Why does Wong Kar-wai's Ashes of Time have such a high evaluation? Where is the beauty?

Ashes of Time is an anomaly in a new martial arts movie. It takes the martial arts as the shell, but it describes the emotion, confusion, alienation and alienation of modern people. As a new martial arts film, Time Has Changed borrows and reshapes an important figure who has always been regarded as a "collective myth" in Jin Yong's works, and reconstructs his own unique martial arts world with the previous mode. Although there are martial arts, chivalrous men, righteous acts and grudges, the structure, theme, narrative style and expression content of the whole film are very different from those of ordinary martial arts movies. The film "Oriental" continues Wong Kar-wai's methods of high-speed photography and picture editing of martial arts in his previous urban works, which not only emphasizes the magic of action in an unusual "fuzzy" way, but also strengthens the visual impact. This "non-linear" editing effect is different from the general special effects, but it also plays a similar role. The film "East" has a strong sense of form. Although Du Kefeng is a foreigner, he has made great achievements in creating the artistic conception of oriental aesthetics, and his photography effect is also the best among the new martial arts films that have always emphasized the picture, which is likely to surpass and surpass Stella. Many subtle treatments of light and shadow, and the hints of light and shadow effects on stories and characters' psychology are far beyond the reach of other new martial arts film photographers. Most of the exquisite pictures of the new martial arts films are only single-level "pictures" for appreciation, at most, they only render the atmosphere and create the environment, while the photography of "East" has been completely integrated into the whole work, so it is judged by the level. Of course, the most important thing is the content or theme of the film. Loyalty to the monarch, revenge and dominating the Wulin in traditional martial arts movies have developed into a more complex mixture of various elements, but in the film East, almost all these traditional themes no longer exist. From some signs, the film "East" can be regarded as a discussion and reinterpretation of Jianghu and chivalrous people, and the film adopts the form of "prequel" itself with the intention of tracing back to the source. Everyone enters the Jianghu for various reasons, mostly because of love, which is the characteristic and symbol of Wang Jianghu. At the same time, these acts of love are also exclusive forms with the label of king-rejection and rejection. Under the cover of martial arts and Jin Yong's banner, Jianghu children have also become self-pitying white-collar workers in modern cities, playing confused love games in hiding.