Traditional Culture Encyclopedia - Photography major - Who can give me some information about Hou Hsiao-hsien's two early films? She is walking and kicking.

Who can give me some information about Hou Hsiao-hsien's two early films? She is walking and kicking.

The wind is kicking (198 1)

Cheerful wind (198 1)

Regional Taiwan Province Province

Color color

White language

Chupin golden century co., ltd

Director Hou Xiaoxian

Screenwriter Hou xiaoxian

Photography Chen

throw

Anthony Chan

Feifei Feng

Mei Fang

quartz

Kenny Bee

Employee list

Production designer Ji Kaiqing

Editor Ching-Song Liao

Introduction:

Lucky Hui is the photography assistant of advertising director Luo Zai. Luo Zi actively pursues Lucky Hui, but Lucky Hui's love for Luo Zi seems to be absent. On an advertising trip in Penghu, I met Gu Jintai, a doctor who was blinded by a car accident because he took a patient to see a doctor. His sympathy and help made Kim Tae love Lucky Hui, and they met again after corneal transplantation. Jintai kept an appointment after the operation, and Lucky Hui asked for help. Luo Zai is carefully planning a trip to Europe, because this is Xinghui's dream. Luo Zai wants to win the beauty's heart, and is inviting Xinghui with great interest. This situation was met by Jintai, which caused misunderstanding. Under the choice of dreams and love, Xinghui will choose a dream trip to Europe. Or will you give up your dreams and throw yourself into the arms of your lover?

It is she who walks around, the long-lost Liu Liu de Ta (1980).

Leadership performance:

Hou Xiaoxian Hou Xiaoxian

Main performance:

Chen You Chen You

Show:

9 September 2000 (Hong Kong) More Regions

Region:

Taiwan, China

To white:

mandarin

Rating:

5. Details of110 (7 votes)

Color:

colour

Category type:

Plot love

Introduction:

The film is starred by two stars, Feng Feifei and A B. One is the daughter of an independent city, but with the good nature of the country (quite childlike), and the other is a poor boy who abandoned his status as a rich boy and became independent. Although the story theme of the film is trite (the hero and heroine finally got married after some twists and turns), the plot development is also trite (parents forced marriage, daughter left, love at first sight, happy ending); However, Hou Hsiao-hsien's later realistic features have begun to appear in the film. The first is the film's awareness of the differences between urban and rural areas. The film arranged for the hero and heroine to meet in the south, so nearly half of the scenes were set in the southern countryside. In addition to deliberately presenting rural scenery, there are also close-ups of children that have nothing to do with the plot. More importantly, the encounter between the hero and heroine is arranged in the conflict caused by urbanization and modernization in Taiwan Province Province. Because rural areas have to demolish houses on the planned road for urban development, and local residents don't want their ancestral houses to be destroyed, the inevitable conflict of modernization in Taiwan Province Province has occurred. In this film, Hou Hsiao-hsien's attitude towards the modernization of Taiwan Province Province needs to be analyzed and judged more carefully. Here, I just want to point out that his concern for social issues has been very eye-catching as early as his commercial film period.