The Difference of Film Art between Gu Changwei and Zhang Yimou

Gu Changwei was born in Xi on February 1957 12, 2002. Graduated from the photography department of Beijing Film Academy. China film director and photographer. One of the representatives of the "fifth generation directors". Member of China Association for the Promotion of Democracy, member of the 13th Central Committee of China Association for the Promotion of Democracy.

1982, worked as a photography assistant in Xi 'an Film Studio after graduation. From 65438 to 0984, he was a photographer, shooting Teng Wenji's The Beach. 1988 Gu Changwei won 1988 the best cinematography award of the 8th China Golden Rooster Award for king of the children. In the same year, he won the Best Photography Award of the 8th China Golden Rooster Award with Red Sorghum. 1993 Gu Changwei was nominated for Best Photography in the 66th Academy Award for Farewell My Concubine? . In 2005, he made his first film Peacock and won the "Jury Award and Silver Bear Award" at the Berlin Film Festival. In 2007, beginning of spring, the second film directed by Gu Changwei, was shortlisted for the competition unit of Rome Film Festival. 20 1 1 won the Shanghai Film Critics Award for best director for his work "Favorite".

Zhang Yimou, 1950 was born in Xi, Shaanxi Province on April 2, 1950. He is a China film director, one of the representatives of the "fifth generation directors" and an honorary doctor of Boston University and Yale University in the United States.

1968 turn 197 1 After graduating from junior high school, he worked in the rural areas of Ganxian County, Shaanxi Province. 197 1 turn 1978 Workers of the Eighth Cotton Mill in Xianyang City, Shaanxi Province. 1978 entered the photography department of Beijing Film Academy. 1982 was assigned to Guangxi Film Studio after graduation. 1984 worked as a photographer for the first time in the film One and Eight, and won the China Film Excellent Photographer Award. 1986 starred in the first film "Old Well" and won three seats. 1987 directed the first film "Red Sorghum" and won the Golden Bear Award at the first China International Film Festival. From then on, I began to realize my own trilogy of film creation, from photographer to actor, and finally to director career.

From 1987 to 1999, his films, such as Red Sorghum, Chrysanthemum, Hanging the Red Lantern, The Story of Autumn Chrysanthemum, Living, No Child Left Behind and My Father and Mother, won numerous film awards at home and abroad, and he won three Oscars. After 2002, the commercial films "Hero", "House of Flying Daggers", "Golden Flower in the City" and "flowers of war" directed by the transformation set new box office records in China twice and won the annual Chinese box office champion four times.

Zhang Yimou was the chairman of the jury of 18 Tokyo International Film Festival and the jury of the 64th Venice International Film Festival. ? In 2008, he served as the general director of the opening and closing ceremonies of the Beijing Olympic Games, won the award of "Influencing Chinese around the world" and "Touching the Top Ten People in China" sponsored by CCTV in 2008, and was nominated as the person of the year by Time magazine.

20 13 Zhang Yimou directed the film "Return". 20 14 served as the chief director of the main promotional film for Beijing's bid to host the 2022 Winter Olympics. 20 15 planning of Hollywood film "the great wall" 20 16 general director of cultural performances at G20 summit in Hangzhou, China.

It is not difficult to see from the above that most of Zhang Yimou's current films are big scenes, and paying attention to the grandeur and atmosphere of the whole photographic picture composition (Golden Flower in the City, House of Flying Daggers) is to make the "angry" people look like Hollywood blockbusters.

. Gu Changwei's films are all about the plots of characters. The delicate picture of the film, through the portrayal of characters' expressions and plots (peacock and favorite), reflects the complexity of people's hearts and the good and evil of human nature, which makes the "technical" group look at domestic movies with new eyes-small and wide.