The legendary swordsman: Does Hu Jinquan Tsui Hark disagree?

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Experts from Hu Jinquan related photo editing entries spoke to solve doubts and participated in the discussion. Classification: Mainland star directors, actors and film writers.

King Hu

China Hong Kong film director, screenwriter, producer and artist. Born in Beijing, originally from Handan, Hebei. Influenced by my mother's meticulous painter Liu Qingyun, I like painting since I was a child. I study painting at Beiping National Art Institute.

1949 moved to Hong Kong. He used to be an advertiser of Yonghua Film Company, an artist of Great Wall Film Company, a producer and screenwriter of ABC. 65438-0958 joined Shaw Company as an actor, screenwriter and assistant director. 1963 co-directed the Golden Horse Award work "butterfly lovers" with Li Hanxiang, and then wrote and directed martial arts films. 1964 independent director "son of the earth" became famous. He has also worked as an art designer for many times in his own films, and he also held a solo exhibition in Taiwan Province Province.

catalogue

basic document

occupation

Growing experience

Film art career

Reach a very high altitude

basic document

occupation

Growing experience

Film art career

Reach a very high altitude

The thoughts of a generation of famous directors

Correlation evaluation

Actor's work

The director's painting

Screenplay works

Related items

Data reference

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Hu Jinquan-Basic Information

Hu Jinquan in his youth.

Name: Hu Jinquan.

English name: KingHu

Gender: male

Birthday:1931April 29th.

Death: 1997 65438+ 10/4.

Native place: Beijing

Sudden death: Taipei

Occupation: screenwriter, director, actor

Hu Jinquan-occupation

Hu Jinquan independently directed Daughter of the Earth.

1949 moved to Hong Kong.

65438-0952, joined the Great Wall Film Company as an artist.

1954 starred in the first film,

65438-0958, joined Shaw Brothers (Hong Kong) Co., Ltd., actor.

From 65438 to 0959, he became the deputy director of Li Hanxiang.

1964 directed the film Children of the Earth independently, and then directed Come and have a drink with me 1964.

Longting year,

New martial arts movies, such as "Woman" in Artujov, have set off a wave of new martial arts movies in Hong Kong, Taiwan and Southeast Asia.

1972, the female Xia, added spy-like unannounced visits to the plot and legend, which increased the suspense; In martial arts, he imitates Beijing opera martial arts and has a strong dance format. He also tried to express his Zen thoughts by rubbing Kendo into China's Zen. The Mystery of the East, which is called intoxicating by foreign film critics, is a film that combines action, suspense and literary temperament. Won the 1975 Cannes Film Festival Best Comprehensive Technology Award.

King Hu

1978 was rated as one of the top five directors in the world by the British International Film Guide.

1965 won the Best Screenplay Award for Children of the Earth in the 4th Taiwan Golden Horse Award.

1967 "Longmen Inn" won the Best Screenplay Award for Best Works in the 6th Taiwan Golden Horse Awards.

1979 director LegendoftheMountain won the best director award and the best art design award in the 16 Taiwan Golden Horse Award.

1983 won the Best Service Design Award of the 20th Taiwan Golden Horse Award.

In the 1980s, various styles of works appeared, including the modern comedy TheJuvenizer.

The historical film The King's People is the best in the world.

Hu Jinquan work photo

1983' s TheWheelofLife won the Best Director Award at the Italian Science Fiction Film Festival. Outstanding Works Award of the 20th Taiwan Golden Horse Award.

Swordsman, 1990 directed "the legendary swordsman" and was shortlisted for the 3rd Hong Kong Film Expo. In the same year, it was rated as the top ten movies in China by World Movie magazine of Taiwan Province Province, and one of the top ten movies in Taiwan Province Province in that year was also sent to Fukuoka Asian Film Festival for screening.

1992 directed PaintedSkin, the king of Yin and Yang in The Painted Skin, which was shown at the 5th Tokyo International Film Festival. 1993 The 30th anniversary of his masterpiece Longmen Inn in the 1970s. As an internationally renowned director, he has served as a judge of the Golden Horse Awards in Greece, Manila and Taiwan. His film aesthetics was formed in Nvxia, so he is known as the earliest world-renowned movie master in the history of Hong Kong and Taiwan films.

Hu Jinquan's growing experience

Hu Jinquan stood on the podium in Cannes.

