Chen Peibin's detailed introduction

Chen Peibin is an outstanding calligraphy activist at first. 1989, the Sino-Japanese friendship calligraphy forest was built under the Qixingyan in Guilin, which was founded in the Song Dynasty and took eight years to complete. Covering an area of 4,000 square meters, half of it is used for architecture, and Liu Haisu, Qigong and Piaoxiang have been exhibited for many years; There are 350 stone carvings such as Cangshan Zhou Xue, Qingshan Shan Yu and Shangtiao Xinshan. All Chinese and foreign calligraphers and lovers who travel to Guilin regard Guilin as a must-see. It is fun to visit historical sites nearby and read contemporary masterpieces. It has played a certain role in inheriting and exchanging academic knowledge. Among them, the art building, exhibition hall, teaching building, exchange teaching building, restaurant, swimming pool and green mountains and clear water are picturesque and elegant. Pei Bin has visited Japan every year for 20 years. On the occasion of the 30th anniversary of the establishment of diplomatic relations between China and Japan, he invited nearly 400 Japanese friends to visit Beijing to participate in celebrations. He visited Taiwan Province Province for five times, was interviewed by CCTV's Chinese Style, Oriental Time and Space, Sunset Red and Oriental Fashion for many times, and published three volumes of the series of works of Ink and Wash Love. Standing Committee of the 8th CPPCC in Guangxi, Professor of Lingnan Art College, President of China-Japan Painting and Photography Society, and President of China-Japan Friendship School. He was fascinated by China's calligraphy and thought that he could express his feelings directly without being bound by the reappearance of objects and images, which became the most vivid electrocardiogram to express his feelings. Excellent works in the past 2,000 years can have a full dialogue with us through the emotional line and Mo Yun, beyond the limitation of time and space. It can be called magical, magnificent and rich. His masterpiece, often placed on his pillow, is Preface to the Lanting Pavilion, which is the chief running script of Taoist broadmindedness and Confucian concern for people's livelihood. Forgetting to write, spitting out grief and indignation, giving up techniques and entering the highest realm, and achieving the promise of "Sacrificing a Nephew Manuscript"; Born in troubled times, he is good at stabilizing body and mind and prolonging life. In exile, I was framed and had nowhere to talk, so I could only call out cold food posts with paper and pen. There is also 1942, the masterpiece of the day before the death of Master Hongyi Garden, which reflects the two poles of life. It can be called the five peaks in the history of lyric calligraphy. It recalled countless times the courage and calmness that almost took French leave for him, and it has always been extremely cool, enjoying Apollo's eternal life and chewing the smallness of this body like an ant. It is a teacher and mirror that no book can replace, an inexhaustible energy factory for individuals, and a drug storehouse for treating heart disease.