Six ancient poems with seven-character quatrains

# Ability Training # Introduction to Seven-character quatrains, because they can be dual sentences or dual sentences, they can compose freely; Because of the short space, the sentences are refined and implicit, with many meanings; Because pay attention to melody, cadence, catchy, suitable for chanting. Since the Tang Dynasty, there have been many famous sentences, such as chanting history, recalling the past, discussing current affairs, expressing ambitions, complaining and talking about friendship. The theme is diverse and colorful, which is one of the popular styles of poetry. The following is a selection of six ancient poems with seven-character quatrains. Welcome to read the reference!

Complete Poems: Children Fishing

Poet of Tang Dynasty: Hu Lingneng

A child with unkempt hair and immature face is learning to fish by the river. He is sitting sideways in the grass, and his shadow is set off by weeds.

Hearing the voice of passers-by, the child waved, afraid to disturb the fish and dare not respond to passers-by.

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Fishing for Children is a poem about children's life. This poem describes a "unkempt young boy" learning to fish, "sitting on one side, raspberries and moss reflecting his body". Passers-by waved to the child and wanted to ask him some questions, but the child was "too scared to surprise others" (he didn't say a word for fear of scaring the fish). It's really vivid, vivid, both in form and spirit, and full of fun. His artistic achievements are no less than Du Mu's poem Qingming.

This poem is divided into two layers: fishing and asking for directions. The first and second sentences focus on fishing (form), and the third and fourth sentences focus on asking for directions (emoticon).

The first sentence and the second sentence, children, children also. "Pengtou" describes its appearance and highlights the innocence of children. "Nylon" is a fishing line, and "hanging nylon" means "fishing" in the title, which means fishing. The poet did not whitewash the fisherman's appearance, but wrote the true face of Shan Ye's unkempt hair, which made people feel natural, lovely and authentic. "Learning" is the eye of this poem. The child is a beginner in fishing, so he is very careful. The posture of "sitting on the side" when fishing reflects the physical and behavioral scenes, such as in front of you. "Sitting sideways" means sitting down at will. Sitting on the edge, rather than sitting firmly, is in line with the mentality of children learning this way for the first time. It is also conceivable that children are absorbed in fishing in an informal way. "Berry moss" generally refers to low-level plants that grow in wet places near the ground. From Berry Moss, we can not only know that the place where children choose to fish is a place where the sun is scarce and inaccessible, but also an ideal fishing place where fish are not frightened and people are not exposed to the sun, which paves the way for the following sentence "People should not be frightened by fish". "Grass mirror" is not only a portrait of a child, but also directly related to the next sentence "passers-by ask questions"-passers-by ask questions to children just because they are visible.

The subject of the last two sentences of "remote waving" is still a child. When passers-by asked, the children did not dare to answer the fish, waving at a distance and not answering. This is a description of children from two aspects: action and psychology, with calculation, strategy, alertness and intelligence. The reason why children use actions instead of answers is that they are afraid of scaring the fish away. The child's action is "waving from a distance", which shows that the child is not indifferent to the questions of passers-by. How children whisper to passers-by after "waving" is the imagination of readers, and there is no need for poets to explain. So after explaining the reason of "waving from afar", this poem came to an abrupt end.

In Tang poetry, there are few themes about children, so they are valuable. This poem about children's fishing has a special interest. There is no gorgeous color and deliberate carving in the poem, just like a beautiful hibiscus, which reveals a little innocence, infinite childlike interest and a little concentration in the plain and simple narrative. This poem can be said to be a masterpiece about children.

A night-mooring near maple bridge: Complete Poems of Twenty-seven Words.

Poet of Tang Dynasty: Zhang Ji

Crows fell on the moon, crowed coldly, slept on maple trees, and slept in fishing lanes by the river.

In the lonely Hanshan Temple outside Suzhou, the bell that rang in the middle of the night reached the passenger ship.

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This four-line poem is unified with the word "sorrow" The first two sentences are full of images: falling moon, crow, frosty sky, Jiang Feng, fishing fire, sleepless people, which creates an aesthetic situation with rich meanings and rhymes. The last two sentences, the image of the city, the image of the temple, the image of the ship and the image of the bell, are an ethereal and far-reaching artistic conception. Lit a fishing fire in autumn night by the river, and the guest will smell the bell in the quiet night. The selection of all scenery is unique: one is static and one is dynamic, one is bright and the other is dark. The collocation of scenery and the artistic conception of characters have reached a high degree of tacit understanding and blending, and * * * has formed this artistic realm that has become a model for later generations.