193 1 year, Hu Jinquan was born in Beiping. His grandfather, Hu, was a censor in the Qing Dynasty, and his father, Hu, studied at Kyoto University in Japan in his early years. After returning to China, he worked as a technician in Jingxing Coal Mine, Hebei Province, and switched to running a flour mill during the Republic of China. Hu Jinquan's mother is good at meticulous painting. When she was a child, Hu Jinquan began to practice Chinese painting under her mother's guidance. When he was a child, Hu Jinquan was already very fond of drama, especially the martial arts in Beijing Opera. When I was a teenager, I often sneaked to Huguang Road or Guangde Building to watch two big dramas, and even my family found out and got a board.

As a teenager, Hu Jinquan studied in Huiwen Middle School in Beiping, and his school education tended to traditional classical literature. However, he studied ancient Chinese under the supervision of his parents since he was a child, and naturally he was familiar with what he had learned. However, apart from studying, Hu Jinquan's gameplay seems to be worse. He dabbles too much in literature and history books and classical literature on weekdays, so he looks for opportunities to have fun in the theater. He not only talks about flowers and birds, plays Kunqu opera and other things like most dude children, but even sneaks into eight hutongs to listen to Henan Opera and Shaanxi Bangzi sung by artists from other provinces. More importantly, you should listen to books. When I have the opportunity, I will not only secretly go to Huguang Road with three or two friends to listen to the calligraphers' comments on the past, but also go to Tianqiao to listen to the Jianghu artists "surrounding the shed" and "falling to the ground". On one occasion, because the storyteller repeatedly made a slip of the tongue, he always described the name of Liu Xiu, Emperor Guangwu of Han Dynasty, as Liu Xuande, Liu Huangshu, and Hu Jinquan took the lead in fooling others. As a result, hooligans bought by several local teams pulled him out and got a repair. Not only blackmailed the silver dollar, but also his nose and eyes were beaten red and swollen. Before he went home, he let his family give him a good lesson, which was unfortunate.

King Hu

In the process of communicating with book lovers in the teahouse, Hu Jinquan learned that Lord Zhu Huan's martial arts novels had a far-reaching influence on people. In fact, Hu Jinquan's father has many manuscripts of Zhu Huanzhu's supernatural martial arts, and even his family has a family relationship with Zhu Huanzhu's landlord. Hu himself has personally seen this strange man who is good at writing monsters, and has hosted banquets at home many times. It never occurred to me that my son actually began to meet this old monster in private. The landlord in Zhu Huan is very eccentric. Generally, he seldom tells people stories about supernatural martial arts, especially when he has children. Only he smokes opium all the year round, and he is addicted to "A Furong". Therefore, he often makes an exception for smoking addiction. While smoking around Yunshan, he was talking nonsense. As a teenager, Hu Jinquan didn't dare to publicly return the pearls at home, nor did he dare to openly walk into the living room to listen to his gossip. He just stood outside the door secretly, listening to a word or two. Later, when he got hooked, he ran to Zhu Huan's home behind his family's back and begged Zhu Huan to talk a few paragraphs. As a result, Zhu Huan ignored him and sent him away with only a few pleasantries. As a result, Hu Jinquan used his brain when he got home. He actually thought of the opium smoker who returned the pearl. Every time he is invited to his home, his family always prepares a small bag as a gift for him. As a result, Hu Jinquan followed suit and stole opium from home and took it to Zhu Huan's home.

In this way, Hu Jinquan really fell in love with martial arts literature under the influence of Zhu Huan. At that time, he might only be interested in the debauchery in the story. Who would have thought that a few decades later, he began to make a fortune in the name of martial arts movie master, and opened an era of China movies with his martial arts culture?

Hu Jinquan-Film Art Career

Hu Jinquan and his brother Li Hanxiang.

1949, after the civil war, Hu Jinquan went to Hong Kong alone. At first, because he was in a different place, he could only choose a part-time job with a low salary in order to make a living. At the same time, he painted advertising posters for film companies and taught people English. He also worked as an assistant accountant and proofreader in a printing factory. In the process of painting advertising posters for film companies, his creativity and painting style have been appreciated by some film practitioners. Hu Jinquan, aged 195 1 and 2 1, stepped into the film threshold and entered a large-scale field under the recommendation of Kuang Chao Chiang. He painted advertisements in Malone Film Company hosted by Fei Mu, and then transferred to the American Engineering Department of Great Wall Film Company to be a film artist under the leadership of Wan Laiming brothers. As a result, his rigorous and delicate artistic talent and generous personality have been unanimously recognized by the industry, and many filmmakers have favored him, privately inviting him to tell some little-known jokes about unofficial history, as well as those strange martial arts ambitions that are rarely heard in Hong Kong.

