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Changing face, also known as changing face, is an unforgettable movie, and it can even be called a' classic'. Although it didn't win any awards, the sensation and research discussion caused by it lasted for a long time in the film industry. It is still one of the topics that fans talk about. Or you can describe it this way:' If you haven't seen "Face Stealing Hero", it means you haven't seen an action movie!

If you want to analyze the movie Two Heroes, you must first know the director John Woo and co-stars Nicolas Cage and john Travolta. John Woo is one of the most famous directors in Hong Kong. 1946 was born in Hong Kong. He wrote and directed "The True Color of Heroes" on 1986, so that in the following years, he became the object of imitation and imitation by many people in the film industry. Ten years before that, he called it' the decade of comedy', and the films that followed, Hero 2, Hot Men and Everywhere, were all typical action movies. 1993 became the "first person" of Chinese directors in Hollywood, and successively filmed Ultimate Goal, Operation Short Arrow, Face-grabbing Hero, Black Jack, Mission Impossible 2 and the war film Whisperwind, which was just released this year, and achieved considerable success. His greatest feature is dissecting violence. From the aesthetic point of view, changing time and space, reorganizing actions and processes, and prolonging scenes, thus changing its rhythm, is the ultimate application of instantaneous montage. The normal speed of the camera is 24 frames per second. In addition to the normal speed, he will shoot at the speed of 60 frames per second or even other angles 120 frames in actual shooting, thus making the accuracy and fineness of the action reach the peak. In addition, holding a gun with both hands is also a typical symbol of martial arts. John Woo did not give up his film style after he entered Hollywood. Even in the face of those who are good at classification and think that action is action, American audiences who can't accept action movies with heavy feelings have not given up their kindness, chivalry, romantic feelings and aesthetic violence. He likes to add a lot of violent aesthetics, sincere emotional world and delicate psychological description to the actor's acting skills to show people a human hero. John Woo is a world-renowned master of "violence aesthetics" and one of the most successful Chinese directors in Hollywood. Although adapting to the Hollywood system is a compromise, the success of its commercial operation is of reference value to the revival of China's film industry. It is said that he has a basic principle: he will not shoot any subject that will damage or insult the image of the people of China.

Actor Nicolas Cage's acting skills in Hollywood were recognized by 1995 in the movie Escape from Las Vegas, so he won the Oscar for Best Actor that year. Become the youngest winner in Oscar history. He has always been good at playing decent roles, and his eyes are very melancholy. It seems that he is more like a poet than an actor. John Travolta is also a powerful actor with rich experience. 1994 was nominated for the best actor in the Oscar for the film "Black Killing Order". His acting career has been bumpy all the way, with too many ups and downs, and most of his characters are die-hard villains with strong personality.

It is said that the film Win Face cost 100 million dollars. Through the incredible "face-changing technique", the film depicts the characters who are difficult to distinguish right from wrong and love from hate, making the theme of right and wrong with clear opposites more intriguing. In this film, John Woo continues the two opposing aspects of good and evil, good and evil since ancient times. Of course, it is an eternal truth that evil will prevail in the end. However, he added a strong element of family values to the film, which made the film complete to a great extent. This is also the most distinctive feature of Two Heroes and John Woo's previous films. Since john travolta's son was killed by John Woo in the film, the whole family has been in darkness and freezing, and neither Xin nor his family can bear this cruel fact. The daughter began to learn badly, and the disharmony between Xin and his wife's sexual life was unconsciously caused by an escape psychology. The hardest thing is Xin. As the head of the family, he has to bear more responsibilities, face the silent blame of his family, and try his best to get rid of the nightmare of Cass (Nicolas Cage) and his family. The hidden psychology of these characters is described very clearly. At the end of the film, when Xin Fuyuan came home, John Woo slowly appeared and walked through the fog. When he clearly appeared at the door, the bright sunshine at that time suggested that the family had lifted its heavy armor and shadow because of the death of the enemy Kas and accepted the enemy's son as a member of the family. Xin's extreme anger and anxiety about his wife and daughter in prison is the biggest motivation for his escape, as well as a sense of responsibility, a sense of responsibility and morality of men. In particular, the concept of human feelings when saving Cass's son and the place where Cass tied his brother's shoelaces twice are enough to explain the film "A Family" that John Woo tried his best to create. In fact, John Woo injected great warmth into the scene of all families and relatives together in the film, and made a simple and profound description. Cass's brotherhood in tying his brother's shoelaces also created the law that all bad guys only do bad things and kill people, and created a new real bad guy image with blood and tears. He also has relatives and human feelings.

