Traditional Culture Encyclopedia - Photography major - How to capture complex light and lines in indoor architectural photography

How to capture complex light and lines in indoor architectural photography

Lead: The pursuit of light and shadow has always been a great pleasure for photographers, and it is a big test for photographers to mention architectural photography, especially shooting the interior of buildings. How to capture the complex light and lines in the room, I hope this article will help everyone.

How to capture complex light and lines in indoor architectural photography 1 Looking for the perfect light and shadow to control the indoor photography light.

Light is an important factor affecting the texture of objects. For indoor architectural photography, learning to control light is one of the prerequisites for taking good photos. You won't be allowed to use the flash in a normal building. In fact, there are very simple ways to overcome the seemingly complicated natural light. Here are some suggestions for you.

Reasonable adjustment of ISO

First of all, a reasonable ISO is a link that everyone should attach importance to. The indoor light is dark, so it is necessary to improve ISO properly when shooting to ensure the shutter speed to get a clear picture. If you shoot a big scene with a wide-angle lens, it doesn't matter whether the aperture is around F4 or F5.6. In fact, there is a lazy way, just set ISO to auto and take pictures.

Correct use of exposure compensation

The second point is to make good use of exposure compensation. For indoor architectural photography, most of them belong to black, gray and dark series. Therefore, it is a never-ending trick to keep the exposure compensation negative. A slightly underexposed photo can better reflect the texture of light than an overexposed photo. When shooting the roof of the National Grand Theatre, I specially adjusted the exposure compensation to make the dark part disappear completely, so I took a very interesting photo.

Flexible selection of measurement mode

Finally, for more complex lighting conditions, you also need to use spot metering, so that you can shoot the theme you want to express more accurately.

2. Draw flowing lines and turn what you see into something you can shoot.

Each building has its own unique structure, and the indoor shooting of the building should of course show these characteristics. But the seemingly beautiful building structure may not be captured by the camera. Finding the right angle and using the right lens focal length is another prerequisite to complete a good photo. The best solution to the problem of shooting angle is to walk more. The same area, from different angles, will have different perspective relations. For larger scenes, I prefer to shoot from behind or below, because the photos obtained in this way will have different perspectives.

In the choice of lens focal length, the standard zoom lens of 24-70mm should be able to meet most of the needs of indoor buildings. The wide-angle end can accommodate large scenes, and the 70mm end can also shoot some parts of the building. For friends who are new to photography, I recommend shooting the details of the building, which makes it easier to get familiar with the basic composition methods and get started. Of course, if you still feel that it is not wide enough, the ultra-wide-angle lens of 16-35mm is also very useful in architecture, but the wider the focal length of the lens, the better. It seems that a wide-angle lens can hold more things, but if the distortion is not well controlled, your photos will become strange.

3. Don't miss the interesting humanistic elements in the frozen and moving moments.

Walking around the building, you will meet many tourists and staff. I always thought that someone's photo would make it more aura. When trying to avoid them, you might as well include them from a different composition angle, which may make your travel photos more interesting. When there are many people, just shoot people. If you are really embarrassed, you can also try to slow down the shutter speed and freeze the blurred figure of people moving in the photo. The combination of motion and static is an excellent performance of photography.