King Hu

1954, the very popular Hu Jinquan started his career as an actor with the strong recommendation of some filmmakers. His first appearance was in Tears of Laughter directed by Yan Jun, and there was a guest performance with few scenes. Later, he frequently played roles in the films of the great director Li Hanxiang, so that he was called "Best Supporting Actor". Both Hu Jinquan and Li Hanxiang have lived in Beijing, and they also have the same literary hobbies and appreciation interests. They are fellow villagers, like-minded people, colleagues and, of course, bosom friends who talk about everything. Li Hanxiang, who is well-known in the Hong Kong film industry, began to help Hu Jinquan, making him popular in the industry in just a few years, and co-directed the opera film "Yu Tang Chun" with Hu Jinquan, and began his directing career.

Divine state

In the short years before 1956 entered Shaw Film Company, Hu Jinquan appeared in the films Snow Red, Long Lane, Three Sisters, Little Lover, Family Photo, Jiangshan Beauty, Back Door, Swallowing Thieves, Wu Zetian and blossoming flowers. He also starred in 65,438+00 movies, such as Little Angels on the Road, Sister I Love You, Two Silly Shooting Studios, Angels, Skinny Hands Rejuvenating, Booty Boy, Weird Woman, A Tree with Thousands of Peach Blossoms, The History of the Partition Wall and Lucky Stars High. At the same time, he served as an assistant director or part-time director in films such as I can't speak, Jinfeng, Ghost Story and Butterfly Lovers. Besides writing screenplays such as Hua Tian Cuo and Mountain Thief, he also wrote and directed the film Yu Tang Chun.

The best in the world-unparalleled

During this period, Hu Jinquan moved to Malone, Great Wall, Yonghua, Xuanyuan, Yadong, Asia, Xintian, Dongfang, Tsinghua, Dianmao, Haiyan and Siwei, and was influenced, directed and directed by famous directors such as Fei Mu, Wan Laiming Brothers, Zhu Shilin, Pingqian Li, Du Qing, Yan Jun, Li Hanxiang, Bu Wancang, Luo Wei and Yue Feng. In order to enrich myself, I also dabbled in dramas such as stanislavski, pudovkin, Eisenstein and other theoretical books of filmmakers, and repeatedly read movie master's works through Russian translation into English. It can be said that the period from 195 1 to 1964 is an important period for Hu Jinquan, as an industrious, diligent and talented film youth, to fully master the film skills, deeply feel the film culture and brew his own breakthrough.

1965, Hu Jinquan directed his first film, Children of the Earth, which was censored in Singapore and Malaysia because it was a sensitive subject about anti-Japanese, but gained good reputation and commercial interests in Taiwan Province and became the first foreign political propaganda film encouraged by the government. The following year, Hu Jinquan filmed a classic martial arts movie "Come and Have a Drink with me", and his real film style began to appear. Come and Drink with Me absorbs the essence of Japanese samurai movies and western movies, and integrates the artistic conception of China's landscape paintings, forming a unique film aesthetics in Hu Jinquan and opening the trend of new martial arts movies. As soon as the film was released, it sold a full house in Hongkong and Taiwan Province, causing quite a stir. It not only won the fame of Pei-Pei Cheng, a famous martial arts star, but also made his status rise rapidly, becoming a master of Shaw movies, and successfully changed the supernatural martial arts style that once swept the Hong Kong film industry.

Hu Jinquan-Reaching the Peak

Come and have a drink with me.

The film "Come and Have a Drink with Me" has mature artistic attainments, and many of them draw lessons from the style of China's traditional drama. The appearance, costumes and movements of the characters are all influenced by China's traditional drama Wu Wen Yard. Hu Jinquan said, "Many people think that I have made many martial arts films, but it is not. I know nothing about martial arts. The action I took was completely borrowed from China's plays. My martial arts movements are a combination of dance, music and drama. I break down the dramatic action and try my best to make it achieve the most amazing and prominent effect in the movie. "

1967, after Hu Jinquan finished "Come and have a drink with me" and started Shao's "Colorful Martial Arts Century", he immediately had a conflict with Shao's boss about his own film production cost and habits. Later, in a hurry, he left Shaw Film Agency and went to Taiwan Province Guolian Film Company for development on the pretext of being invited by Taiwan Province filmmaker Yung-Fong Sha. After arriving in Taiwan Province Province, because the previous "Son of the Earth" has established a good reputation for Hu Jinquan in the film industry in Taiwan Province Province, there is no crisis of trust and development. At that time, the media in Taiwan Province Province also showed great enthusiasm for the arrival of Hu Jinquan, expecting him to bring some more mature artistic creativity and business experience to the film industry in Taiwan Province Province.