The first sentence of the poem describes three closely related scenes at midnight: the setting of the moon, crows and frost all over the sky. The first quarter moon rose early and sank in the middle of the night, leaving only a gray light and shadow in the whole sky. The tree perches probably because of the change of light and shade before and after the setting of the moon, and after being awakened, it makes several crows. The moon sets in the middle of the night, and the frost is black. In the dark and quiet environment, people's feeling of cold at night becomes particularly acute. The description of "frost all over the sky" does not conform to the reality of the natural landscape (frost is on the ground but not in the sky), but it completely conforms to the poet's feelings: the chill that attacks the bones and muscles in the middle of the night and the boats that the poet berthed from all directions at night make him feel that the boundless night sky outside him is filled with frost. The whole sentence, written by the setting moon, written by crows and written by frost all over the sky, clearly reflects a continuous process of time and feeling. And all this is harmoniously unified in the cold and cheerless atmosphere of autumn night in the water town and the lonely feeling of travelers. From here we can see the poet's meticulous thinking.

The second sentence of this poem continues to describe the characteristic scene of "a night-mooring near maple bridge" and the feelings of travelers. In the dim night, the trees by the river can only see a vague outline. Perhaps the reason why they are called "Jiangfeng" is a guess caused by the name Qiao Feng, or the image of "Jiangfeng" is chosen to give readers a hint of autumn. "There is a maple on Zhanjiang River, which hurts spring thoughts" and "There is no sorrow on the green maple". These poems of predecessors can explain the emotional content precipitated by the word "Jiang Feng" and its association. Through the misty river, you can see several "fishing fires" dotted around, which are particularly eye-catching and charming because of the hazy and misty background around. "River Wind" and "Fishing Fire", one is quiet and one is moving, one is dark and the other is on the river. The combination of scenery is quite intentional. When I wrote this article, I pointed out the passengers moored at Qiao Feng Bridge. "Sleeping in sorrow" refers to a traveler lying on a boat with sadness. The word "right" in "opposite" contains the meaning of "partner", but it is not as exposed as the word "partner". There are indeed lonely travelers here, who are haunted by lingering light worries when fishing on frosty nights, but at the same time they imply a fresh feeling for the beautiful scenery of the journey.

The scenery in front of the poem is very dense, and six scenes are written in fourteen words, but the pictures behind it are particularly sparse. The two poems only wrote one thing: sleeping in the night clock of the mountain temple. This is because the poet's most vivid, profound and poetic impression in a night-mooring near maple bridge is the midnight bell of Hanshan Temple. Moonsetting, Frosty Night, Fishing by the River, Lonely Boat and other scenes. It shows the characteristics of night parking near Fengqiao in all aspects, but it is not enough to convey its charm. In the dark, people's hearing rises to the first place in the feeling of external things. And the silent night bell gives people a particularly strong impression. In this way, the "Midnight Bell" not only sets off the quietness of the night, but also reveals the depth and clarity of the night. The poet's unspeakable feelings when lying listening to the bell are beyond words.

It seems that "Hanshan Temple outside Gusu City" cannot be ignored here. Hanshan Temple, located in the west of Qiao Feng, was founded in the Liang Dynasty. Hanshan, a poet and monk in the early Tang Dynasty, once lived here, hence the name. The poetic beauty of Qiao Feng, together with this ancient temple, has brought the color of history and culture, making it more rich and moving. Therefore, the "midnight bell" of Hanshan Temple seems to echo the echo of history, permeated with religious feelings, giving people a sense of simplicity and solemnity. It seems that the poet pointed out the source of the bell with a poem. With the stroke of midnight in Hanshan Temple, the charm of "a night-mooring near maple bridge" can be perfectly expressed. This poem no longer stays at the level of pure landscape painting on autumn nights in Qiao Feng, but creates a typical artistic conception of blending scenes. Although the custom of midnight was recorded as early as in heather, it was Zhang Ji's creation to write it into poetry and become the eye of poetic artistic conception. At the same time or after Zhang Ji, although many poets described midnight, they did not reach Zhang Ji's level, let alone create a complete artistic conception.

Complete Poems: Looking at Lushan Waterfall

Poet of Tang Dynasty: Li Bai

The purple mist is illuminated by sunlight, and the waterfall hangs in front of the mountain.

On the high cliff, it seems to be thousands of feet high, which makes people think that the Milky Way has fallen from heaven to earth.

