Please leave the name of the documentary about China Air Force! !

Who knows the movie labels about the development history of China Air Force: Air Force, development history, movies?

I replied: 1 popularity: 1 resolution time: 2009-02-03118.

1. 1928 A Record of the Battle of the National Revolutionary Army 1905 A short current event from Dingjun Mountain to the Commercial Press. At the beginning of its birth, a large part of China films were short documentaries, but the real long documentaries had to wait until after the 1920s. With the change of the situation and the frequent occurrence of events, a group of aspiring filmmakers used cameras as historical pens to record the imprint of the times. Among them, Armageddon of the National Revolutionary Army, produced by Minxin Company in 1928, had a great influence and was regarded as a milestone of China's long documentary. Film History: The documentary "Go Left, Go Right" has a special personal record since the beginning of civilized society. On the one hand, it is an official appointed by the court and the government, on the other hand, it is the conscious behavior of people with will. The former is like Historical Records written by Tai Shigong and Zi Zhi Tong Jian written by Sima Guang, while the latter is like Zhuang's father and son who study Ming history in Luyigong. The original function of the film is to record, and in almost all countries and regions, the first film is almost a documentary, so recording history has become the original sacred mission of the film. Before television appeared, documentaries naturally played an important role in government propaganda; On the other hand, recording history with cameras is also the historical task of a new generation of folk intellectuals. The relatively complete documentaries "The Battle of the National Revolutionary Army by Sea, Land and Air" and "Shanghai Tide on May 30th" which appeared in China in the 1920s reflected these two trends. The Battle of the National Revolutionary Army by Sea, Land and Air was definitely the "main theme" blockbuster at that time. The manpower and material resources mobilized from the theme to the shooting are not a little higher than those of the feature films at that time, which is the advantage of promoting blockbusters. The Shanghai Tide on May 30th (1925) is another story. It is said that Chen Yinran, a photographer at that time and the founder of Shanghai Youlian Film Company, hid the camera in his wife's clothes to escape the inspection by the repressive army. At that time, China was in dire straits, and politics was of course ranked in an extremely important position, so it was very natural that there was no documentary such as "The Nano-Nuks in the North" by Flahadi. Now, both documentaries have been placed in the film history of China, representing the documentary direction of an era. Although the treatment of the two films was different at that time, from the simplest video recording of China's films to the sensitivity of journalists and the sense of responsibility of the filmmakers at the end of filming, the documentary in China has matured in just a few years, and so have the documentary workers in China. The government's propaganda documentary has continued to this day. However, because the production cost of movies is much higher than that of TV, "folk documentary" gradually withdrew from the film stage in China. At the same time, the appearance of TV has largely replaced the original documentary and evolved into feature films and documentaries in the TV industry. At present, TV documentaries are more diverse and rich in both ideas and forms. Not only did Flahadi-style anthropological documentaries appear, but various concepts in the history of world documentary films were also tested and displayed on China TV screens. Do you think this answer is good?