung and passed down. Wang Mo said that there was no reason for Yangguan people, and no one knew it before the prosperous Tang Dynasty. When this remark came out, it was not enough for a while, and it was a three-fold song. After the farewell, a thousand words can hardly exceed the meaning. It can be said that.

There are strict restrictions on the length of quatrains. This poem, about how to hold a farewell banquet, how to raise glasses frequently at the banquet, how to say goodbye euphemistically, how to be reluctant to part with it, how to look forward and backward after boarding the ship, etc., was all given up, and only the host's toast was cut at the end of the farewell banquet: if you drink this cup again, you will never see your old friend again when you leave Yangguan. The poet, like a clever photographer, took the most expressive photos. The banquet lasted for a long time, and the wine full of special feelings was drunk too much. The words of polite farewell were repeated many times. The time for friends to go on the road is finally coming, and the feelings of farewell between host and guest have reached its peak at this moment. The toast that the host seems to blurt out is the concentrated expression of the strong and profound farewell feeling at this moment.

Three or four sentences are a whole. To deeply understand the deep affection contained in this parting exhortation, we have to go out to the west to go to Yangguan. Yangguan, located at the western end of Hexi Corridor, is opposite to Yumenguan in the north. Since the Han dynasty, it has been the channel for the mainland to go out of the western regions. In the Tang dynasty, the country was strong, and there were frequent exchanges between the mainland and the western regions. Joining the army or going to Yangguan is a desirable feat in the eyes of the prosperous Tang people. But at that time, the western part of Yangguan was still poor and barren, and the scenery was very different from that of the mainland. Although it is a feat for a friend to go out to the west and enter Yangguan, he can't help but experience the hardships and loneliness of the long March. Therefore, when he left, he advised you to make another glass of wine, just like a cup of rich emotional nectar soaked all the rich and profound friendship of the poet. There are feelings of parting, deep consideration of the traveler's situation and mood, and cordial wishes for cherishing the road ahead. For the farewell party, persuading the other party to have another glass of wine is not only to let friends take away more friendship, but also to delay the breakup intentionally or unintentionally and let the other party stay for a moment. Does the unreasonable feeling of people going out to Yangguan in the west belong only to walkers? Parting, I have a lot to say, but I don't know where to start at the moment. On this occasion, there is often silence. Persuading you to do more with a glass of wine is not only a way to break this silence unconsciously, but also a way to express the rich and complicated feelings at the moment. I advise you to drink one more glass of wine and go out of Yangguan for no reason, which directly shows your sincere feelings for your friends. What the poet has not said is much richer than what he has said. In short, although three or four sentences are only moments, they are extremely rich moments.

This poem describes the most common parting. It has no special background, but it has its own deep feelings of farewell, which is suitable for most people to sing outside the banquet. Later, it was compiled into Yuefu and became the most widely circulated and longest-lasting song.