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This poem is a seven-character quatrain. The incense burner in this poem, that is, the incense burner peak mentioned at the beginning of the poem, "in the northwest of Lushan Mountain, its peak is round, and the clouds gather and disperse, like Boshan incense burner" (music history "Taiping Huan Ji"). But when it comes to the poet Li Bai's pen, it becomes another scene: an indomitable incense burner, clouds of white smoke rising slowly in Ran Ran, ethereal between the green mountains and the blue sky, and turned into a purple cloud under the irradiation of the red sun. This not only makes the incense burner peak more beautiful, but also romantic, creating an unusual background for the unusual waterfall.

Then the poet turned his eyes to the waterfall on the mountain wall. "Before the waterfall hangs over the river", the first four words are the key points. "Hanging in front of the river" is the first image of "looking", and the waterfall is like a huge white practice hanging high between mountains and rivers. The word "hanging" is wonderful. It changes from dynamic to static, vividly showing the image of pouring waterfalls in Yuanwang.

The third sentence also describes the dynamics of the waterfall. "Flying three thousands of feet", stroke by stroke, every word is forceful. The word "fly" vividly depicts the scene of the waterfall spewing out; "Straight down" not only describes the steep slope of the mountain, but also indicates the urgency of the water flow. The sky is falling and unstoppable.

However, the poet was not satisfied enough, and wrote another sentence, "It is suspected that the Milky Way has set for nine days". He really wants to fall from the sky and surprise his soul. "Doubt is" is worth pondering. The poet clearly said it in a trance, and the readers know that it is not, but they all think that only in this way can it be more vivid and true. The secret lies in the image that has been bred in the poet's previous description.

The towering incense burner peak is hidden in the clouds. Looking at the waterfall in the distance is like flying down from the clouds and falling in the sky, which naturally associates with a galaxy falling from the sky. It can be seen that although the metaphor of "doubt is the milky way for nine days" is strange, it does not appear out of thin air in the poem, but naturally emerges from the portrayal of the image. It is exaggerated and natural, novel and true, thus arousing the resonance of the whole article, making the whole image more colorful, magnificent and magnificent, which not only left a deep impression on people, but also gave people room for imagination, showing Li Bai's artistic style of "Wan Li fell, but the trend was still strong at the end".

Wei Qingzhi, a poet in the Song Dynasty, said: "The fifth word of the seven-character poem should ring. ..... the so-called Ringo is committed to the place. " This view seems particularly convincing in this poem. For example, the word "health" not only makes the incense burner peak "alive", but also vaguely shows the scene of smoke rising in Shan Ye. The word "hang" has been mentioned before, and the word "fall" is also wonderful. It vividly depicts the majestic momentum of sudden high altitude and huge flow. It is hard to imagine what this poem would look like if these three words were changed.

The Complete Poems of the Four-Seven quatrains: Xiaochi

Poet of Song Dynasty: Yang Wanli

The silence of spring is because I don't want a long stream of water, and the shadow reflected on the water is like sunny days and breezes.

The delicate lotus flower bud shows a sharp corner from the water, and a naughty little dragonfly stands on its head.

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This is a new sketch. Everything is so beautiful, so soft and so affectionate. Every sentence is poetic, showing beautiful early summer scenery, natural and simple, touching. This poem describes a spring, a trickle, a pool of trees, a few small lotus leaves and a small dragonfly, which constitutes a vivid landscape of a small pool and shows the intimate and harmonious relationship between all things in nature. At the beginning, the words "spring is silent and cherishes a trickle, and the shade shines on the water and loves softness" bring readers into a small, delicate, soft and pleasant realm, and a trickle flows out of the spring silently; In the sunset, Chi Pan's green trees throw the shade into the water, and the light and shadow are mottled and clearly visible. A word "pity" turns ruthlessness into sentience, as if spring is letting it flow silently and slowly because of the pity of love; A word "love" gives life to the green tree. It seems to like the soft sunshine and shows its charm with water as a mirror. In three or four sentences, the poet, like a clever photographer, took an interesting shot with a quick mirror: "Xiao He just showed his sharp corner, and a dragonfly stood on it a long time ago." The time sequence has not yet reached midsummer, and the lotus leaf has just exposed a sharp corner from the water, and a small dragonfly is standing on it. A "talent show" and an "early stand" are taken care of, vividly depicting the scene of dragonflies and lotus leaves leaning against each other. Yang Wanli advocates learning from nature when writing poems. He has a keen interest in natural scenery. He often uses fresh and lively style and plain language to describe the ordinary scenery he sees every day. He is especially good at capturing the characteristics and fleeting changes of scenery and forming interesting pictures, so his poems are full of rich life breath. The silence of spring eyes is to cherish the long flowing water, and the shade of trees reflects the water because it likes the gentleness of sunny days. Just as the little tender lotus leaves its tightly wrapped tip, the lovely dragonfly comes to stand on it early. Appreciation of Famous Sentences-"Xiao He just showed his sharp corner, and the dragonfly had already stood on his head."

