What are the modes of lens movement in the film 1942? Please briefly describe the general meaning and number of words of each mode.

What are the ways of lens movement in the film 1942? Please briefly describe the general meaning of each way.

Movies are literature of portable movement. If you don't let the camera move, why should you ask the audience not to buy novels or watch stage plays, but to pay for a movie theater with advertisements and a rigid posture for nearly two hours? "If you don't know focus plane's sports, you can say that you won't watch movies, write scripts, make movies or understand movies." -Zhou Chuanji's general production, you don't spend a lot of energy to design some moving pictures, but often just cut the lens repeatedly and use some simple actions repeatedly to avoid visual monotony. In common American blockbusters, a very simple action often uses a large-scale camera movement to express its movement. For example, in the film Infernal Affairs, it is just a shot of Matt Damon going up the steps, and it is full of movement through the movement of the elevator. (The film Infernal Affairs 8:2) It is hard to imagine a movie without motion. If you want to make a deeper analysis of the motion picture, you should analyze it in detail from various factors of the scene schedule (scene, depth of field, angle, composition, scenery, light, position, etc.). Of course, it is extremely important that the lens expresses the meaning of the film. Sports is one of the basic characteristics of movies, and it is also an important factor that distinguishes movies from other art forms. Motion shot mainly refers to the motion of the lens itself, that is, the shot shot by sports photography's method. In film and television works, it is rare to see still pictures and shots. Lots of moving shots. 1. Push the lens-the lens in which the camera moves slowly or pushes forward rapidly when the position of the subject remains unchanged. By pushing the lens, the viewing range of the screen is from large to small, the secondary part of the screen is gradually pushed out of the screen, and the main part or regional details are gradually enlarged, occupying the screen. In the scene, it has also changed from a distant view to a full, medium, close-up or even close-up view. The main function of this kind of lens is to highlight the subject, make the audience's visual attention relatively concentrated, strengthen the visual experience, and create a state of scrutiny. It conforms to people's visual psychology of observing things from far and near, from whole to regional, from panorama to detail in real life. 2. Pull the lens-opposite to the direction of pushing the lens, photography moves backward from near to far away from the subject; The range of framing changes from small to large, the subject changes from large to small, and the distance from the audience gradually increases. The image of the picture has changed from less to more, from regional to whole. In the scene, the close-up or near and middle scenes are pulled into a panoramic view and a distant view. The main function of pulling the lens is to explain the environment in which the characters live. 3. Shake the lens-the camera does not move, and the camera rotates up and down, left and right, and even around with the help of the movable chassis, just like a person's eyes patrolling the subject in a certain direction. The panning can represent the eyes of the characters and look at everything around them. It has a unique function in describing space and introducing environment. Swing from side to side is often used to introduce big scenes, while shaking up and down is often used to show the grandeur and precipitousness of tall objects. When shaking the lens one by one to show and gradually expand the scenery of the package, it also makes the audience feel immersive. 4. Move the lens-a lens in which the camera moves horizontally from left to right. Moving the lens means that the machine moves by itself and does not have to follow the subject. It is similar to the state of people walking while watching in life. Moving the lens can expand the two-dimensional spatial mapping ability of the screen just like shaking the lens, but because the machine is not fixed, it has more freedom than shaking the lens. It can break the limitations of the picture, expand the spatial vision and show a broad life scene. 5. Follow-up lens-A moving lens in which the camera keeps moving at equal distance with the object being photographed. Following the camera always follows the moving subject, which has a particularly strong feeling of crossing the space, and is suitable for continuously expressing the movements, expressions or details of the characters. Brief introduction of shoulder joint structure and movement mode