How do people or objects move the mask transition? A person or object that makes a transitional moving mask.

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A person or object who makes a transitional moving mask;

1. Motion is relative. The translation mask requires the lens to block the subject when translating. When shooting in a fixed position, people or objects can also move by themselves, forming occlusion. Please refer to the teacher's explanation in the video for details.

2. Fix the camera position first and shoot a video material of a character walking from right to left outside the screen. There should be the main body in the picture, that is, the characters themselves, and attention should be paid to composition. The characters are the same size from beginning to end in the picture, and the upper and lower ends occupy the screen without post-correction.

3. The second scene is that objects move, people don't move, that is, vehicles pass by. This is also the effect of the transition formed by the movement of objects. Note that the top and bottom of the object should occupy the screen.

4. Next, post-edit, drag the material into the time trajectory, right-click FX in the upper left corner of the video material, and select Time Remapping-Speed.

5. Add a key-frame shortcut key at the moment when the character enters the picture: press and hold the Ctrl key and click, and drag the right straight line up to about 365,438+00% to speed up the second half of the material.

6. Open the small triangle and pull out the Bezier curve, and fine-tune the curve to make the accelerated transition more natural.

7. Right-click Nesting, click OK, and drag the Sailimu delayed material to the track below, with the left end aligned with the moment when the characters walk into the screen.

8. Use the pen tool in the effect control to draw a path along the back of the character and hide the scene behind the character.

9. Mark the key frames of the mask path and repeat the operation. In each frame, use the pen tool to adjust the path of the character's back and adjust the mask selection area to make the mask fit the movement of the character's back.

10. There is no need to accelerate because the moving speed of the car in the second section is faster. Similarly, use the pen tool to draw a mask along the rear of the car, and then adjust it constantly.

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