Fog willow sunshine photography works

Liu Yunlong won the Best Actor Award at the 15th Beijing Film and Television Chun Yan Award for his spy war drama Assassination, the Best Actor Award at the Internet Festival in 2006, and the Best Actor Award at the South Festival in 2008 for his spy war drama Blood Fog. Later, he appeared in the spy war drama Merit, Informant and Kite, and won the prize.

Especially blinding and kites. The plot against Liu Yunlong is called "Yagyu Style" because of its unique suspense drama. The image in his plot is not handsome, but more importantly, he has a brain, which is subtle, firm, elegant and gentle. These characteristics are the concentrated expression of men's sexiness. The plot of Liu Yunlong is a masterpiece, and his performance is exquisite and mature, which is the explosion accumulated by him for many years.

However, "Kite" was allowed to broadcast after five years of silence, which aroused everyone's desire to watch the drama. It is precisely because Liu Yunlong plays the ace agent of Chongqing's military system in Kite. On the surface, he is cruel and ruthless, but in fact he is a "kite" lurking in the military system. In the play, Zheng Yaoxian abandoned his brother, failed his lover, abandoned his daughter and almost lost the whole world for his faith and organization. It is precisely because Liu Yunlong wants to show and portray Zheng Yaoxian's complicated inner feelings in the play. Zheng Yaoxian always smokes. I don't know if you have noticed. The total duration of Kite is 46 episodes, totaling 2070 minutes, and the total duration of tobacco shots is 745 seconds, accounting for 0.6% of the total duration of TV series, with an average of 3.3 tobacco shots per episode. So the kite is June 22, 1965, 438+2008.

"Kite" is full of intense plots, and the characters are ups and downs. Zheng Yaoxian's struggle for self-identity and self-redemption in the play is very interesting. Like Liu Yunlong's other works, the story of the play is IQ Online. What is rare is that the play also has spy pen and ink that touches human nature such as self-identity.

"Kite" changed the setting of positive roles and the facial image of the enemy in the spy war drama, and restored the struggle history of the hidden front during the liberation war, which was true materialism. The sense of tearing in the play lies not only in Zheng Yaoxian's personal fate, but also in a complicated passage in the smooth plot, which reflects the sacrifice and difficulty of underground work.

Because of the plot against, meritorious service and kite, people have a strong interest in spy war drama, and Liu Yunlong has naturally become the label of spy war drama. However, the TV series I want to talk about today is not a spy war drama, but a cross-border work by Liu Yunlong.

Liu Yunlong's work didn't follow the usual path. The godfather of spy war directed and performed a legendary drama, which surprised many viewers who were full of expectations for Liu's spy war drama before it was broadcast. It was produced two years before the kite. This TV series is The King of Legends.

The King of Legends is the fourth work directed and performed by Liu Yunlong. It tells the story of a feud in China in the early 20th century. In Shanghai, China, the handsome young Lin Tianlong was framed by Gu Xiangru, Lei Ligang, Tang Zheng, Wanrong and other villains, became a prisoner, and his lover was taken away.

Lin Tianlong is unwilling to yield to fate. Coincidentally, he worshipped a imprisoned stranger-Old Master Q, the teacher of Emperor Guangxu-and studied in a black prison for 18 years. He learned a lot and got help from the emperor before he died. He ventured out of the black prison and became the god of revenge. He was reborn from nirvana, punished evil and promoted good, avenged himself and lost his love. Finally, he put aside his wealth, went boating on the sea and lived on earth.

Lin Tianlong is played by Liu Yunlong. He is a gentle, simple, cheerful and sunny sailor, a passionate young man with a fiancee who loves him and a bright future. He sent a letter to Japan to fulfill the wishes of the old captain, so he was framed by a villain full of envy and jealousy. Caught on the wedding day, 18 imprisoned. Luckily, I met an old madman and studied with him.

After breaking out of prison, he became a mature man with profound knowledge, elegant appearance and countless wealth, far-sighted and full of hatred. He came to Shanghai as a mysterious rich man, Mr. Chu, sneaked into his former enemies, took advantage of their desires and greed, and took revenge step by step in the most cruel but happy way. With the heart of revenge, Tianlong thought deeply about his life, and finally gave back his property to the society. He and his friends returned to the unrestrained sailor life.

A good screenwriter can control the rhythm of your reading, and a good director can control your feeling of watching movies. At the beginning, the plain or even plagiarized plot brought you into the brainwashing plot designed by him. From then on, I couldn't extricate myself, lost, depressed, broke out, happy, empty and full ... "Good and evil are always with me, and three generations of cause and effect are inseparable." I have to say, The King of Legends is a very successful TV series.

The King of Legends is a dark horse work that shakes the Victoria Valley. Like an iceberg that has been sleeping for thousands of years, it melts in people's hearts with rare density and emotional closeness. Its appearance marks the arrival of a long-lost sense of satisfaction, which will subvert the tired audio-visual image as if it were far away and lingering.

There is no doubt about the novelty and commercial value of the theme of The King of Legends. The play covers many fields, such as legend, revenge and treasure hiding. The story of this legendary world happened in several important historical periods in China in the last century, and time and space were neither too far nor too close. The audience has four generations, middle-aged and young. No matter how many suspense elements there are in the play, authenticity and China are the first creative basis.

The theme of revenge in the gunfight is no stranger to the audience. The legendary king is more about the exploration of the soul and the conflict of psychological contradictions The finishing touch of audio-visual impact is indispensable, and it can even be used to render the thrilling "Griffith's last-minute rescue", but the focus is on the psychological process of the characters, which is as unconscious and irresistible as air, making this work have unparalleled power.

One of the greatest successes of the TV series King of Legends is the creation of Lin Tianlong's image. I have never seen such a person with flesh and blood, distinct personality, sincere feelings and extreme personality changes before and after. As we all know, before this kind of images were flat characters with stylized faces, but unfortunately this kind of characters is the key to the success or failure of the plot. Compared with the past, the performance in The King of Legends is brand-new and colorful, which not only embodies the individuality of the characters, but also shows the charm of self from the characterization.

After watching this TV series, I think there are only two fly in the ointment. First, the first episode of 12 is too long, but this may be because the plot needs it. After Lin Tianlong escaped from prison in episode 12, the plot became tense, because Lin Tianlong officially started his own revenge. Second, the screen of the play is presented in a cold and dark way, and the brightness contrast is strong. 80% of the time, I can only see half of the actor's face clearly, while the other half is always dark, which makes me feel depressed. I don't know if this picture is old photographic equipment at that time or the plot needs it.

In The King of Legends, in addition to Liu Yunlong's wonderful acting skills, Wang Yajie played a beautiful, weak, kind, pure and simple-minded Catholic whose parents died, and was Lin Tianlong's beloved fiancee.

Lei Jiayin plays Afu, a ruthless assistant prosecutor, and Wan Qian plays Jianping, who avenges his father. At that time, Lei Jiayin and Wan Qian were still young.

In particular, Midong School has vividly interpreted Gu Xiangru as a greedy, insidious, greedy, cunning and duplicitous villain, which is very enjoyable.

Liu Yunlong's 50 episodes of spy war drama Chance ran aground, because Han Caiying, the first female in the drama, was a Korean actress. This TV series, which has not been broadcast for nearly four years, may not be broadcast until the lifting of the ban in South Korea. I can't help thinking: Liu Yunlong is really unlucky. "Kite" was broadcast five years later because of its sensitive theme, but after the filming of "Chance", it was banned in Korea.