This poem expresses the author's love for life. Through the description of spring water, shade, lotus flower and dragonfly in a small pool, we can draw a simple, natural, vivid and full of infinite vitality: the spring water oozes silently, as if cherishing the crystal spring water; Green trees like to blend their shadows into the pool water in the soft sunshine atmosphere; The delicate lotus leaf has just exposed the sharp leaves out of the water, and the naughty dragonfly has already stood lightly on it. The whole poem focuses on the "small" place and vividly depicts the vivid new scene of the pond full of vitality and movement in early summer. Now it is used to describe the budding couple, because the small buds of lotus flowers are so small in the whole pond, but dragonflies have stayed on them. Sharp horns can be regarded as new things or even new young people, and dragonflies appreciate their roles.

The Complete Poems of the May 7th quatrains: Flying to the Wind

Wang Anshi, a poet in Northern Song Dynasty

There is a towering tower at the top of Feilai Peak. It is said that crows come and the morning sun rises.

Don't be afraid of clouds covering your eyes, because you are in the floor.

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Deng Fei Lai Feng is a seven-character quatrain written by Wang Anshi, a poet in the Northern Song Dynasty. The author of this poem directly describes his excitement and great political ambition from the perspective of personally climbing the Chihiro Tower and taking a panoramic view.

In the first sentence of this poem, the poet used the exaggerated word "Chihiro" to write the height of the ancient pagoda on the peak and his own foothold. The second sentence of the poem skillfully writes out the brilliant scene of the rising sun seen on the tower, showing the poet's vigor, ambition of reform and confidence in the future, and becomes the emotional tone of the whole poem.

The first sentence is about the terrain of Feilaifeng. This sentence is extremely written about the high risk of boarding. The purpose of writing sentences is extremely far away. As the saying goes, "The Story of the Xuanzhong" says: "There is a big tree in Du Taoshan, named Du Tao, with branches three thousand miles apart. There is a pheasant in the sky. At the beginning of the day, the tree shines, the pheasant crows, and the chickens in the world follow. " According to this test, the word "I heard that the rooster crows and the sun rises" is not only popular in Wanli, but also famous and powerful. Although it is a foreshadowing, it cannot be taken lightly. And the author is practical and ingenious. For example, the allusion "The sun shines on this tree and the cock crows at dawn" originally meant "The day after tomorrow", but Wang Anshi did not say "When you hear the cock crow at sunrise, you say" When you hear the cock crow at sunrise ",which means" The cock crows first, then the sun rises ". Poets are often subtle in their use of things, and they cannot aim at impartiality, or they make mistakes in their use of things for fear of having another meaning.

The word "not afraid" in the third sentence is stern and powerful. "Clouds cover your eyes" has an allusion. According to Professor Wu Xiaoru's research, people often compared floating clouds to evil villains in the Western Han Dynasty, such as the Shen Xinyu Wei film: "Therefore, evil ministers cover sages as floating clouds cover the sun." That's what the king's judgment means. He also has a seven-metrical poem "Reading History", in which a couplet says: "At that time, darkness was still a mistake, and the customs at the end were even more chaotic." If you want to achieve great things, the most terrible thing is to "cover your eyes with clouds" and "confuse the truth with vulgarity", and the new law that Wang Anshi subsequently implemented was precisely defeated by this. The poet's good intentions are shown in this poem.

The fourth sentence uses "on the floor" to enhance the poetic realm, which has a far-sighted spirit. Turn, knot two sentences, wonderful love words, is also a famous sentence through the ages; The author's finishing touch is the conclusion. As far as the situation is concerned, the word order should be "because I am in the layer, I am not afraid of clouds covering my eyes", but the author is the other way around, saying the result first and then the reason; The inversion of one cause and one effect shows the transformation of poetic vision. Although this is a common method of writing poetry, it also shows the author's profound conception. The last two sentences are the poetic eyes of the whole poem, which contain profound philosophy: people should not only look at the immediate interests, but also look at the overall situation and the long term.

