What kind of equipment is better for jewelry photography?

For cameras and lenses, it is recommended that you find a professional photography studio to help you photograph jewelry products, such as ID consultation!

When shooting jewelry products, because the object being photographed is small, the camera is closer to the object when shooting, which results in a smaller depth of field in the image. We all know the law that "the shorter the object distance, the smaller the depth of field; the longer the object distance, the greater the depth of field." So how to effectively control the depth of field during the shooting process has become extremely important. As for a camera that can control the depth of field adjustment during shooting, the first choice should be a professional landline phone. Because any brand of professional landline camera can freely adjust the front and rear groups of the camera to achieve the purpose of controlling the image focal plane. In addition, some medium-format cameras are also equipped with related depth-of-field control accessories, such as adjustable close-up rings and tilt-shift lenses, etc. However, the adjustment angle of this type of accessories is often too small and has great limitations. In use, it is not as easy to control as a landline phone. Because a landline camera has a greater advantage in macro photography, it can freely extend the belly of the snake to obtain a larger shooting image. Relatively speaking, the 135 camera has greater limitations in jewelry photography and requires more related accessories. However, this does not mean that the 135 camera is not competent for jewelry photography. Since this article focuses on a professional perspective, it will not be covered here. Too many models.

Jewelry photography belongs to the category of macro photography, and a macro lens is undoubtedly the first choice. So among the many macro lenses, which one is more suitable for photographing jewelry? In this regard, we must proceed from reality and choose a macro lens that suits us based on the object distance space when shooting. The most common macro lenses we see are: 90mm, 120 mm and 180 mm, and 120 mm seems to be more suitable for jewelry photography. As digital backs become increasingly popular and widely used in the field of jewelry photography, the selection and requirements for lenses have also increased accordingly. In order to achieve a higher analysis rate of digital images, a digital macro lens should be selected. The details of digital lens images have been greatly improved compared to traditional lenses.

Digital imaging has been widely used in the field of jewelry photography. It has greatly improved the efficiency of photography work, greatly simplified complex work procedures, and improved shooting efficiency. Especially in terms of adjusting the light ratio, the convenience brought by what you see is what you get has greatly optimized the process of jewelry photography. Digital backs are the first choice for photographing jewelry. This is because they are better than 35 mm digital cameras in all professional indicators, especially the high-quality performance of metal high-gloss edges, which will not cause purple edges on metal high-gloss edges.

Tripod

In jewelry photography, a tripod is an important shooting accessory. It is even as important as the lens. A professional tripod should be a T-type tripod. Some people may say I have used a tripod, so first you have to check whether your tripod is heavy enough, stable enough, and easy to operate. There is a huge difference between a T-shaped tripod and a tripod. Jewelry photography requires extremely precise composition, and focusing is often chosen and judged within millimeters. Fine-tuning the camera body is the most action-packed step in jewelry photography. In addition to being able to lift and raise the camera freely, the T-type tripod can also move, push and pull the camera freely. It does not block the photographer's face like a tripod, which greatly affects its operational flexibility. At the same time, the requirements for the selection of gimbals have also been raised. The gimbal is first required to bear a weight of more than 15 kilograms, and a gimbal with a full gear adjustment function is the first choice, which is extremely important in terms of fine-tuning.