1967, Hu Jinquan produced "Longmen Inn" in a short time. After its release, it set off a martial arts frenzy, which not only set a new miracle record for the release and box office in Taiwan Province Province, but also broke the box office record in Southeast Asia, and triggered a movie-watching craze in Hong Kong, Taiwan and Han Fei. This phenomenon is unprecedented in Taiwan Province films, especially in the subject matter of martial arts films, and it is even unimaginable to beat Hong Kong Shaw Film Company.

A Touch of Zen

After that, Hu Jinquan spent three years filming a masterpiece in the history of China's martial arts movies-Woman, which was beyond our reach at that time. The film 1972 was released, but the business situation was not as hot as expected. Since then, Hu Jinquan's martial arts films have been questioned, and critics quickly talked about their forgetfulness in the new wave of literary films in Taiwan Province Province. However, it was not until 1975 that the film Woman had to attend overseas film festivals after three years in order to seek foreign business opportunities, but did not want to win the "highest technical committee award" at the 28th Cannes Film Festival. Since then, Hu Jinquan has become the first China filmmaker to gain international recognition. After winning the prize, "Woman Xia" caused extensive comments in the media of China Province, and began to study the artistic achievements of the film continuously, calling it a historical masterpiece of films. Under the heat of public opinion, the film was repainted. Therefore, the box office revenue surged immediately after the re-release, which won a rare and unexpected opportunity for the development of Hu Jinquan. In the same year, it found the opportunity to shoot the martial arts film "Martyrdom".

From 65438 to 0978, Hu Jinquan was selected as one of the five directors of the international film yearbook published in Britain. He became the first filmmaker in China's film history who was recognized by international academic circles, and began to form his own family, which further influenced the aesthetic development of world movies with his unique style and rigorous style and became a veritable master.

Hu Jinquan —— Reflections on a Generation of Famous Directors

King Hu

In Hu Jinquan's martial arts films, the background years are mostly the Five Dynasties and Ten Kingdoms, the middle and late Ming Dynasty and the end of Yuan Dynasty, and other specific periods in China's history when foreign enemies invaded and civil strife intensified. The "inn" in the desert beyond the Great Wall or the "temple" in the deep mountains is a constant story scene in Hu Jinquan's martial arts films. Most villains are pirates and eunuchs. They are not only the embodiment of evil, but also the chief culprit threatening the survival of the country. This plot structure reminds us of the chivalrous man in Hu Jinquan's thought. Who are they? Or are they the strongmen who "cross the rubicon by force" in Han Feizi's works? Is it similar to the swordsman flying to corrupt officials in the middle of the night? I don't want to come. The chivalrous men in Hu Jinquan's thought are just loyal martyrs, full of loyal ministers who serve their country. They have the responsibility of the country and the rise and fall of the nation. Chivalry is just a coat for them. They are more equivalent to young intellectuals who have a boiling passion and dream of serving the motherland after the May 4th Movement. They look for their ideals in the changes of an era, and then express their voices in the disillusionment of their ideals.

Hu Jinquan talks with the younger generation of Tsui Hark.

Hu Jinquan's psychological knot is rooted in the melancholy of leaving home and going abroad, which is equivalent to the consistent knot of some intellectuals wandering abroad at that time. The story of Woman takes place in Tunpu, Lu Jing, while Longmen Inn and The Storm of Yingchunge also take place in the border inn, which is nothing more than expounding their own cultural experience and involuntary wandering fate. Like Gu Shengzu in Woman and He Quqing in The Legend of Mountain Residence, Hu Jinquan is also a troubled scholar who drifted with the tide in troubled times. Originally, his consciousness was very low, but in order to make a living, he also translated Buddhist scriptures for the publishing industry in Hong Kong. This is actually the same as copying the "big handprint" scripture and "Legend of the Mountain" for the female Xia Jiayashan Haiyin Temple. When He Quqing went to the ghost town of Beitunbao, he was caught in the lust trap by mistake and almost lost his life by unintentionally copying scriptures. This further illustrates the factual background of this "Zhenbei Tunbao". This area in the film is no man's land, just the habitat of some ghosts. Is this implying that Hong Kong, known as a "refuge", or the "provisional" authorities in Taiwan Province Province have lost their territory because of their virtue and dishonesty? A slogan of "temporary" is more like eulogizing ghosts, but are a group of politicians who are still addicted to the old times and fantasize about returning from counterattacks, and cultural immigrants whose dreams are broken and their thoughts are imprisoned more equivalent to ghosts who can't fly? The Legend of the Mountain and Woman are both catharsis of Hu Jinquan's self-thought. His disappointment with Zhenbei Tunbao is actually disappointment with a certain habitat where he lives, conveying a kind of decisive and black pessimism.