"I am not afraid of clouds covering my eyes, only in the layer." With Su Shi, "I don't know the true face of Lushan Mountain, but toward which corner of the mountain." In the same strain, the expression is very similar. In terms of affirmation, Wang's poems are metaphorical: "If you master the method of correct views and reach a certain level of understanding, you can see the essence through phenomena and you will not be confused by the illusion of things." Su Shi, on the other hand, is negative. He said, "People are confused by the illusion of things because they don't observe things comprehensively, objectively and correctly." Both of them are very philosophical and often used as mottoes.

Complete Poems of Six or Seven Words: Bamboo and Stone

Dynasty: Qing Dynasty | Zheng Xie

Bamboo is not relaxed at all, its roots are firmly embedded in the cracks in the rocks.

After thousands of tortures and blows, it is still strong, whether it is the southeast wind or the northwest wind in winter, it can bear it and will still be tough and straight.

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Bamboo Stone is a seven-character quatrain written by Zheng Xie, a painter in Qing Dynasty. This poem is an inscription, inscribed on the author Zheng Banqiao's own bamboo and stone drawings. In praising the tenacity and tenacity of Yanzhu, this poem implies that the author despises the tenacity of the secular world.

The first sentence of the poem: "Insist that the castle peak will not relax", first of all, put a towering sky and firmly grasp the green.

The image of bamboo in the crevices of rocks is presented to readers. A word "bite" symbolizes bamboo. Biting is an active action that requires strength. It not only depicts the scene of bamboo climbing to the green hills, but also shows the spirit of bamboo not afraid of difficulties, fighting against nature and tenacious survival. Following the previous sentence, the second sentence "Rooted in broken rocks" tells us that the foundation of bamboo standing proudly on the green hills lies in its deep roots in broken rocks. In Zheng Banqiao's poems and paintings, bamboo is often inseparable from "stone". Sometimes, the stone constitutes the opposite of bamboo, such as "draw a bamboo branch and insert a stone. The stone is one foot higher than the bamboo branch. Although one foot makes it higher, I will lift my strength for many years"; Sometimes the stone becomes the background of bamboo, for example, "The autumn wind passed Xiaoxiang last night, and I was crazy when I touched the stone through the forest;" Only bamboo branches are not afraid, but they can fight a thousand games. "In this poem, the bamboo and stone are integrated into one mass, and there is no such thing as a stiff mountain green. These two poems also illustrate a simple and profound philosophy: deep foundation and strong power.

With the foreshadowing of the first two sentences, it naturally leads to the following two sentences: "I am still strong after many trials, and I am willing to face the wind in the east, west, north and south." The bamboo in this poem has one characteristic. Not solitary bamboo, not static bamboo, but rock bamboo, wind bamboo. In Zheng Banqiao's poems and paintings, bamboo is often a symbol of noble conduct and tenacious will, while wind is often a representative of evil forces, such as "the autumn wind passed Xiaoxiang last night" as mentioned above, or "a gust of wind rolled back and bamboo branches rose into the sky. Sweeping clouds and fog is really my business, and sweeping the floor is not enough. " In this poem, bamboo is also subject to "east, west, north and south winds" all year round. However, because it is deeply rooted in the rock, it is still firm and tenacious. What kind of wind can do nothing. The poet used the words "thousand" and "ten thousand" to write the indomitable, calm and confident expression of bamboo, which can be said that the artistic conception of the whole poem suddenly emerged. At this time, what stands in front of us is no longer a few ordinary bamboos. What we feel is an indomitable vitality and perseverance, and all this is contained in the rustling bamboo.

In fact, the bamboo in the poem is also the embodiment of the noble personality of the author Zheng Banqiao. In life, the poet is such a kind of rock bamboo that has close ties with the lower class, hates evil and is not afraid of powerful people. Zheng Banqiao's poems on paintings, like his paintings, have a strong three-dimensional sense and can be appreciated as paintings. This poem is like this. Both bamboo and stone are vivid in the poet's pen. There is no real wind, which is also described as passing by. However, the poet's pursuit is not only in the external shape, but also in every thin and hard rock and bamboo, which injects his own ideals and melts into his own personality, thus making this bamboo stone reveal a profound meaning outside animals and an internal charm.

This is a poem expressing ambition with things, and it is also a poem about things. This poem focuses on the tenacity and persistence of bamboo, the tenacity of rock bamboo, the integrity of iron, indomitable integrity and indomitable character. The language of the poem is simple, lively and persistent.