Who is the father of modern aesthetics?

Alfred Stieglitz was born in hoboken, USA. After graduating from City University of new york, he studied in Germany, entered Berlin University to study mechanical engineering, and studied photography with H.W. vogel. 1883 started his photography career. 1890 after returning to new york, Stie Gerriets turned to his own photography career, and used all the time in the 1920s and 1930s to explore his personal world on the bank of Lake George in the Adirondack Mountains. He photographed the places and things around him-farms, landscapes, the sky and his life with relatives and friends, especially the details of his life with his young wife and painter Georgia O 'Keeffe. He has founded and presided over publications such as Photographic Review and Photographic Works. /kloc-0 founded the American photographic separation group in 1902, and successively opened "29 1 gallery" and "bosom friend gallery". Alfred Stieglitz, known as the "father of modern photography", is an all-round photographer with various schools. He was a master of painting photography in his early days, and later became an advocate of pure photography and a pioneer of realistic photography. He only uses pure photography technology without any other modeling means to accurately and truly express the theory and practice of the subject, which greatly promotes photography to get rid of the fetters of painting and become an independent art recognized by the world. The work "The Terminal" has created a dynamic photography style, transforming photography creation from indoor elaborate "elegant play" to outdoor broad social life. Pay attention to excavating artistic themes from ordinary daily life, create by snapshot, and pursue faithfully reappearing the true colors, qualities and personalities of the subject. As an outstanding organizer, he trained a group of new photographers by establishing galleries and magazines, and took the lead in introducing the works of modern European artists such as Rodin and Cezanne to the public, which made him occupy a special position in the history of American art.