What is most worth mentioning is the wonderful performance between Cage and travolta. With their distinctive personal styles, the two big-name stars pushed the contest between justice and evil on earth to the extreme. In the film, the role exchange after the two changed faces did not affect their good performance. This is especially rare. Cage's almost artistic and crazy dance after planting the bomb and some regrets and sighs after accidentally killing Xin's son show both the evil side and the emotional side of the character, which is just right. However, after the role exchange, the two can adjust their psychology and enter the role in a short time, which makes people have to praise their acting skills. In the film, Xin is hysterical in the scene of looking in the mirror, which echoes Xin's helplessness at that time. Cage laughed wildly in the prison battle, lost in self-affirmation and denial while laughing, and then suddenly woke up, turned around and cried and laughed. This passage is really well expressed, which makes people clearly understand the psychological transformation process of Xin at that time. Travolta also expressed the fear, anger and warmth of a policeman. He felt guilty about his family and tried his best to catch the murderer. The walking posture and movements after changing face are very harmonious with the identity of the first half. Best of all, after the role exchange, the temperament of the two men has also changed fundamentally. Travolta changed from righteousness to evil, but Cage changed from evil charm to melancholy and irritability. Especially successful, Nicolas Cage's emotional expression in the film also broke the Hollywood stereotype that heroes don't cry. This is a real and extremely successful co-star.

The music in the film is that the music after children put on headphones is not long, but the rhythm is slow, lyrical, warm and warm. In the fierce exchange of fire at that time, John Woo deliberately sublimated into an inexplicable artistic self-entertainment mood, where guns and fire no longer existed. At this time, gun battle, compared with movie music, has become an artistic, romantic and beautiful realm.

Wu Yusen's aesthetics of violence is actually the greatest display in this film, which makes it look more artistic and passionate. This is another peak of Wu Yusen's film career. In this movie, John Woo broke the rule that heroes in Hollywood movies can't cry to death and created a desperate tragic hero. In the film, he found the kind of "humanitarian spirit" and "family concept" advocated by the East and the West, and focused on depicting the strength and gentleness of female characters, which was recognized by female audiences, and many female audiences who had never seen an action film were also fascinated by this film. Like the style of dealing with characters in the past, the hero of this film is also between good and evil. Violence is no longer dominant in this film. Wu Yusen did not repeat the original technique of flying neutron bombs before, and the enemy could never kill them. Aesthetics has become the most enjoyable part of the film, and Wu-style violence has become an ingredient to decorate beautiful art. In the film, the whole and evil have formed great enjoyment.

Wu Yusen used more cinematic means and expressions than before to express the action scenes that have become stereotypes. Thus, the film has an unprecedented shocking effect, and from the perspective of innovation and development, action movies, a genre with a long history, have reached an unprecedented height in visual effects and formed a new style in emotional expression. Wind-inspired trench coats can still be seen in the film, and the sparks in the hangar gunfight are as gorgeous as fireworks. The shooting scene of Sasha's family is so unique in a large number of stadium scenes that children listening to music with headphones is like enjoying a wonderful opera in the opera house. The duel between two people in front of the mirror is absolutely classic. Finally, as usual, he fought a decisive battle in the church. John Woo once again realized himself in front of pigeons and God. The success of Two Sides and Three Knights lies in his successful portrayal of a criminal, whose image is still full, which is different from the emptiness of the bad guys in American movies. John Woo successfully combined China's chivalrous culture with western culture, and used a lot of slow motion in the film, putting action scenes, words and deeds in a romantic atmosphere. Moreover, whether in the movement of the lens or the use of music, John Woo found the best feeling of the peak of the year and surpassed it.

Although many people don't think "Two Heroes" is John Woo's best film, I always think it is the film that best shows John Woo's profound directing skills and Wu-style aesthetic violence. This is a film that can go down in history forever.