How to use Photoshop to set off the blue, yellow and small Japanese tone effect of beautiful photos

This tutorial mainly uses Photoshop to call out the blue, yellow and small Japanese tone effects of beauty photos, which are mainly completed by three commands: optional color, natural saturation and hue saturation. Coupled with some words as an ornament in the picture, the work was finally completed. The tutorial is recommended for everyone to share.

Final effect

original drawing

1. Open the material file, and press Ctrl+L to call up the "Color Scale" dialog box, as shown in figure 1. Set the parameters and get the image effect as shown in figure 2.

Figure 1

Figure 2

2. Press Ctrl+M to bring up the "Curve" dialog box, and drag the curve upward as shown in Figure 3 to increase the overall brightness of the image. The obtained image effect is shown in Figure 4.

Figure 3

Figure 4

3. Create a "natural saturation" adjustment layer, and set the parameters as shown in Figure 5, so that the colors that cannot be displayed appear, and the obtained image effect is shown in Figure 6.

Figure 5

Figure 6

4. Create an "optional color" adjustment layer, set the parameters as shown in Figure 7, 8, 9, 10,1,and get the image effect as shown in Figure 12.

Figure 7 (The purpose of this step is to adjust the color of human skin so that it is not too red. )

Figure 8 (The purpose of this step is to adjust the skin color and the yellow part of the background)

Figure 9 (The purpose of this step is to adjust the green part of the background so that the image is biased towards warm tones. )

Figure 10 (the purpose of this step is to adjust the color of the character skirt)

Figure 1 1 (The purpose of this step is to adjust the white part of the image so that the white color is biased towards the cyan tone).

Figure 12

4. Create a Tone/Saturation adjustment layer and set the parameters as shown in figure 13. The purpose of this step is to reduce the overall saturation of the image and make the film a little more elegant, and the obtained image effect is shown in Figure 14.

Figure 13

Figure 14

5. Press the shortcut key Ctrl+Shift+Alt+E to poke the layer to get the "Layer 1" layer, and then press the L key to select the lasso tool. The check area is shown in figure 15.

Figure 15

6. Press the shortcut key Shift+F5 to bring up the "Fill" dialog box, with the same parameters. Click OK directly. The purpose of this step is to remove the telephone poles in the image and make the picture clearer, as shown in figure 16.

Figure 16

7. Select the spot repair brush tool, set the appropriate brush size, and then click on the face of the image to remove the small particles on the face, as shown in figure 17.

Figure 17

8. perform "filtering >; Imageology & gt Portrait "command, setting parameters as shown in figure 18. The purpose of this step is to skin, and the obtained image effect is as shown in figure 19. Portrait filter download address

Figure 18

Figure 19

9. press Ctrl+J to copy the layer 1 to get the "layer 1 copy" layer, and execute "filter >; Fuzzy >; Scene blur command, set parameters as shown in figure 20, and the obtained image effect is shown in figure 2 1.

Figure 20

Figure 2 1

10. Click the "Add layer mask" button at the bottom of the layer panel to get a white mask. Set the foreground color to black and the background color to white, select the brush tool, change the "opacity" to about 50% and the "hardness" to 0, and then click on the character part to erase the character part, and the obtained image effect is as shown in Figure 22.

Figure 22

1 1. Press the shortcut key Ctrl+Shift+Alt+E to poke the layer to get the "Layer 2" layer, and execute "Filter >; Render > lens halo command, set the parameters as shown in figure 23, and the obtained image effect is shown in figure 24.

Figure 23

Figure 24

12. Import the prepared text and put it in a suitable position, and the effect is shown in Figure 25.

Figure 25

13. Stamp the visible layer to get the "Layer 4" layer, and execute "Filter >; Sharpen > USM Sharpen "command, set the parameters as shown in Figure 26, and the final effect of the obtained image is shown in the following figure.

Figure 26

Final renderings