Hu Jinquan related assessment

Chivalrous girl stills

Although it has achieved unprecedented success in art, as far as commercial value is concerned, Hu Jinquan has been in a downward trend and is slowly submerged in the torrent of market economy. In 1970s, Hu Jinquan directed a series of works that failed at the box office. However, he is not limited to martial arts films, but still tries to shoot ethereal works with oriental freehand brushwork. The Legend of the Mountain and Rain in the Empty Mountain, which were filmed in South Korea, are his later masterpieces. Both works are full of artistic conception, but both of them are too high in style, which leads to the embarrassing situation that no one sees them.

In 1980s, he filmed the popular fashion comedy Life Events in Taiwan Province Province, as well as the costume dramas The Best in the World and The Great Cycle. Unfortunately, they are all out of date and left out by the market. From then on, they can never reproduce the glory of that year. 1989, at the invitation of Tsui Hark, he came back to shoot the legendary swordsman. He began to engage in character modeling, scenery and costume design. The martial arts film master had a tendency to assemble, but later he quit because of disagreement with Tsui Hark. Finally, the film was directed by Tsui Hark and Li Huimin, and Hu Jinquan was appointed as the general director to show his respect. Even so, Hu's open and freehand brushwork style is still contaminated in many details such as modeling scenery and scene atmosphere.

Master's Legacy "Painted Skin of Yin and Yang"

Hu Jinquan is the pioneer of modern new martial arts movies. His works are typical of heavy quality and light weight. In his 35-year career as a director, only 15 films have been handed down from generation to generation, and most of them have become classics handed down from generation to generation, and the longer they are, the more mellow they become. His films show a professional spirit that is not pedantic, easy to lift weights and extremely refined.

Although the development of martial arts films in Taiwan Province Province is not as popular and meaningful as that in Hong Kong, it has created an amazing and impressive historical monument in a limited time and space. At the same time, personal influence is second to none in Hu Jinquan. It is his works that bring this precious wealth to the films in Taiwan Province Province, and it is also his films that make the big family of China films formally take martial arts films as the theme, attracting countless experts, scholars and film lovers to discuss art.

Hu Jinquan studied hard all his life and loved studying Ming history, so most of his films were set in the Ming Dynasty. After 199 1 filmed the last work "Painter of Yin and Yang", Hu Jinquan collected information and studied historical facts. A few years later, he planned to shoot "The History of Workers' Blood and Tears in China", which was originally scheduled to start shooting in the summer of 1997. Who wanted to die in balloon dilatation of cardiac catheter at the beginning of the year? At the age of 66.

Hu Jinquan-Actor's Works

Spring Dancing with Flowers (1964)

Wu Zetian Wu Zetian (1963)

Flowers are blooming (1963)

Maiwenji (196 1)

Immortal khufu (196 1)

Personality deduction (196 1)

Swallow to Swallow Island (196 1)

A bouquet of peach blossoms blooms thousands of red flowers, and a tree of peach blossoms blooms thousands of red flowers (1960)

Tea Shoes Connect Tea Shoes Connect (1958)

Little darling (1958)

Rejuvenation with Wonderful Hands (1958)

LaughterandTears( 1958)

Family photo, family photo (1958)

My Fair Lady My Fair Lady (1957)

Frost Night (1957)

Road angel (1957)

Jinfeng jinfeng (1956)

Hu Jinquan-The Director's Painting

Painted skin (1993)

Best in the world (199 1)

The legendary swordsman swordsman (1990)

Longmen Inn (1989)

Legend of the Mountain-Zhong Chuanqi (1979)

Xia Xianu (197 1)

Emotions and sorrows Hsinouailueh( 1970)

sonsofgoodhearth( 1967)

Come and have a drink with me (1966).

Hu Jinquan's screenplays

Painted skin (1993)

Longmen Inn (1989)

Legend of the Mountain-Zhong Chuanqi (1979)

Xia Xianu (197 1)

sonsofgoodhearth( 1967)

Come and have a drink with me (1966).

Hu Jinquan related items

Director, screenwriter, producer, artist, the legendary swordsman and Xia Nv.

Hu Jinquan information reference

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New Dragon Gate Inn

Come and have a drink with me.

Jairo (name); Hero (movie name)

Edward Yang

The One-Armed Swordsman

Han Hsiang Li

A Touch of Zen

crouching tiger and hidden dragon

Pei-Pei Cheng

State of Divinity